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Calvin Bedient

Biographic Data

ID358776
NAMECalvin Bedient
GIVEN NAMESCalvin
FAMILY NAMEBedient
SIGNATUREBEDIENT C
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS6
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR1972
LATEST PUBLICATION YEAR1996
H-INDEX1
  • The Solo Mysterioso Blues: An Interview with Harryette Mullen

    Harryette Mullen, Harryette Romell Mullen et al.•ARTICLE•Callaloo•1996•Cited by: 1

    Callaloo - Volume 19, Number 3, Summer 1996

  • How I Slugged It out with Toril Moi and Stayed Awake

    Calvin Bedient•ARTICLE•Critical Inquiry•1991

  • He Do the Police in Different Voices: 'The Waste Land' and Its Protagonist

    Bernard Bergonzi, Calvin Bedient•ARTICLE•The Yearbook of English Studies•1990

  • Kristeva and Poetry as Shattered Signification

    Calvin Bedient•ARTICLE•Critical Inquiry•1990•Cited by: 4

  • Discovering Modernism: T. S. Eliot and his Context

    Margaret Moran, Louis Menand et al.•ARTICLE•American Literature•1988

  • He Do the Police in Different Voices: The Waste Land and Its Protagonist

    William Pratt, Calvin Bedient•ARTICLE•World Literature Today•1987

  • On Geoffrey Hill

    Open Access•Calvin Bedient•ARTICLE•Critical Quarterly•1981

  • On R. S. Thomas

    Open Access•Calvin Bedient•ARTICLE•Critical Quarterly•1972

  • On Ted Hughes

    Open Access•Calvin Bedient•ARTICLE•Critical Quarterly•1972

  • Architects of the Self: George Eliot, D. H. Lawrence, and E. M. Forster

    Calvin Bedient•BOOK•Architects of the Self•1972•Cited by: 1

  • Kristeva and Poetry as Shattered Signification

    Calvin Bedient•ARTICLE•Critical Inquiry•1990•Cited by: 4

  • The Solo Mysterioso Blues: An Interview with Harryette Mullen

    Harryette Mullen, Harryette Romell Mullen et al.•ARTICLE•Callaloo•1996•Cited by: 1

    Callaloo - Volume 19, Number 3, Summer 1996

  • Architects of the Self: George Eliot, D. H. Lawrence, and E. M. Forster

    Calvin Bedient•BOOK•Architects of the Self•1972•Cited by: 1

  • On R. S. Thomas

    Open Access•Calvin Bedient•ARTICLE•Critical Quarterly•1972

  • On Ted Hughes

    Open Access•Calvin Bedient•ARTICLE•Critical Quarterly•1972

  • Architects of the Self: George Eliot, D. H. Lawrence, and E. M. Forster

    Calvin Bedient•BOOK•Architects of the Self•1972•Cited by: 1

  • On Geoffrey Hill

    Open Access•Calvin Bedient•ARTICLE•Critical Quarterly•1981

  • He Do the Police in Different Voices: The Waste Land and Its Protagonist

    William Pratt, Calvin Bedient•ARTICLE•World Literature Today•1987

  • Discovering Modernism: T. S. Eliot and his Context

    Margaret Moran, Louis Menand et al.•ARTICLE•American Literature•1988

  • He Do the Police in Different Voices: 'The Waste Land' and Its Protagonist

    Bernard Bergonzi, Calvin Bedient•ARTICLE•The Yearbook of English Studies•1990

  • Kristeva and Poetry as Shattered Signification

    Calvin Bedient•ARTICLE•Critical Inquiry•1990•Cited by: 4

  • How I Slugged It out with Toril Moi and Stayed Awake

    Calvin Bedient•ARTICLE•Critical Inquiry•1991

  • The Solo Mysterioso Blues: An Interview with Harryette Mullen

    Harryette Mullen, Harryette Romell Mullen et al.•ARTICLE•Callaloo•1996•Cited by: 1

    Callaloo - Volume 19, Number 3, Summer 1996

Art (5 works) · Art history (3 works) · Computer Science (3 works) · History (3 works) · Library science (3 works) · Poetry Analysis and Criticism (3 works) · Citation (2 works) · Jewish and Middle Eastern Studies (2 works) · Literature (2 works) · Philosophy (2 works)

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