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Elizabeth Le Roux

Datos Biográficos

ID3592089
NOMBREElizabeth Le Roux
NOMBRESElizabeth
APELLIDOLe Roux
FIRMALE ROUX E
AFILIACIONESUniversity of Pretoria
ORCID0000-0002-4766-5822
VERIFICADOSí
TOTAL DE OBRAS21
TOTAL DE CITAS22
TOTAL COMO AUTOR21
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2002
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H3
  • Narratives of Transformation in South African Publishing in the 1990s

    Open Access•Elizabeth Le Roux•ARTICLE•Critical Arts•2025•Referencias: 11

  • Balancing Cultural, Literary and Financial Capital in Trade Publishing

    Jana Klingenberg, Elizabeth Le Roux•ARTICLE•Quaerendo•2024

    This article is an historical analysis of the changing editorial strategy of Tafelberg, a South African publisher. It aims to shed light on the culture-commerce divide in South African publishing, the changing cultural and social impact of a publisher specialising in a minority language, and the nexus of editorial philosophies, language and nationalism. The research considers Bourdieu’s (1993) conceptualisation of the fields of culture with their…

  • Megagrazer loss drives complex landscape-scale biophysical cascades

    Open Access•Olli Hyvärinen, Mariska te Beest et al.•ARTICLE•Environmental Research Letters•2024

    Wild animals can modulate ecosystem-climate feedbacks, e.g. through impacts on vegetation and associated carbon dynamics. However, vegetation cover and composition also affect land surface albedo, which is an important component of the global energy budget. We currently know very little about the influence of wild animals on land surface albedo and the resulting climate forcing of these albedo changes. Leveraging a unique, ecosystem-scale, semi-e…

  • Exploring Transnational Dimensions of Activism in Contemporary Book Culture

    Open Access•Rachel Noorda, Corinna Norrick-Rühl et al.•ARTICLE•Mémoires du livre•2023

    Exploring Transnational Dimensions of Activism in Contemporary Book Culture: Introduction. Un article de la revue Mémoires du livre / Studies in Book Culture (Explorer les dimensions transnationales de l’activisme dans la culture contemporaine du livre) diffusée par la plateforme Érudit

  • Power to the People

    Open Access•Elizabeth Le Roux•ARTICLE•Mémoires du livre•2023

    The black power salute is a powerful call to arms for resistance and social change. In South Africa, black power is tied up with the Black Consciousness Movement of the 1970s, aiming to reclaim black identity. Integral to this attempt was the use of cultural and intellectual means, and under its aegis writers’ groups started forming in place of political groups (which were suppressed), as a base for mobilisation and collective action. But these w…

  • Publishing against Apartheid South Africa

    Open Access•Elizabeth Le Roux•BOOK•Publishing Against Apartheid…•2020

    In many parts of the world, oppositional publishing has emerged in contexts of state oppression. In South Africa, censorship laws were enacted in the 1960s, and the next decade saw increased pressure on freedom of speech and publishing. With growing restrictions on information, activist publishing emerged. These highly politicised publishers had a social responsibility, to contribute to social change. In spite of their cultural, political and soc…

  • The myth of the ‘book famine’ in African publishing

    Elizabeth Le Roux•ARTICLE•Review of African Political Economy•2020•Referencias: 7

    The publishing industry in Africa is usually described in terms of ‘booklessness’, ‘hunger’ or ‘famine’. But does this language of scarcity reflect the realities of book production and consumption? In this paper, the concept of ‘book famine’ is analysed as a central frame of discourse on African books, using a survey of existing documentation. Two ways of responding to book famine – provision and production – are identified, and the shortcomings …

  • Miriam Tlali and Ravan Press

    Elizabeth Le Roux•ARTICLE•Journal of Southern African Studies•2018•Citada por: 2

    In a committed anti-apartheid publisher like Ravan Press in the 1970s and 1980s, the selection of authors was usually based on political or ideological grounds as well as the quality of their writing. As a result, Ravan was harassed and subjected to censorship. But to what extent did Ravan’s social position and capital inform the author–publisher relationship? One relatively well-known case is that of Miriam Tlali, described as ‘the first black w…

  • Introduction

    Caroline Davis, Archie L Dick et al.•ARTICLE•Journal of Southern African Studies•2018•Citada por: 4

