Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Jia-Ying Tu

Biographic Data

ID3590848
NAMEJia-Ying Tu
GIVEN NAMESJia-Ying
FAMILY NAMETu
SIGNATURETU J
AFFILIATIONSOxford Archaeology
VERIFIEDNo
TOTAL WORKS1
TOTAL CITATIONS2
AUTHOR COUNT1
EDITOR COUNT0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2021
H-INDEX1
  • The Things We Now Call Fake Will in the Future Become Authentic Objects

    Open Access•Jia-Ying Tu, Jiaying Tu•ARTICLE•Journal of African Cultural Studies•2021•Cited by: 2•References: 13

    Invented" out of a history of colonial displacement and the modernist art movement, African art has long been valued for its supposedly precolonial and tribal qualities. Objects made within a traditional context are deemed as authentic, whereas others made for sale, often imitating traditional styles, are deemed as fake. While such a distinction continues to be upheld and perpetuated by different actors in the transnational African art trade, I a…

  • The Things We Now Call Fake Will in the Future Become Authentic Objects

    Open Access•Jia-Ying Tu, Jiaying Tu•ARTICLE•Journal of African Cultural Studies•2021•Cited by: 2•References: 13

    Invented" out of a history of colonial displacement and the modernist art movement, African art has long been valued for its supposedly precolonial and tribal qualities. Objects made within a traditional context are deemed as authentic, whereas others made for sale, often imitating traditional styles, are deemed as fake. While such a distinction continues to be upheld and perpetuated by different actors in the transnational African art trade, I a…

  • The Things We Now Call Fake Will in the Future Become Authentic Objects

    Open Access•Jia-Ying Tu, Jiaying Tu•ARTICLE•Journal of African Cultural Studies•2021•Cited by: 2•References: 13

    Invented" out of a history of colonial displacement and the modernist art movement, African art has long been valued for its supposedly precolonial and tribal qualities. Objects made within a traditional context are deemed as authentic, whereas others made for sale, often imitating traditional styles, are deemed as fake. While such a distinction continues to be upheld and perpetuated by different actors in the transnational African art trade, I a…

Aesthetics (1 works) · African history and culture studies (1 works) · Art (1 works) · Art History and Market Analysis (1 works) · Cultural Industries and Urban Development (1 works) · Fake news (1 works) · History (1 works) · History (1 works) · Linguistics (1 works) · Media studies (1 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae