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Anna Neill

Biographic Data

ID3587304
NAMEAnna Neill
GIVEN NAMESAnna
FAMILY NAMENeill
SIGNATURENEILL A
AFFILIATIONSUniversity of Kansas
ORCID0000-0002-7518-9990
VERIFIEDYes
TOTAL WORKS14
TOTAL CITATIONS11
WORKS AS AUTHOR14
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1993
LATEST PUBLICATION YEAR2019
H-INDEX2
  • Cultivating Belief

    Anna Neill•ARTICLE•Victorian Studies•2019

    Reviewed by: Cultivating Belief: Victorian Anthropology, Liberal Aesthetics, and the Secular Imagination by Sebastian Lecourt Anna Neill (bio) Cultivating Belief: Victorian Anthropology, Liberal Aesthetics, and the Secular Imagination, by Sebastian Lecourt; pp. vii + 229. Oxford and New York: Oxford University Press, 2018, £53.00, $74.00. Sebastian Lecourt’s Cultivating Belief: Victorian Anthropology, Liberal Aesthetics, and the Secular Imaginati…

  • Epigenetic emergence

    Anna Neill•ARTICLE•Textual Practice•2019

    The potential for an intervention by epigenetics into cultural theory and literary analysis has been a topic of recent inquiry from several directions. However, these approaches sometimes too easily align epigenetics with the Lamarckian ‘inheritance of acquired characteristics’, which presumes the direct influence of environment on the existence of particular traits across generations. This emphasis on environment in turn looks back to eighteenth…

  • The Made Man and the “Minor” Novel

    Anna Neill, Anna Neill Anna Neill•ARTICLE•Victorian Studies•2017

    Bruno Latour has identified the “great novel” as a site for revealing the complex nature of agency in the Anthropocene. As it traces cause and effect through numerous, interrelated events, the “great novel” reveals a vast network of actors—entities, human and non-human—that are neither pure subjects nor pure objects. I examine firstly how novels by Charles Dickens and George Eliot depict the agency of non-human things within a network of actors. …

  • The Machinate Literary Animal

    Anna Neill•ARTICLE•Configurations•2014

    Current inquiry into nongenetic forms of inheritance has deep roots in the nineteenth century. Samuel Butler's evolutionary science writing and fiction points ahead, beyond the twentieth-century dismissal of pre-Darwinian science, to our own questions about how the experiences of an individual organism may effect change at the species level. This includes the way that symbolically mediated information, which rapidly shapes the human environment, …

  • Relational Theories of Art

    Anna Neill, A Ridley et al.•ARTICLE•The British Journal of Aesthetics•2012•Cited by: 2

    Relational theories of art—paradigmatically, the ‘Institutional’ theory—arose from dissatisfaction with the Wittgenstein-inspired ‘family resemblance’ account of art, and were taken not merely to be preferable in various ways to that account, but actually to falsify it. We argue that this latter thought is rooted in a fundamental misunderstanding of the falsification-conditions of a family resemblance account; and we suggest that, once the reason…

  • The Savage Genius of Sherlock Holmes

    Open Access•Anna Neill•ARTICLE•Victorian Literature and Culture•2009•Cited by: 3•References: 1

    When Dr. Watson first meets Sherlock Holmes in A Study in Scarlet , the former is an itinerant medical veteran of the Second Afghan War who, sick and rootless, without “kith or kin” in England, is naturally drawn to London, “that great cesspool into which all the loungers and idlers of the empire are irreversibly drained” (6; ch. 1). Lacking emotional ties, physical strength, and purpose of any real kind, Watson seems to demonstrate the “feverish…

  • Criticism, Ethics, and the Problem of Rehabilitation

    Open Access•Anna Neill•ARTICLE•Law Culture and the Humanities•2006•Cited by: 1

    This essay will argue that the carceral literature classroom is at odds with the rehabilitative principles that have brought it into being. Teaching literature and criticism behind bars highlights the difference between a normalizing rationality implemented through institutions of correction and the concept of an ethical selffashioning that enables human beings to think and act in ways not determined purely by the force of their passions. While l…

