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Ashon Crawley

Biographic Data

ID3587353
NAMEAshon Crawley
GIVEN NAMESAshon
FAMILY NAMECrawley
SIGNATURECRAWLEY A
AFFILIATIONSUniversity of Virginia
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS13
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2022
H-INDEX2
  • Otherwise Possibility

    Ashon Crawley•ARTICLE•Southern cultures•2022•Cited by: 1

    Otherwise Possibility Ashon Crawley (bio) Click for larger view View full resolution dancing in one spot (number 8), 2017. Pigment powder, acrylic paint on paper, 30 × 44 in. All images courtesy of the artist. [End Page 18] learning about life and love in the spiritual space of Blackpentecostalism, I was able to sense the world by paying attention to how my flesh felt. We sang songs loudly. We shouted hard. We spoke in tongues. The flesh was the …

  • On Black Queer Joy and the Digital

    Open Access•Christopher J Persaud, Ashon Crawley•ARTICLE•Social Media + Society•2022•Cited by: 3

    When I'm talking about the digital and what the digital makes possible, it becomes another world not unique to itself, not hermetically sealed off from some other modality, but in deep relation. The digital is another world through which we can practice thought with one another. Learning happens in digital space; argumentation happens in digital space; and pushback happens in digital space. Lots and lots of joking happens in digital space and a l…

  • Susceptibility

    Ashon Crawley•ARTICLE•GLQ A Journal of Lesbian and Gay…•2021•Cited by: 1•References: 15

    This essay argues that political theology does not interrogate the contexts of emergence for the joining of the political to the theological; it takes these concepts to have meaning without accounting for how these categories are created by racialized, gendered, sexed exclusion. What is it to be susceptible, and can such a thing be the antidote to political theology? Why would political theology need an antidote? Arguing that susceptibility is li…

  • The Lonely Letters

    Open Access•Ashon T Crawley, Ashon Crawley•BOOK•The Lonely Letters•2020

  • Introduction to the Academy and What Can Be Done

    Ashon Crawley, Ashon Crawley Ashon Crawley•ARTICLE•Critical Ethnic Studies•2018•Cited by: 2

  • The Lonely Letters

    Ashon Crawley•ARTICLE•GLQ A Journal of Lesbian and Gay…•2018•Cited by: 1

    Research Article| October 01 2018 The Lonely Letters Ashon Crawley Ashon Crawley Ashon Crawley, assistant professor of religious studies and African American and African studies at the University of Virginia, is the author of Blackpentecostal Breath: The Aesthetics of Possibility (2016), an investigation of aesthetics and performance as modes of collective, social imaginings otherwise. Search for other works by this author on: This Site Google GL…

  • Resonance: Neutrinos and Black Life

    Open Access•Ashon Crawley, Ashon Crawley Ashon Crawley•ARTICLE•Critical Ethnic Studies•2017•Cited by: 4

  • Blackpentecostal Breath: The Aesthetics of Possibility

    Ashon T Crawley, Ashon Crawley•BOOK•Blackpentecostal breath•2016

    Blackpentecostal Breath: The Aesthetics of Possibility investigates the relationship of aesthetic productions to modes of collective, social intellectual practice. Engaging black studies, queer theory, sound studies, literary theory, theological studies, continental philosophy, and visual studies, Blackpentecostal Breath analyses the ways otherwise modes of existence are disruptions of marginalization and violence. The immediate objects of study …

  • That There Might Be Black Thought: Nothing Music and the Hammond B-3

    Ashon Crawley•ARTICLE•CR The New Centennial Review•2016•Cited by: 1•References: 2

    Research Article| July 01 2016 That There Might Be Black Thought: Nothing Music and the Hammond B-3 Ashon Crawley Ashon Crawley Search for other works by this author on: This Site Google CR: The New Centennial Review (2016) 16 (2): 123–150. https://doi.org/10.14321/crnewcentrevi.16.2.0123 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Ashon Crawley; That There Might Be Black Thought: Nothing Musi…

  • Can you be BLACK and Work Here: Social Justice Activist Organizing and Black Aurality

    Ashon T Crawley, Ashon Crawley•ARTICLE•Souls•2009

    How can social justice organizations organize without marginalizing identities and concurrently tend to the blindspots that arise when intersectional identities are not taken into account? Black (here, BLACK) music, with its rudimentary foundation in black sound, gives a framework for organizing without institutionalization, structuring without strictures. The aurality evident in black sound resists: moans, hollers, shrieks, cries, falsettos, mel…