    Research into print culture studies in Africa has largely been dominated by histories of how European missionaries, colonial administrators and traders brought the book and literacy to Africa, by w

  • Conserving Africa's Mega-Diversity in the Anthropocene

    Jim M Feely, Mariska te Beest et al.•BOOK•Conserving Africa's Mega-Diversity…•2017

  • Between the Cathedral and the Market

    Elizabeth Le Roux•CHAPTER•Book in Africa•2015

  • Between the Cathedral and the Market

    Open Access•Elizabeth Le Roux•CHAPTER•Book in Africa•2015

    University presses are often said to lie between the ‘cathedral’ and the ‘market’. 1 What this means is that they have to balance the symbolic capital of knowledge production and the economic capital of commercial viability, to use Bourdieusian terms. 2 South Africa’s four university presses now find themselves in this position, but historically they were not: cushioned by subventions, they did not compete with commercial publishers, and, at the …

  • Publishing South African scholarship in the global academic community

    Open Access•Elizabeth Le Roux•ARTICLE•Notes and Records the Royal…•2015

    South Africa's academic publishing history has been profoundly influenced by its colonial heritage. This is reflected in the publication of Transactions of the South African Philosophical Society (later, the Royal Society of South Africa) from 1878. Although the Society and journal sought to promote original research about South Africa, it was modelled after the Royal Society in London and formed part of an imperial scientific community. As the l…

  • Discrimination in scholarly publishing

    Elizabeth Le Roux•ARTICLE•Critical Arts•2015

    (2015). Discrimination in scholarly publishing. Critical Arts: Vol. 29, Discrimination in scholarly publishing, pp. 703-704

  • The production and reception of Deon Meyer’s works

    Elizabeth Le Roux, Samantha Buitendach•ARTICLE•Scrutiny2•2014•Citada por: 2•Referencias: 2

    Deon Meyer is a household name in South Africa as a bestselling crime fiction author. This article explores how and why Meyer’s career has evolved in the way that it has, in an attempt to answer the question of what has made him so successful. The focus is not, like so much academic analysis of fiction, on the form or content of Meyer’s work, but rather on the wider social context, and in particular the publishing and reception history of this au…

  • Unique perspectives on South Africa’

    Elizabeth Le Roux•ARTICLE•Critical Arts•2014•Citada por: 1•Referencias: 7

    Publishers’ and booksellers’ marketing campaigns are aimed at ‘target audiences’ – groups \nof potential book buyers who can be demographically and geographically segmented. This \nsegmentation is not always overt, but in the case of a ‘buy local’ campaign, it becomes \nso. One example is the ‘Homebru’ promotion run annually by South Africa’s biggest trade \nbookseller, Exclusive Books. The campaign aims to promote South African publishing, and a…

  • South African crime fiction

    Sam Naidu, Samantha Naidu et al.•ARTICLE•African Identities•2014•Referencias: 12

    In this essay we demonstrate how the burgeoning field of South African crime fiction has responded to the birth and development of a democratic, post-apartheid South African state. First, an overview of South African crime fiction in the last 20 years is presented. Then the essay presents an argument for South African crime fiction to be regarded as the ‘new political novel’, based on its capacity for socio-political analysis. We use Deon Meyer, …

  • South African Crime and Detective Fiction in English

    Elizabeth Le Roux•ARTICLE•Current Writing•2013•Citada por: 7

    Against the general assumption that crime and detective fiction has only recently emerged as a genre in South African publishing, this essay will consider the publishing history of this genre in South Africa. The question that is considered is whether trade or general-interest publishers targeting a mass audience in South Africa have produced 'whodunnits' in addition to their output of cookbooks and romance fiction? The evidence of writers like J…

  • Book History in the African World

    Elizabeth Le Roux•ARTICLE•Book history•2012•Citada por: 5•Referencias: 50

    African print culture has not been widely studied from a historical perspective. Many studies focus on the present, without interrogating the historical developments that led to the present situation. We do find information available on what has been published over time, but little attention has been paid to the material forms of texts, their distribution, marketing, readership, or impact. Much earlier work is also largely descriptive. It is only…

  • Unsung Heroines

    Elizabeth Le Roux•ARTICLE•African and Asian Studies•2002

    This essay examines both media reports on South Africa's Truth and Reconciliation Commission (TRC), and the TRC's final report, to determine the reasons why women are portrayed in the media — when they are portrayed at all — almost exclusively as victims. This author examines media reports which deal with the testimony of women who lived through the period of social conflict (1960 to 1994) covered by the TRC. Building on theories that argue that …