  • British Discovery Literature and the Rise of Global Commerce

    Anna Neill•BOOK•British Discovery Literature and…•2002

  • Swift and the Geographers

    Open Access•Anna Neill•CHAPTER•British Discovery Literature and…•2002

    I begin this chapter with these much-quoted lines from Swift’s On Poetry: A Rhapsody because they argue so directly that ‘savagery’ is an invention of geography. Swift attacks geography as fraudulent learning, as a science that is always trying to cover the gaps and inconsistencies that it inevitably confronts by insisting on the barbarousness and barrenness of those regions about which it has little or no knowledge. Like the gaping lines of bad …

  • Introduction

    Open Access•Anna Neill•CHAPTER•British Discovery Literature and…•2002

    Eighteenth-century British travellers have been much talked about in recent decades. The journal records of, among others, merchants, explorers, pirates, ordinary seamen, press-gang victims, slaves, slave dealers, passengers, indentured servants and convicts have provided a rich archive for investigating the discursive character of colonial relationships and of imperial expansion in the period of Britain’s rise to global commercial pre-eminence. …

  • International Trade and Individual Enterprise

    Open Access•Anna Neill•CHAPTER•British Discovery Literature and…•2002

    By dramatizing the reform of the vagrant subject who has strayed beyond the line, Dampier’s journals in many ways provide the model for early eighteenth-century narratives of criminal adventure and economic endeavour. In Defoe’s novels, the behaviour of the itinerant yet enterprising protagonists, whether pirates, merchant adventurers, prostitutes or thieves, raises the problem of how individual profit can be reconciled with duty to family, God a…

  • Buccaneer Ethnography

    Anna Neill•ARTICLE•Eighteenth-Century Studies•2000•Cited by: 4•References: 8

    This is the publisher's version, also available electronically from http://muse.jhu.edu/journals/eighteenth-century_studies/v033/33.2neill.html

  • Hume's 'Singular Phenomenon

    Anna Neill•ARTICLE•The British Journal of Aesthetics•1999•Cited by: 1

    Journal Article HUME'S ‘SINGULAR PHENOMENON‘ Get access Alex Neill Alex Neill Department of Moral Philosophy, University of St AndrewsSt Andrews, Fife KY16 9AL, Scotland Email: [email protected]. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 39, Issue 2, April 1999, Pages 112–125, https://doi.org/10.1093/bjaesthetics/39.2.112 Published: 01 April 1999

  • The Sentimental Novel and the Republican Imaginary

    Anna Neill, William Ray•ARTICLE•diacritics•1993

    This is the publisher's version, also available electronically from http://www.jstor.org/stable/465399

  • Buccaneer Ethnography

    Anna Neill•ARTICLE•Eighteenth-Century Studies•2000•Cited by: 4•References: 8

    This is the publisher's version, also available electronically from http://muse.jhu.edu/journals/eighteenth-century_studies/v033/33.2neill.html

  • The Savage Genius of Sherlock Holmes

    Open Access•Anna Neill•ARTICLE•Victorian Literature and Culture•2009•Cited by: 3•References: 1

    When Dr. Watson first meets Sherlock Holmes in A Study in Scarlet , the former is an itinerant medical veteran of the Second Afghan War who, sick and rootless, without “kith or kin” in England, is naturally drawn to London, “that great cesspool into which all the loungers and idlers of the empire are irreversibly drained” (6; ch. 1). Lacking emotional ties, physical strength, and purpose of any real kind, Watson seems to demonstrate the “feverish…

  • Relational Theories of Art

    Anna Neill, A Ridley et al.•ARTICLE•The British Journal of Aesthetics•2012•Cited by: 2