  • "Let's Get It On!" Performance Theory and Black Pentecostalism

    Ashon Crawley•ARTICLE•Black Theology•2008

    In this paper, performance theory, augmented with both feminist and queer theory critiques and ideas, help analyze the various aspects of Black Pentecostal experience. This paper is primarily concerned with the rhetorics of the Black Church and how these rhetorical strategies can immure congregants to abject embodied experience. I use the Black Pentecostal church tradition as a site that both consolidates and disrupts binary, heteronormative, het…

  • Coming Out in Christianity: Religion, Identity and Community

    Ashon Crawley, Alton B Pollard et al.•ARTICLE•Pneuma•2007

  • Resonance: Neutrinos and Black Life

    Open Access•Ashon Crawley, Ashon Crawley Ashon Crawley•ARTICLE•Critical Ethnic Studies•2017•Cited by: 4

  • On Black Queer Joy and the Digital

    Open Access•Christopher J Persaud, Ashon Crawley•ARTICLE•Social Media + Society•2022•Cited by: 3

    When I'm talking about the digital and what the digital makes possible, it becomes another world not unique to itself, not hermetically sealed off from some other modality, but in deep relation. The digital is another world through which we can practice thought with one another. Learning happens in digital space; argumentation happens in digital space; and pushback happens in digital space. Lots and lots of joking happens in digital space and a l…

  • Introduction to the Academy and What Can Be Done

    Ashon Crawley, Ashon Crawley Ashon Crawley•ARTICLE•Critical Ethnic Studies•2018•Cited by: 2

  • Otherwise Possibility

    Ashon Crawley•ARTICLE•Southern cultures•2022•Cited by: 1

    Otherwise Possibility Ashon Crawley (bio) Click for larger view View full resolution dancing in one spot (number 8), 2017. Pigment powder, acrylic paint on paper, 30 × 44 in. All images courtesy of the artist. [End Page 18] learning about life and love in the spiritual space of Blackpentecostalism, I was able to sense the world by paying attention to how my flesh felt. We sang songs loudly. We shouted hard. We spoke in tongues. The flesh was the …

  • Susceptibility

    Ashon Crawley•ARTICLE•GLQ A Journal of Lesbian and Gay…•2021•Cited by: 1•References: 15

    This essay argues that political theology does not interrogate the contexts of emergence for the joining of the political to the theological; it takes these concepts to have meaning without accounting for how these categories are created by racialized, gendered, sexed exclusion. What is it to be susceptible, and can such a thing be the antidote to political theology? Why would political theology need an antidote? Arguing that susceptibility is li…

  • The Lonely Letters

    Ashon Crawley•ARTICLE•GLQ A Journal of Lesbian and Gay…•2018•Cited by: 1

    Research Article| October 01 2018 The Lonely Letters Ashon Crawley Ashon Crawley Ashon Crawley, assistant professor of religious studies and African American and African studies at the University of Virginia, is the author of Blackpentecostal Breath: The Aesthetics of Possibility (2016), an investigation of aesthetics and performance as modes of collective, social imaginings otherwise. Search for other works by this author on: This Site Google GL…

  • That There Might Be Black Thought: Nothing Music and the Hammond B-3

    Ashon Crawley•ARTICLE•CR The New Centennial Review•2016•Cited by: 1•References: 2

    Research Article| July 01 2016 That There Might Be Black Thought: Nothing Music and the Hammond B-3 Ashon Crawley Ashon Crawley Search for other works by this author on: This Site Google CR: The New Centennial Review (2016) 16 (2): 123–150. https://doi.org/10.14321/crnewcentrevi.16.2.0123 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Ashon Crawley; That There Might Be Black Thought: Nothing Musi…

  • Coming Out in Christianity: Religion, Identity and Community

    Ashon Crawley, Alton B Pollard et al.•ARTICLE•Pneuma•2007

  • "Let's Get It On!" Performance Theory and Black Pentecostalism

    Ashon Crawley•ARTICLE•Black Theology•2008

    In this paper, performance theory, augmented with both feminist and queer theory critiques and ideas, help analyze the various aspects of Black Pentecostal experience. This paper is primarily concerned with the rhetorics of the Black Church and how these rhetorical strategies can immure congregants to abject embodied experience. I use the Black Pentecostal church tradition as a site that both consolidates and disrupts binary, heteronormative, het…

  • Can you be BLACK and Work Here: Social Justice Activist Organizing and Black Aurality

