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Laurel Forster

Biographic Data

ID3589576
NAMELaurel Forster
GIVEN NAMESLaurel
FAMILY NAMEForster
SIGNATUREFÖRSTER L
AFFILIATIONSUniversity of Portsmouth
ORCID0000-0003-4740-577X
VERIFIEDYes
TOTAL WORKS11
TOTAL CITATIONS3
AUTHOR COUNT10
EDITOR COUNT1
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2023
H-INDEX1
  • The cookbook as a responsive form

    Open Access•Laurel Forster•ARTICLE•Food and Foodways•2023•References: 7

    The purpose of this special edition of Food and Foodways is to examine the cookbook in a fresh light. Previous criticism of cookbooks has concentrated on how the cookbook reflects history, culture and social patterns of behavior. Cookbook criticism has revealed important food histories, unearthed significant cultural phenomena, and demonstrated new ways of understanding social connections and behaviors. This has ranged from recording courtly cuis…

  • Country cooking: Cookbooks and Counterculture in the 1970s

    Open Access•Laurel Forster•ARTICLE•Food and Foodways•2023•References: 13

    This article discusses the underlying reasons for the rise in popularity of the country cookbook - a genre that reflects rural cookery practices, using locally-available, seasonal and foraged ingredients - in 1970s Britain. Despite country cookbooks being styled along traditional lines, their increased popularity very much drew upon unconventional, countercultural movements of communal living, self-sufficiency and folk feminism. Country cookbooks…

  • Women's Periodicals and Print Culture in Britain, 1940s-2000s: The Postwar and Contemporary Period

    Laurel Forster, Joanne Hollows•BOOK•Women's Periodicals and Print…•2020

    Foregrounds the diversity of periodicals, fiction and other printed matter targeted at women in the postwar period Examines changes and continuities as women’s magazines have moved into digital formats Highlights the important cultural and political contexts of women’s periodicals including the Women’s Liberation Movement and Socialism Explores the significance of women as publishers, printers and editors Women's Periodicals and Print Culture in …

  • Harold Pinter and Elizabeth Bowen: Men and Women at War

    Laurel Forster•ARTICLE•Historical Journal Of Film Radio…•2020

    Using the Harold Pinter Collection held at the British Library, this article investigates Harold Pinter’s 1989 screenplay and television film of Elizabeth Bowen’s 1949 novel The Heat of the Day. It argues for the detailed and direct ways in which Pinter used Bowen’s language and dialogue to convey the complexities of wartime London. However, it also suggests that Pinter’s adaptation deliberately excludes elements of women’s experiences of the Sec…

  • Historicising the Women’s Liberation Movement in the Western World: 1960-1999

    Laurel Forster, Sue Bruley•BOOK•Historicising the Women's…•2019

  • Historicising the Women's Liberation Movement

    Sue Bruley, Laurel Forster•ARTICLE•Women s History Review•2016

    The Women's Liberation Movement of the late 1960s, 1970s and 1980s emerged out of a set of economic and social circumstances where women collected together in disparate groups and contexts to express their dissatisfaction with their role and position in society. Through consciousness-raising and activism women raised their voices, profiles and visibility. This important moment of women's history is revisited in this collection of essays, which lo…

  • Spreading the Word: Feminist print cultures and the Women's Liberation Movement

    Laurel Forster•ARTICLE•Women s History Review•2016•Cited by: 3•References: 1

    This article investigates the significance of print cultures to the Women's Liberation Movement. It highlights feminist interventions into a male-dominated publishing industry through women's writing, publishing and political commitment, with shifts towards feminist publishing cultures, both emboldened by the WLM and empowered by separatist networks. The construction and publication of feminist magazines was a significant aspect of feminist print…

  • Magazine Movements: Women's Culture, Feminisms and Media Form

    Laurel Forster•BOOK•Magazine Movements•2015

    All women's magazines are not the same: content, outlook, and format combine to shape publications quite distinctively. While magazines in general have long been understood as a significant force in women's lives, many critiques have limited themselves to discussions of mainstream printed publications that engage with narrowly stereotypical representations of femininity. Looking at a range of women's magazines (Cooperative Correspondence Club and…

  • Everything That Makes up a Woman's Life: Feminism and Femininity in Houseparty

    Open Access•Laurel Forster•ARTICLE•Critical Studies in Television…•2014

    This article explores the ways in which an unassuming regional afternoon television programme for women, Houseparty (1972-81) overlapped with the feminist concerns of the 1970s Women's Liberation Movement. Without any overt feminist agenda, this much-loved programme achieved a feminist communication through cross-over between talk television and consciousness-raising, and by addressing issues of prominent concern to women in this decade such as t…

  • Feminist Media History: Suffrage, periodicals and the public sphere Maria Dicenzo with Lucy Delap & Leila Ryan

    Laurel Forster•ARTICLE•Women s History Review•2013

    This is a book everyone interested in print media or feminist history should read. It aims to broaden our interpretative strategies by expanding the theoretical, critical and historical framework a

  • Women writers of the first world war: An Annotated Bibliography

    Laurel Forster•ARTICLE•Women s History Review•2002

  • Spreading the Word: Feminist print cultures and the Women's Liberation Movement