  • Unsung Heroines

    Elizabeth Le Roux•ARTICLE•African and Asian Studies•2002•Citada por: 1

    Founded in 1683 in Leiden, the Netherlands, Brill is a leading international academic publisher in the Humanities, Social Sciences, International Law, and Biology. With offices in the Netherlands, Germany, Austria, the USA and Asia, Brill today publishes more than 360 journals and 2,000 new books and reference works each year as well as a large number of databases and primary source research collections

  • South African Crime and Detective Fiction in English

    Elizabeth Le Roux•ARTICLE•Current Writing•2013•Citada por: 7

    Against the general assumption that crime and detective fiction has only recently emerged as a genre in South African publishing, this essay will consider the publishing history of this genre in South Africa. The question that is considered is whether trade or general-interest publishers targeting a mass audience in South Africa have produced 'whodunnits' in addition to their output of cookbooks and romance fiction? The evidence of writers like J…

  • Book History in the African World

    Elizabeth Le Roux•ARTICLE•Book history•2012•Citada por: 5•Referencias: 50

    African print culture has not been widely studied from a historical perspective. Many studies focus on the present, without interrogating the historical developments that led to the present situation. We do find information available on what has been published over time, but little attention has been paid to the material forms of texts, their distribution, marketing, readership, or impact. Much earlier work is also largely descriptive. It is only…

  • Introduction

    Caroline Davis, Archie L Dick et al.•ARTICLE•Journal of Southern African Studies•2018•Citada por: 4

    Research into print culture studies in Africa has largely been dominated by histories of how European missionaries, colonial administrators and traders brought the book and literacy to Africa, by w

  • Miriam Tlali and Ravan Press

    Elizabeth Le Roux•ARTICLE•Journal of Southern African Studies•2018•Citada por: 2

    In a committed anti-apartheid publisher like Ravan Press in the 1970s and 1980s, the selection of authors was usually based on political or ideological grounds as well as the quality of their writing. As a result, Ravan was harassed and subjected to censorship. But to what extent did Ravan’s social position and capital inform the author–publisher relationship? One relatively well-known case is that of Miriam Tlali, described as ‘the first black w…

  • The production and reception of Deon Meyer’s works

    Elizabeth Le Roux, Samantha Buitendach•ARTICLE•Scrutiny2•2014•Citada por: 2•Referencias: 2

    Deon Meyer is a household name in South Africa as a bestselling crime fiction author. This article explores how and why Meyer’s career has evolved in the way that it has, in an attempt to answer the question of what has made him so successful. The focus is not, like so much academic analysis of fiction, on the form or content of Meyer’s work, but rather on the wider social context, and in particular the publishing and reception history of this au…

  • Unique perspectives on South Africa’

    Elizabeth Le Roux•ARTICLE•Critical Arts•2014•Citada por: 1•Referencias: 7

    Publishers’ and booksellers’ marketing campaigns are aimed at ‘target audiences’ – groups \nof potential book buyers who can be demographically and geographically segmented. This \nsegmentation is not always overt, but in the case of a ‘buy local’ campaign, it becomes \nso. One example is the ‘Homebru’ promotion run annually by South Africa’s biggest trade \nbookseller, Exclusive Books. The campaign aims to promote South African publishing, and a…

  • Unsung Heroines

    Elizabeth Le Roux•ARTICLE•African and Asian Studies•2002•Citada por: 1

    Founded in 1683 in Leiden, the Netherlands, Brill is a leading international academic publisher in the Humanities, Social Sciences, International Law, and Biology. With offices in the Netherlands, Germany, Austria, the USA and Asia, Brill today publishes more than 360 journals and 2,000 new books and reference works each year as well as a large number of databases and primary source research collections

  • Unsung Heroines

    Elizabeth Le Roux•ARTICLE•African and Asian Studies•2002

    This essay examines both media reports on South Africa's Truth and Reconciliation Commission (TRC), and the TRC's final report, to determine the reasons why women are portrayed in the media — when they are portrayed at all — almost exclusively as victims. This author examines media reports which deal with the testimony of women who lived through the period of social conflict (1960 to 1994) covered by the TRC. Building on theories that argue that …