    Relational theories of art—paradigmatically, the ‘Institutional’ theory—arose from dissatisfaction with the Wittgenstein-inspired ‘family resemblance’ account of art, and were taken not merely to be preferable in various ways to that account, but actually to falsify it. We argue that this latter thought is rooted in a fundamental misunderstanding of the falsification-conditions of a family resemblance account; and we suggest that, once the reason…

  • Criticism, Ethics, and the Problem of Rehabilitation

    Open Access•Anna Neill•ARTICLE•Law Culture and the Humanities•2006•Cited by: 1

    This essay will argue that the carceral literature classroom is at odds with the rehabilitative principles that have brought it into being. Teaching literature and criticism behind bars highlights the difference between a normalizing rationality implemented through institutions of correction and the concept of an ethical selffashioning that enables human beings to think and act in ways not determined purely by the force of their passions. While l…

  • Hume's 'Singular Phenomenon

    Anna Neill•ARTICLE•The British Journal of Aesthetics•1999•Cited by: 1

    Journal Article HUME'S ‘SINGULAR PHENOMENON‘ Get access Alex Neill Alex Neill Department of Moral Philosophy, University of St AndrewsSt Andrews, Fife KY16 9AL, Scotland Email: [email protected]. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 39, Issue 2, April 1999, Pages 112–125, https://doi.org/10.1093/bjaesthetics/39.2.112 Published: 01 April 1999

  • The Sentimental Novel and the Republican Imaginary

    Anna Neill, William Ray•ARTICLE•diacritics•1993

    This is the publisher's version, also available electronically from http://www.jstor.org/stable/465399

  • Hume's 'Singular Phenomenon

    Anna Neill•ARTICLE•The British Journal of Aesthetics•1999•Cited by: 1

    Journal Article HUME'S ‘SINGULAR PHENOMENON‘ Get access Alex Neill Alex Neill Department of Moral Philosophy, University of St AndrewsSt Andrews, Fife KY16 9AL, Scotland Email: [email protected]. Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 39, Issue 2, April 1999, Pages 112–125, https://doi.org/10.1093/bjaesthetics/39.2.112 Published: 01 April 1999

  • Buccaneer Ethnography

    Anna Neill•ARTICLE•Eighteenth-Century Studies•2000•Cited by: 4•References: 8

    This is the publisher's version, also available electronically from http://muse.jhu.edu/journals/eighteenth-century_studies/v033/33.2neill.html

  • British Discovery Literature and the Rise of Global Commerce

    Anna Neill•BOOK•British Discovery Literature and…•2002

  • Swift and the Geographers

    Open Access•Anna Neill•CHAPTER•British Discovery Literature and…•2002

    I begin this chapter with these much-quoted lines from Swift’s On Poetry: A Rhapsody because they argue so directly that ‘savagery’ is an invention of geography. Swift attacks geography as fraudulent learning, as a science that is always trying to cover the gaps and inconsistencies that it inevitably confronts by insisting on the barbarousness and barrenness of those regions about which it has little or no knowledge. Like the gaping lines of bad …

  • Introduction

    Open Access•Anna Neill•CHAPTER•British Discovery Literature and…•2002

    Eighteenth-century British travellers have been much talked about in recent decades. The journal records of, among others, merchants, explorers, pirates, ordinary seamen, press-gang victims, slaves, slave dealers, passengers, indentured servants and convicts have provided a rich archive for investigating the discursive character of colonial relationships and of imperial expansion in the period of Britain’s rise to global commercial pre-eminence. …

  • International Trade and Individual Enterprise

    Open Access•Anna Neill•CHAPTER•British Discovery Literature and…•2002

    By dramatizing the reform of the vagrant subject who has strayed beyond the line, Dampier’s journals in many ways provide the model for early eighteenth-century narratives of criminal adventure and economic endeavour. In Defoe’s novels, the behaviour of the itinerant yet enterprising protagonists, whether pirates, merchant adventurers, prostitutes or thieves, raises the problem of how individual profit can be reconciled with duty to family, God a…

