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Peter Brooke

Biographic Data

ID358978
NAMEPeter Brooke
GIVEN NAMESPeter
FAMILY NAMEBrooke
SIGNATUREBROOKE P
AFFILIATIONSAfrican Studies Centre, University of Oxford, Oxford, UK
ORCID0000-0002-7579-8673
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS13
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2025
H-INDEX2
  • Manly Machines and Homely Objects: Gender, Development and Divergent Radio Technologies in Late-Colonial Ghana and Zambia

    Open Access•Peter Brooke•ARTICLE•The Journal of African History•2025•Cited by: 1•References: 4

    This article offers the first gendered history of African radio audiences. It uses a comparative approach to demonstrate that colonial development projects in Ghana and Zambia successfully created mass African audiences for radio between the 1930s and 1950s, at a time when most radio sets on the continent were owned by white settlers. However the gendered impact of the projects was uneven. In Zambia the promotion of battery-operated wirelesses in…

  • Radio in Africa: Past and Present

    Open Access•Peter Brooke•ARTICLE•Journal of African Cultural Studies•2024•Cited by: 2•References: 16

  • Looking at Listening: Gender and Race in Commercial Advertising for Radio Sets in Southern Africa from the 1950s to the 1970s

    Open Access•Peter Brooke•ARTICLE•Journal of African Cultural Studies•2024•Cited by: 2•References: 8

    This article takes a visual approach to the study of an aural medium. It argues that the radio set had a powerful visual presence in popular culture in Southern Africa between the 1950s and the 1970s when most people bought their first radio sets. Advertisements for radios carried by the press offer the most prominent examples of this iconography. In South Africa, Rhodesia and Zambia, radio advertisements developed a distinctive aesthetic that bl…

  • Transnational News Audiences and the Limits of Cultural Decolonisation in Zambia: Media Coverage of the Soweto Uprising of 1976

    Peter Brooke•ARTICLE•Journal of Southern African Studies•2021•Cited by: 2

    This article takes news coverage of the Soweto uprising of 1976 as a case study to demonstrate the influence of South Africa and Britain on the media in post-colonial Zambia. In part, this can be accounted for by the growing popularity of Radio Republic of South Africa (RSA) among listeners in Zambia, particularly in regions that were on the front line of the liberation struggle. RSA defended the actions of the South African police, as did the BB…

  • India, Post-Imperialism and the Origins of Enoch Powell's ‘Rivers of Blood’ Speech

    Open Access•Peter Brooke•ARTICLE•The Historical Journal•2007•Cited by: 6•References: 5

    In January 2003 Enoch Powell's personal archive was opened to the public. The release shed new light on the nature of Powell's thought on immigration, and in particular, his reasons for making the so-called ‘Rivers of Blood’ speech of 1968. Historians have suggested that Powell's primary concern was a post-imperialist desire to sever all links with the New Commonwealth. However, papers written immediately after Powell's time in India (1943–6) rev…

  • Cubism in a Village Pottery

    Open Access•Peter Brooke•ARTICLE•The Art Book•2006

  • India, Post-Imperialism and the Origins of Enoch Powell's ‘Rivers of Blood’ Speech

    Open Access•Peter Brooke•ARTICLE•The Historical Journal•2007•Cited by: 6•References: 5

    In January 2003 Enoch Powell's personal archive was opened to the public. The release shed new light on the nature of Powell's thought on immigration, and in particular, his reasons for making the so-called ‘Rivers of Blood’ speech of 1968. Historians have suggested that Powell's primary concern was a post-imperialist desire to sever all links with the New Commonwealth. However, papers written immediately after Powell's time in India (1943–6) rev…

  • Radio in Africa: Past and Present

    Open Access•Peter Brooke•ARTICLE•Journal of African Cultural Studies•2024•Cited by: 2•References: 16

  • Looking at Listening: Gender and Race in Commercial Advertising for Radio Sets in Southern Africa from the 1950s to the 1970s

    Open Access•Peter Brooke•ARTICLE•Journal of African Cultural Studies•2024•Cited by: 2•References: 8

    This article takes a visual approach to the study of an aural medium. It argues that the radio set had a powerful visual presence in popular culture in Southern Africa between the 1950s and the 1970s when most people bought their first radio sets. Advertisements for radios carried by the press offer the most prominent examples of this iconography. In South Africa, Rhodesia and Zambia, radio advertisements developed a distinctive aesthetic that bl…

