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Sophie K Scott

Biographic Data

ID3587307
NAMESophie K Scott
GIVEN NAMESSophie K
FAMILY NAMEScott
SIGNATURESCOTT S K
AFFILIATIONSUniversity College London
ORCID0000-0001-7510-6297
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS1
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Inhibiting orofacial mimicry affects authenticity perception in vocal emotions

    Ricardo F Vilaverde, Oleksandr V Horchak et al.•ARTICLE•Emotion•2024

    Although emotional mimicry is ubiquitous in social interactions, its mechanisms and roles remain disputed. A prevalent view is that imitating others' expressions facilitates emotional understanding, but the evidence is mixed and almost entirely based on facial emotions. In a preregistered study, we asked whether inhibiting orofacial mimicry affects authenticity perception in vocal emotions. Participants listened to authentic and posed laughs and …

  • Task-irrelevant auditory metre shapes visuomotor sequential learning

    Open Access•Alexis Deighton MacIntyre, Hong Ying Josephine Lo et al.•ARTICLE•Psychological Research•2023

    The ability to learn and reproduce sequences is fundamental to every-day life, and deficits in sequential learning are associated with developmental disorders such as specific language impairment. Individual differences in sequential learning are usually investigated using the serial reaction time task (SRTT), wherein a participant responds to a series of regularly timed, seemingly random visual cues that in fact follow a repeating deterministic …

  • Listeners are sensitive to the speech breathing time series: Evidence from a gap detection task

    Open Access•Alexis Deighton MacIntyre, Sophie K Scott•ARTICLE•Cognition•2022

    The effect of non-speech sounds, such as breathing noise, on the perception of speech timing is currently unclear. In this paper we report the results of three studies investigating participants' ability to detect a silent gap located adjacent to breath sounds during naturalistic speech. Experiment 1 (n = 24, in-person) asked whether participants could either detect or locate a silent gap that was added adjacent to breath sounds during speech. In…

  • Automaticity in the recognition of nonverbal emotional vocalizations

    César F Lima, Andrey Anikin et al.•ARTICLE•Emotion•2018

    The ability to perceive the emotions of others is crucial for everyday social interactions. Important aspects of visual socioemotional processing, such as the recognition of facial expressions, are known to depend on largely automatic mechanisms. However, whether and how properties of automaticity extend to the auditory domain remains poorly understood. Here we ask if nonverbal auditory emotion recognition is a controlled deliberate or an automat…

  • Flexible voices: Identity perception from variable vocal signals

    Nadine Lavan, Antoinette M Burton et al.•PREPRINT•2017

    Human voices are extremely variable: The same person can sound very different depending on whether they are speaking, laughing, shouting or whispering. In order to successfully recognise someone from their voice, a listener needs to be able to generalise across these different vocal signals ('telling people together'). However, in most studies of voice identity processing to date, the substantial within-person variability has been eliminated thro…

  • Poetry and Neuroscience: An Interdisciplinary Conversation

    Open Access•James Wilkes, Sophie K Scott•ARTICLE•Configurations•2016•References: 2

    Dialogues and collaborations between scientists and non-scientists are now widely understood as important elements of scientific research and public engagement with science. In recognition of this, the authors, a neuroscientist and a poet, use a dialogical approach to extend questions and ideas first shared during a lab-based poetry residency. They recorded a conversation and then expanded it into an essayistic form, allowing divergent disciplina…

  • In the ear of the beholder: How age shapes emotion processing in nonverbal vocalizations

    César F Lima, Tiago Alves et al.•ARTICLE•Emotion•2013

    It is well established that emotion recognition of facial expressions declines with age, but evidence for age-related differences in vocal emotions is more limited. This is especially true for nonverbal vocalizations such as laughter, sobs, or sighs. In this study, 43 younger adults (M = 22 years) and 43 older ones (M = 61.4 years) provided multiple emotion ratings of nonverbal emotional vocalizations. Contrasting with previous research, which of…

  • Cross-cultural recognition of basic emotions through nonverbal emotional vocalizations

    Open Access•Disa A Sauter, Daniel Sauter et al.•ARTICLE•Proceedings of the National…•2010

    Emotional signals are crucial for sharing important information, with conspecifics, for example, to warn humans of danger. Humans use a range of different cues to communicate to others how they feel, including facial, vocal, and gestural signals. We examined the recognition of nonverbal emotional vocalizations, such as screams and laughs, across two dramatically different cultural groups. Western participants were compared to individuals from rem…

  • How might we conceptualize speech perception? The view from neurobiology

    Open Access•Sophie K Scott•ARTICLE•Journal of Phonetics•2003•Cited by: 1•References: 21

  • How might we conceptualize speech perception? The view from neurobiology

    Open Access•Sophie K Scott•ARTICLE•Journal of Phonetics•2003•Cited by: 1•References: 21