  • Criticism, Ethics, and the Problem of Rehabilitation

    Open Access•Anna Neill•ARTICLE•Law Culture and the Humanities•2006•Cited by: 1

    This essay will argue that the carceral literature classroom is at odds with the rehabilitative principles that have brought it into being. Teaching literature and criticism behind bars highlights the difference between a normalizing rationality implemented through institutions of correction and the concept of an ethical selffashioning that enables human beings to think and act in ways not determined purely by the force of their passions. While l…

  • The Savage Genius of Sherlock Holmes

    Open Access•Anna Neill•ARTICLE•Victorian Literature and Culture•2009•Cited by: 3•References: 1

    When Dr. Watson first meets Sherlock Holmes in A Study in Scarlet , the former is an itinerant medical veteran of the Second Afghan War who, sick and rootless, without “kith or kin” in England, is naturally drawn to London, “that great cesspool into which all the loungers and idlers of the empire are irreversibly drained” (6; ch. 1). Lacking emotional ties, physical strength, and purpose of any real kind, Watson seems to demonstrate the “feverish…

  • Relational Theories of Art

    Anna Neill, A Ridley et al.•ARTICLE•The British Journal of Aesthetics•2012•Cited by: 2

    Relational theories of art—paradigmatically, the ‘Institutional’ theory—arose from dissatisfaction with the Wittgenstein-inspired ‘family resemblance’ account of art, and were taken not merely to be preferable in various ways to that account, but actually to falsify it. We argue that this latter thought is rooted in a fundamental misunderstanding of the falsification-conditions of a family resemblance account; and we suggest that, once the reason…

  • The Machinate Literary Animal

    Anna Neill•ARTICLE•Configurations•2014

    Current inquiry into nongenetic forms of inheritance has deep roots in the nineteenth century. Samuel Butler's evolutionary science writing and fiction points ahead, beyond the twentieth-century dismissal of pre-Darwinian science, to our own questions about how the experiences of an individual organism may effect change at the species level. This includes the way that symbolically mediated information, which rapidly shapes the human environment, …

  • The Made Man and the “Minor” Novel

    Anna Neill, Anna Neill Anna Neill•ARTICLE•Victorian Studies•2017

    Bruno Latour has identified the “great novel” as a site for revealing the complex nature of agency in the Anthropocene. As it traces cause and effect through numerous, interrelated events, the “great novel” reveals a vast network of actors—entities, human and non-human—that are neither pure subjects nor pure objects. I examine firstly how novels by Charles Dickens and George Eliot depict the agency of non-human things within a network of actors. …

  • Cultivating Belief

    Anna Neill•ARTICLE•Victorian Studies•2019

    Reviewed by: Cultivating Belief: Victorian Anthropology, Liberal Aesthetics, and the Secular Imagination by Sebastian Lecourt Anna Neill (bio) Cultivating Belief: Victorian Anthropology, Liberal Aesthetics, and the Secular Imagination, by Sebastian Lecourt; pp. vii + 229. Oxford and New York: Oxford University Press, 2018, £53.00, $74.00. Sebastian Lecourt’s Cultivating Belief: Victorian Anthropology, Liberal Aesthetics, and the Secular Imaginati…

  • Epigenetic emergence

    Anna Neill•ARTICLE•Textual Practice•2019

    The potential for an intervention by epigenetics into cultural theory and literary analysis has been a topic of recent inquiry from several directions. However, these approaches sometimes too easily align epigenetics with the Lamarckian ‘inheritance of acquired characteristics’, which presumes the direct influence of environment on the existence of particular traits across generations. This emphasis on environment in turn looks back to eighteenth…

Sociology (12 works) · Philosophy (10 works) · History (8 works) · Political science (7 works) · Art (6 works) · Law (6 works) · Philosophy (6 works) · Aesthetics (5 works) · Art history (5 works) · Psychology (5 works)

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