  • Transnational News Audiences and the Limits of Cultural Decolonisation in Zambia: Media Coverage of the Soweto Uprising of 1976

    Peter Brooke•ARTICLE•Journal of Southern African Studies•2021•Cited by: 2

    This article takes news coverage of the Soweto uprising of 1976 as a case study to demonstrate the influence of South Africa and Britain on the media in post-colonial Zambia. In part, this can be accounted for by the growing popularity of Radio Republic of South Africa (RSA) among listeners in Zambia, particularly in regions that were on the front line of the liberation struggle. RSA defended the actions of the South African police, as did the BB…

  • Manly Machines and Homely Objects: Gender, Development and Divergent Radio Technologies in Late-Colonial Ghana and Zambia

    Open Access•Peter Brooke•ARTICLE•The Journal of African History•2025•Cited by: 1•References: 4

    This article offers the first gendered history of African radio audiences. It uses a comparative approach to demonstrate that colonial development projects in Ghana and Zambia successfully created mass African audiences for radio between the 1930s and 1950s, at a time when most radio sets on the continent were owned by white settlers. However the gendered impact of the projects was uneven. In Zambia the promotion of battery-operated wirelesses in…

  • Cubism in a Village Pottery

    Open Access•Peter Brooke•ARTICLE•The Art Book•2006

  • India, Post-Imperialism and the Origins of Enoch Powell's ‘Rivers of Blood’ Speech

    Open Access•Peter Brooke•ARTICLE•The Historical Journal•2007•Cited by: 6•References: 5

    In January 2003 Enoch Powell's personal archive was opened to the public. The release shed new light on the nature of Powell's thought on immigration, and in particular, his reasons for making the so-called ‘Rivers of Blood’ speech of 1968. Historians have suggested that Powell's primary concern was a post-imperialist desire to sever all links with the New Commonwealth. However, papers written immediately after Powell's time in India (1943–6) rev…

  • Transnational News Audiences and the Limits of Cultural Decolonisation in Zambia: Media Coverage of the Soweto Uprising of 1976

    Peter Brooke•ARTICLE•Journal of Southern African Studies•2021•Cited by: 2

    This article takes news coverage of the Soweto uprising of 1976 as a case study to demonstrate the influence of South Africa and Britain on the media in post-colonial Zambia. In part, this can be accounted for by the growing popularity of Radio Republic of South Africa (RSA) among listeners in Zambia, particularly in regions that were on the front line of the liberation struggle. RSA defended the actions of the South African police, as did the BB…

  • Radio in Africa: Past and Present

    Open Access•Peter Brooke•ARTICLE•Journal of African Cultural Studies•2024•Cited by: 2•References: 16

  • Looking at Listening: Gender and Race in Commercial Advertising for Radio Sets in Southern Africa from the 1950s to the 1970s

    Open Access•Peter Brooke•ARTICLE•Journal of African Cultural Studies•2024•Cited by: 2•References: 8

    This article takes a visual approach to the study of an aural medium. It argues that the radio set had a powerful visual presence in popular culture in Southern Africa between the 1950s and the 1970s when most people bought their first radio sets. Advertisements for radios carried by the press offer the most prominent examples of this iconography. In South Africa, Rhodesia and Zambia, radio advertisements developed a distinctive aesthetic that bl…

  • Manly Machines and Homely Objects: Gender, Development and Divergent Radio Technologies in Late-Colonial Ghana and Zambia

    Open Access•Peter Brooke•ARTICLE•The Journal of African History•2025•Cited by: 1•References: 4

    This article offers the first gendered history of African radio audiences. It uses a comparative approach to demonstrate that colonial development projects in Ghana and Zambia successfully created mass African audiences for radio between the 1930s and 1950s, at a time when most radio sets on the continent were owned by white settlers. However the gendered impact of the projects was uneven. In Zambia the promotion of battery-operated wirelesses in…

History (4 works) · Sociology (4 works) · Colonialism (3 works) · History (3 works) · Law (3 works) · Political science (3 works) · African history and culture studies (2 works) · African studies and sociopolitical issues (2 works) · Gender Studies (2 works) · Gender Studies (2 works)

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