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Rejoice Abutsa

Biographic Data

ID358955
NAMERejoice Abutsa
GIVEN NAMESRejoice
FAMILY NAMEAbutsa
SIGNATUREABUTSA R
AFFILIATIONSCornell University
ORCID0009-0000-0284-9866
VERIFIEDYes
TOTAL WORKS1
TOTAL CITATIONS3
AUTHOR COUNT1
EDITOR COUNT0
FIRST PUBLICATION YEAR2025
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Cultural Pluralisms: Neo-Nollywood and Biyi Bandele's Ẹlẹ́ṣin Ọba (2022)

    Rejoice Abutsa•ARTICLE•Journal of African Cultural Studies•2025•Cited by: 3•References: 5

    In Biyi Bandele's last feature, Ẹlẹ́ṣin Ọba (2022), adapted from Wole Soyinka's Death and the King's Horseman, Bandele registers an awareness for the multiple film cultures that have shaped filmmaking in Nigeria. Ẹlẹ́ṣin Ọba is structured as a homage to the legacies of Yorùbá traveling theatricalities, while retaining the visual codes of contemporary cinema, including in the ways it co-opts traits of Western and neo-Nollywood filmmaking. In this …

  • Cultural Pluralisms: Neo-Nollywood and Biyi Bandele's Ẹlẹ́ṣin Ọba (2022)

    Rejoice Abutsa•ARTICLE•Journal of African Cultural Studies•2025•Cited by: 3•References: 5

    In Biyi Bandele's last feature, Ẹlẹ́ṣin Ọba (2022), adapted from Wole Soyinka's Death and the King's Horseman, Bandele registers an awareness for the multiple film cultures that have shaped filmmaking in Nigeria. Ẹlẹ́ṣin Ọba is structured as a homage to the legacies of Yorùbá traveling theatricalities, while retaining the visual codes of contemporary cinema, including in the ways it co-opts traits of Western and neo-Nollywood filmmaking. In this …

  • Cultural Pluralisms: Neo-Nollywood and Biyi Bandele's Ẹlẹ́ṣin Ọba (2022)

    Rejoice Abutsa•ARTICLE•Journal of African Cultural Studies•2025•Cited by: 3•References: 5

    In Biyi Bandele's last feature, Ẹlẹ́ṣin Ọba (2022), adapted from Wole Soyinka's Death and the King's Horseman, Bandele registers an awareness for the multiple film cultures that have shaped filmmaking in Nigeria. Ẹlẹ́ṣin Ọba is structured as a homage to the legacies of Yorùbá traveling theatricalities, while retaining the visual codes of contemporary cinema, including in the ways it co-opts traits of Western and neo-Nollywood filmmaking. In this …

Anthropology (1 works) · Art (1 works) · Cinema and Media Studies (1 works) · Political science (1 works) · Sociology (1 works) · South Asian Cinema and Culture (1 works) · Vietnamese History and Culture Studies (1 works)

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