  • Unsung Heroines

    Elizabeth Le Roux•ARTICLE•African and Asian Studies•2002•Citada por: 1

    Founded in 1683 in Leiden, the Netherlands, Brill is a leading international academic publisher in the Humanities, Social Sciences, International Law, and Biology. With offices in the Netherlands, Germany, Austria, the USA and Asia, Brill today publishes more than 360 journals and 2,000 new books and reference works each year as well as a large number of databases and primary source research collections

  • Book History in the African World

    Elizabeth Le Roux•ARTICLE•Book history•2012•Citada por: 5•Referencias: 50

    African print culture has not been widely studied from a historical perspective. Many studies focus on the present, without interrogating the historical developments that led to the present situation. We do find information available on what has been published over time, but little attention has been paid to the material forms of texts, their distribution, marketing, readership, or impact. Much earlier work is also largely descriptive. It is only…

  • South African Crime and Detective Fiction in English

    Elizabeth Le Roux•ARTICLE•Current Writing•2013•Citada por: 7

    Against the general assumption that crime and detective fiction has only recently emerged as a genre in South African publishing, this essay will consider the publishing history of this genre in South Africa. The question that is considered is whether trade or general-interest publishers targeting a mass audience in South Africa have produced 'whodunnits' in addition to their output of cookbooks and romance fiction? The evidence of writers like J…

  • The production and reception of Deon Meyer’s works

    Elizabeth Le Roux, Samantha Buitendach•ARTICLE•Scrutiny2•2014•Citada por: 2•Referencias: 2

    Deon Meyer is a household name in South Africa as a bestselling crime fiction author. This article explores how and why Meyer’s career has evolved in the way that it has, in an attempt to answer the question of what has made him so successful. The focus is not, like so much academic analysis of fiction, on the form or content of Meyer’s work, but rather on the wider social context, and in particular the publishing and reception history of this au…

  • Unique perspectives on South Africa’

    Elizabeth Le Roux•ARTICLE•Critical Arts•2014•Citada por: 1•Referencias: 7

    Publishers’ and booksellers’ marketing campaigns are aimed at ‘target audiences’ – groups \nof potential book buyers who can be demographically and geographically segmented. This \nsegmentation is not always overt, but in the case of a ‘buy local’ campaign, it becomes \nso. One example is the ‘Homebru’ promotion run annually by South Africa’s biggest trade \nbookseller, Exclusive Books. The campaign aims to promote South African publishing, and a…

  • South African crime fiction

    Sam Naidu, Samantha Naidu et al.•ARTICLE•African Identities•2014•Referencias: 12

    In this essay we demonstrate how the burgeoning field of South African crime fiction has responded to the birth and development of a democratic, post-apartheid South African state. First, an overview of South African crime fiction in the last 20 years is presented. Then the essay presents an argument for South African crime fiction to be regarded as the ‘new political novel’, based on its capacity for socio-political analysis. We use Deon Meyer, …

  • Between the Cathedral and the Market

    Elizabeth Le Roux•CHAPTER•Book in Africa•2015

  • Between the Cathedral and the Market

    Open Access•Elizabeth Le Roux•CHAPTER•Book in Africa•2015

    University presses are often said to lie between the ‘cathedral’ and the ‘market’. 1 What this means is that they have to balance the symbolic capital of knowledge production and the economic capital of commercial viability, to use Bourdieusian terms. 2 South Africa’s four university presses now find themselves in this position, but historically they were not: cushioned by subventions, they did not compete with commercial publishers, and, at the …

  • Publishing South African scholarship in the global academic community

    Open Access•Elizabeth Le Roux•ARTICLE•Notes and Records the Royal…•2015

    South Africa's academic publishing history has been profoundly influenced by its colonial heritage. This is reflected in the publication of Transactions of the South African Philosophical Society (later, the Royal Society of South Africa) from 1878. Although the Society and journal sought to promote original research about South Africa, it was modelled after the Royal Society in London and formed part of an imperial scientific community. As the l…

  • Discrimination in scholarly publishing

    Elizabeth Le Roux•ARTICLE•Critical Arts•2015

    (2015). Discrimination in scholarly publishing. Critical Arts: Vol. 29, Discrimination in scholarly publishing, pp. 703-704

  • Conserving Africa's Mega-Diversity in the Anthropocene

    Jim M Feely, Mariska te Beest et al.•BOOK•Conserving Africa's Mega-Diversity…•2017