    Laurel Forster•ARTICLE•Women s History Review•2016•Cited by: 3•References: 1

    This article investigates the significance of print cultures to the Women's Liberation Movement. It highlights feminist interventions into a male-dominated publishing industry through women's writing, publishing and political commitment, with shifts towards feminist publishing cultures, both emboldened by the WLM and empowered by separatist networks. The construction and publication of feminist magazines was a significant aspect of feminist print…

  • Women writers of the first world war: An Annotated Bibliography

    Laurel Forster•ARTICLE•Women s History Review•2002

  • Feminist Media History: Suffrage, periodicals and the public sphere Maria Dicenzo with Lucy Delap & Leila Ryan

    Laurel Forster•ARTICLE•Women s History Review•2013

    This is a book everyone interested in print media or feminist history should read. It aims to broaden our interpretative strategies by expanding the theoretical, critical and historical framework a

  • Everything That Makes up a Woman's Life: Feminism and Femininity in Houseparty

    Open Access•Laurel Forster•ARTICLE•Critical Studies in Television…•2014

    This article explores the ways in which an unassuming regional afternoon television programme for women, Houseparty (1972-81) overlapped with the feminist concerns of the 1970s Women's Liberation Movement. Without any overt feminist agenda, this much-loved programme achieved a feminist communication through cross-over between talk television and consciousness-raising, and by addressing issues of prominent concern to women in this decade such as t…

  • Magazine Movements: Women's Culture, Feminisms and Media Form

    Laurel Forster•BOOK•Magazine Movements•2015

    All women's magazines are not the same: content, outlook, and format combine to shape publications quite distinctively. While magazines in general have long been understood as a significant force in women's lives, many critiques have limited themselves to discussions of mainstream printed publications that engage with narrowly stereotypical representations of femininity. Looking at a range of women's magazines (Cooperative Correspondence Club and…

  • Historicising the Women's Liberation Movement

    Sue Bruley, Laurel Forster•ARTICLE•Women s History Review•2016

    The Women's Liberation Movement of the late 1960s, 1970s and 1980s emerged out of a set of economic and social circumstances where women collected together in disparate groups and contexts to express their dissatisfaction with their role and position in society. Through consciousness-raising and activism women raised their voices, profiles and visibility. This important moment of women's history is revisited in this collection of essays, which lo…

  • Spreading the Word: Feminist print cultures and the Women's Liberation Movement

    Laurel Forster•ARTICLE•Women s History Review•2016•Cited by: 3•References: 1

    This article investigates the significance of print cultures to the Women's Liberation Movement. It highlights feminist interventions into a male-dominated publishing industry through women's writing, publishing and political commitment, with shifts towards feminist publishing cultures, both emboldened by the WLM and empowered by separatist networks. The construction and publication of feminist magazines was a significant aspect of feminist print…

  • Historicising the Women’s Liberation Movement in the Western World: 1960-1999

    Laurel Forster, Sue Bruley•BOOK•Historicising the Women's…•2019

  • Women's Periodicals and Print Culture in Britain, 1940s-2000s: The Postwar and Contemporary Period

    Laurel Forster, Joanne Hollows•BOOK•Women's Periodicals and Print…•2020

    Foregrounds the diversity of periodicals, fiction and other printed matter targeted at women in the postwar period Examines changes and continuities as women’s magazines have moved into digital formats Highlights the important cultural and political contexts of women’s periodicals including the Women’s Liberation Movement and Socialism Explores the significance of women as publishers, printers and editors Women's Periodicals and Print Culture in …

  • Harold Pinter and Elizabeth Bowen: Men and Women at War

    Laurel Forster•ARTICLE•Historical Journal Of Film Radio…•2020

    Using the Harold Pinter Collection held at the British Library, this article investigates Harold Pinter’s 1989 screenplay and television film of Elizabeth Bowen’s 1949 novel The Heat of the Day. It argues for the detailed and direct ways in which Pinter used Bowen’s language and dialogue to convey the complexities of wartime London. However, it also suggests that Pinter’s adaptation deliberately excludes elements of women’s experiences of the Sec…

  • The cookbook as a responsive form

    Open Access•Laurel Forster•ARTICLE•Food and Foodways•2023•References: 7

    The purpose of this special edition of Food and Foodways is to examine the cookbook in a fresh light. Previous criticism of cookbooks has concentrated on how the cookbook reflects history, culture and social patterns of behavior. Cookbook criticism has revealed important food histories, unearthed significant cultural phenomena, and demonstrated new ways of understanding social connections and behaviors. This has ranged from recording courtly cuis…

  • Country cooking: Cookbooks and Counterculture in the 1970s

    Open Access•Laurel Forster•ARTICLE•Food and Foodways•2023•References: 13

    This article discusses the underlying reasons for the rise in popularity of the country cookbook - a genre that reflects rural cookery practices, using locally-available, seasonal and foraged ingredients - in 1970s Britain. Despite country cookbooks being styled along traditional lines, their increased popularity very much drew upon unconventional, countercultural movements of communal living, self-sufficiency and folk feminism. Country cookbooks…

Art (9 works) · Sociology (9 works) · Gender Studies (8 works) · Law (7 works) · Political science (7 works) · Media studies (6 works) · Politics (6 works) · Aesthetics (5 works) · Feminism (5 works) · History (5 works)

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