    Ashon T Crawley, Ashon Crawley•ARTICLE•Souls•2009

    How can social justice organizations organize without marginalizing identities and concurrently tend to the blindspots that arise when intersectional identities are not taken into account? Black (here, BLACK) music, with its rudimentary foundation in black sound, gives a framework for organizing without institutionalization, structuring without strictures. The aurality evident in black sound resists: moans, hollers, shrieks, cries, falsettos, mel…

  • Blackpentecostal Breath: The Aesthetics of Possibility

    Ashon T Crawley, Ashon Crawley•BOOK•Blackpentecostal breath•2016

    Blackpentecostal Breath: The Aesthetics of Possibility investigates the relationship of aesthetic productions to modes of collective, social intellectual practice. Engaging black studies, queer theory, sound studies, literary theory, theological studies, continental philosophy, and visual studies, Blackpentecostal Breath analyses the ways otherwise modes of existence are disruptions of marginalization and violence. The immediate objects of study …

  • That There Might Be Black Thought: Nothing Music and the Hammond B-3

    Ashon Crawley•ARTICLE•CR The New Centennial Review•2016•Cited by: 1•References: 2

    Research Article| July 01 2016 That There Might Be Black Thought: Nothing Music and the Hammond B-3 Ashon Crawley Ashon Crawley Search for other works by this author on: This Site Google CR: The New Centennial Review (2016) 16 (2): 123–150. https://doi.org/10.14321/crnewcentrevi.16.2.0123 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Ashon Crawley; That There Might Be Black Thought: Nothing Musi…

  • Resonance: Neutrinos and Black Life

    Open Access•Ashon Crawley, Ashon Crawley Ashon Crawley•ARTICLE•Critical Ethnic Studies•2017•Cited by: 4

  • Introduction to the Academy and What Can Be Done

    Ashon Crawley, Ashon Crawley Ashon Crawley•ARTICLE•Critical Ethnic Studies•2018•Cited by: 2

  • The Lonely Letters

    Ashon Crawley•ARTICLE•GLQ A Journal of Lesbian and Gay…•2018•Cited by: 1

    Research Article| October 01 2018 The Lonely Letters Ashon Crawley Ashon Crawley Ashon Crawley, assistant professor of religious studies and African American and African studies at the University of Virginia, is the author of Blackpentecostal Breath: The Aesthetics of Possibility (2016), an investigation of aesthetics and performance as modes of collective, social imaginings otherwise. Search for other works by this author on: This Site Google GL…

  • The Lonely Letters

    Open Access•Ashon T Crawley, Ashon Crawley•BOOK•The Lonely Letters•2020

  • Susceptibility

    Ashon Crawley•ARTICLE•GLQ A Journal of Lesbian and Gay…•2021•Cited by: 1•References: 15

    This essay argues that political theology does not interrogate the contexts of emergence for the joining of the political to the theological; it takes these concepts to have meaning without accounting for how these categories are created by racialized, gendered, sexed exclusion. What is it to be susceptible, and can such a thing be the antidote to political theology? Why would political theology need an antidote? Arguing that susceptibility is li…

  • Otherwise Possibility

    Ashon Crawley•ARTICLE•Southern cultures•2022•Cited by: 1

    Otherwise Possibility Ashon Crawley (bio) Click for larger view View full resolution dancing in one spot (number 8), 2017. Pigment powder, acrylic paint on paper, 30 × 44 in. All images courtesy of the artist. [End Page 18] learning about life and love in the spiritual space of Blackpentecostalism, I was able to sense the world by paying attention to how my flesh felt. We sang songs loudly. We shouted hard. We spoke in tongues. The flesh was the …

  • On Black Queer Joy and the Digital

    Open Access•Christopher J Persaud, Ashon Crawley•ARTICLE•Social Media + Society•2022•Cited by: 3

    When I'm talking about the digital and what the digital makes possible, it becomes another world not unique to itself, not hermetically sealed off from some other modality, but in deep relation. The digital is another world through which we can practice thought with one another. Learning happens in digital space; argumentation happens in digital space; and pushback happens in digital space. Lots and lots of joking happens in digital space and a l…

Sociology (8 works) · Aesthetics (6 works) · Art (6 works) · Epistemology (6 works) · Philosophy (6 works) · Gender Studies (4 works) · Music History and Culture (4 works) · Computer Science (3 works) · Literature (3 works) · Philosophy (3 works)

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