  • Miriam Tlali and Ravan Press

    Elizabeth Le Roux•ARTICLE•Journal of Southern African Studies•2018•Citada por: 2

    In a committed anti-apartheid publisher like Ravan Press in the 1970s and 1980s, the selection of authors was usually based on political or ideological grounds as well as the quality of their writing. As a result, Ravan was harassed and subjected to censorship. But to what extent did Ravan’s social position and capital inform the author–publisher relationship? One relatively well-known case is that of Miriam Tlali, described as ‘the first black w…

  • Introduction

    Caroline Davis, Archie L Dick et al.•ARTICLE•Journal of Southern African Studies•2018•Citada por: 4

    Research into print culture studies in Africa has largely been dominated by histories of how European missionaries, colonial administrators and traders brought the book and literacy to Africa, by w

  • Publishing against Apartheid South Africa

    Open Access•Elizabeth Le Roux•BOOK•Publishing Against Apartheid…•2020

    In many parts of the world, oppositional publishing has emerged in contexts of state oppression. In South Africa, censorship laws were enacted in the 1960s, and the next decade saw increased pressure on freedom of speech and publishing. With growing restrictions on information, activist publishing emerged. These highly politicised publishers had a social responsibility, to contribute to social change. In spite of their cultural, political and soc…

  • The myth of the ‘book famine’ in African publishing

    Elizabeth Le Roux•ARTICLE•Review of African Political Economy•2020•Referencias: 7

    The publishing industry in Africa is usually described in terms of ‘booklessness’, ‘hunger’ or ‘famine’. But does this language of scarcity reflect the realities of book production and consumption? In this paper, the concept of ‘book famine’ is analysed as a central frame of discourse on African books, using a survey of existing documentation. Two ways of responding to book famine – provision and production – are identified, and the shortcomings …

  • Exploring Transnational Dimensions of Activism in Contemporary Book Culture

    Open Access•Rachel Noorda, Corinna Norrick-Rühl et al.•ARTICLE•Mémoires du livre•2023

    Exploring Transnational Dimensions of Activism in Contemporary Book Culture: Introduction. Un article de la revue Mémoires du livre / Studies in Book Culture (Explorer les dimensions transnationales de l’activisme dans la culture contemporaine du livre) diffusée par la plateforme Érudit

  • Power to the People

    Open Access•Elizabeth Le Roux•ARTICLE•Mémoires du livre•2023

    The black power salute is a powerful call to arms for resistance and social change. In South Africa, black power is tied up with the Black Consciousness Movement of the 1970s, aiming to reclaim black identity. Integral to this attempt was the use of cultural and intellectual means, and under its aegis writers’ groups started forming in place of political groups (which were suppressed), as a base for mobilisation and collective action. But these w…

  • Balancing Cultural, Literary and Financial Capital in Trade Publishing

    Jana Klingenberg, Elizabeth Le Roux•ARTICLE•Quaerendo•2024

    This article is an historical analysis of the changing editorial strategy of Tafelberg, a South African publisher. It aims to shed light on the culture-commerce divide in South African publishing, the changing cultural and social impact of a publisher specialising in a minority language, and the nexus of editorial philosophies, language and nationalism. The research considers Bourdieu’s (1993) conceptualisation of the fields of culture with their…

  • Megagrazer loss drives complex landscape-scale biophysical cascades

    Open Access•Olli Hyvärinen, Mariska te Beest et al.•ARTICLE•Environmental Research Letters•2024

    Wild animals can modulate ecosystem-climate feedbacks, e.g. through impacts on vegetation and associated carbon dynamics. However, vegetation cover and composition also affect land surface albedo, which is an important component of the global energy budget. We currently know very little about the influence of wild animals on land surface albedo and the resulting climate forcing of these albedo changes. Leveraging a unique, ecosystem-scale, semi-e…

  • Narratives of Transformation in South African Publishing in the 1990s

    Open Access•Elizabeth Le Roux•ARTICLE•Critical Arts•2025•Referencias: 11

Sociology (15 obras) · Law (14 obras) · Political science (14 obras) · History (11 obras) · Media studies (11 obras) · Publishing (11 obras) · Art (9 obras) · Law (8 obras) · South African History and Culture (8 obras) · African history and culture studies (7 obras)

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