  • How might we conceptualize speech perception? The view from neurobiology

    Open Access•Sophie K Scott•ARTICLE•Journal of Phonetics•2003•Cited by: 1•References: 21

  • Cross-cultural recognition of basic emotions through nonverbal emotional vocalizations

    Open Access•Disa A Sauter, Daniel Sauter et al.•ARTICLE•Proceedings of the National…•2010

    Emotional signals are crucial for sharing important information, with conspecifics, for example, to warn humans of danger. Humans use a range of different cues to communicate to others how they feel, including facial, vocal, and gestural signals. We examined the recognition of nonverbal emotional vocalizations, such as screams and laughs, across two dramatically different cultural groups. Western participants were compared to individuals from rem…

  • In the ear of the beholder: How age shapes emotion processing in nonverbal vocalizations

    César F Lima, Tiago Alves et al.•ARTICLE•Emotion•2013

    It is well established that emotion recognition of facial expressions declines with age, but evidence for age-related differences in vocal emotions is more limited. This is especially true for nonverbal vocalizations such as laughter, sobs, or sighs. In this study, 43 younger adults (M = 22 years) and 43 older ones (M = 61.4 years) provided multiple emotion ratings of nonverbal emotional vocalizations. Contrasting with previous research, which of…

  • Poetry and Neuroscience: An Interdisciplinary Conversation

    Open Access•James Wilkes, Sophie K Scott•ARTICLE•Configurations•2016•References: 2

    Dialogues and collaborations between scientists and non-scientists are now widely understood as important elements of scientific research and public engagement with science. In recognition of this, the authors, a neuroscientist and a poet, use a dialogical approach to extend questions and ideas first shared during a lab-based poetry residency. They recorded a conversation and then expanded it into an essayistic form, allowing divergent disciplina…

  • Flexible voices: Identity perception from variable vocal signals

    Nadine Lavan, Antoinette M Burton et al.•PREPRINT•2017

    Human voices are extremely variable: The same person can sound very different depending on whether they are speaking, laughing, shouting or whispering. In order to successfully recognise someone from their voice, a listener needs to be able to generalise across these different vocal signals ('telling people together'). However, in most studies of voice identity processing to date, the substantial within-person variability has been eliminated thro…

  • Automaticity in the recognition of nonverbal emotional vocalizations

    César F Lima, Andrey Anikin et al.•ARTICLE•Emotion•2018

    The ability to perceive the emotions of others is crucial for everyday social interactions. Important aspects of visual socioemotional processing, such as the recognition of facial expressions, are known to depend on largely automatic mechanisms. However, whether and how properties of automaticity extend to the auditory domain remains poorly understood. Here we ask if nonverbal auditory emotion recognition is a controlled deliberate or an automat…

  • Listeners are sensitive to the speech breathing time series: Evidence from a gap detection task

    Open Access•Alexis Deighton MacIntyre, Sophie K Scott•ARTICLE•Cognition•2022

    The effect of non-speech sounds, such as breathing noise, on the perception of speech timing is currently unclear. In this paper we report the results of three studies investigating participants' ability to detect a silent gap located adjacent to breath sounds during naturalistic speech. Experiment 1 (n = 24, in-person) asked whether participants could either detect or locate a silent gap that was added adjacent to breath sounds during speech. In…

  • Task-irrelevant auditory metre shapes visuomotor sequential learning

    Open Access•Alexis Deighton MacIntyre, Hong Ying Josephine Lo et al.•ARTICLE•Psychological Research•2023

    The ability to learn and reproduce sequences is fundamental to every-day life, and deficits in sequential learning are associated with developmental disorders such as specific language impairment. Individual differences in sequential learning are usually investigated using the serial reaction time task (SRTT), wherein a participant responds to a series of regularly timed, seemingly random visual cues that in fact follow a repeating deterministic …

  • Inhibiting orofacial mimicry affects authenticity perception in vocal emotions

    Ricardo F Vilaverde, Oleksandr V Horchak et al.•ARTICLE•Emotion•2024

    Although emotional mimicry is ubiquitous in social interactions, its mechanisms and roles remain disputed. A prevalent view is that imitating others' expressions facilitates emotional understanding, but the evidence is mixed and almost entirely based on facial emotions. In a preregistered study, we asked whether inhibiting orofacial mimicry affects authenticity perception in vocal emotions. Participants listened to authentic and posed laughs and …

Psychology (9 works) · Communication (8 works) · Cognitive psychology (7 works) · Neuroscience and Music Perception (5 works) · Social Psychology (5 works) · Communication (4 works) · Nonverbal communication (4 works) · Perception (4 works) · Social Psychology (4 works) · Facial expression (3 works)

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