Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Mpalive‐hangson Msiska

Biographic Data

ID3592111
NAMEMpalive‐hangson Msiska
GIVEN NAMESMpalive‐hangson
FAMILY NAMEMsiska
SIGNATUREMSISKA M H
AFFILIATIONSBirkbeck, University of London
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS6
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2017
H-INDEX1
  • Writing and Africa

    Mpalive‐hangson Msiska, Mpalive-Hangson Msiska et al.•BOOK•Writing and Africa•2017

  • Situating the BRICS Phenomenon within the Histories and Cultures of Southern Africa

    Lyn Schumaker, Andrew Brooks et al.•ARTICLE•Journal of Southern African Studies•2017

  • Kujoni

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Journal of Southern African Studies•2017

    This article recovers the literary and political value of Legson Kayira’s novel Jingala (1969), dismissed by earlier critics as lightweight. I argue instead for the seriousness of its engagement with a significant aspect of Malawian life, namely the country’s historical reliance on the export of migrant labour to its mineral-rich neighbours, especially South Africa. Between 1900 and 1988, the country was the second-largest supplier of contracted …

  • Imagined nations and imaginary Nigeria

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Journal of Genocide Research•2014•Cited by: 3

    This article argues that Chinua Achebe's memoir, There was a country: a personal history of Biafra (2012) articulates a hankering after a home, a habitable country in the context of colonially derived contradictions embedded in the institutional formation of Nigeria, the failure of the nationalist and postcolonial leadership to resolve such contradictions as well as the legacy of ethnicity. It demonstrates how the memoir expresses the writer's de…

  • Things Fall Apart

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Interventions•2009•Cited by: 1•References: 2

    Keywords: Chinua Achebeliterary criticismliterary representationpostcolonial theoryplurisignifying practiceThings Fall Apart

  • Detecting globalisation, modernity and gender subjectivity in David Maillu'sBenni Kamba 009 in Operation DXT

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Journal of Eastern African Studies•2009•Cited by: 1•References: 6

    Through a study of his detective novel, Benni Kamba 009 in Operation DX, and the debates surrounding the emergence of East African Popular literature in English, this paper reflects on the contribution of the Kenyan writer, David Maillu Maillu, David. 1986. Benni Kamba 009 in Operation DXT, Nairobi: Heinemann. [Google Scholar], to the production of a Popular discourse of Post-colonial African modernity. It argues that Maillu Maillu, David. 1980. …

  • Sam Selvon's The Lonely Londoners and the structure of Black metropolitan life

    Mpalive‐hangson Msiska•ARTICLE•African and Black Diaspora An…•2008•Cited by: 1•References: 1

    The paper argues that Sam Selvon's novel The Lonely Londoners (1956), whilst offering a study of the metropolitan experience of post-war African and Caribbean immigrants to London, gives profound insights into the fundamental structure of Black metropolitan subjectivity generally. The theoretical work of Georg Simmel, Walter Benjamin, Stuart Hall and, Paul Gilroy, among others, is used to illuminate particular aspects of the location of the Black…

  • The politics of identity and the identity of politics

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Journal of African Cultural Studies•2006•References: 1

    The paper argues that Wole Soyinka's Camwood on the Leaves and The Strong Breed offer us a notion of Self as Agency that is a critique of African tradition, modernity and, above all, the Post-Modernist revalorization of the subject. It is argued that Soyinka proffers a post Post-Structuralism Humanist interrogation as well as reclamation of subjectivity in which Selfhood is conceived of as a site of responsibility and transformation. The study ex…

  • Writing and Africa

    Open Access•Mpalive‐hangson Msiska, Mpalive Msiska et al.•BOOK•Writing and Africa•1997

    Introduction: writing and Africa, Mpalive-Hangson Msiska. Part 1 Writing and history - a survey: north African writing, Anissa Talahite west African writing, Patrick Williams eastern and central African writing, Mpalive-Hangson Msiska. Part 2 Issues and problems: what is African literature? ethnography and criticism, Kadiatu Kanneh fiction as a historicizing form in modern South Africa, Michael Green empires of the imagination - Rider Haggard, po…

  • African Literature Today

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•African Affairs•1992

  • Cultural Dislocation and Gender Ideology in Kole Omotoso's The Edifice

    Open Access•Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•The Journal of Commonwealth…•1990

  • Imagined nations and imaginary Nigeria

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Journal of Genocide Research•2014•Cited by: 3

    This article argues that Chinua Achebe's memoir, There was a country: a personal history of Biafra (2012) articulates a hankering after a home, a habitable country in the context of colonially derived contradictions embedded in the institutional formation of Nigeria, the failure of the nationalist and postcolonial leadership to resolve such contradictions as well as the legacy of ethnicity. It demonstrates how the memoir expresses the writer's de…

  • Things Fall Apart

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Interventions•2009•Cited by: 1•References: 2

    Keywords: Chinua Achebeliterary criticismliterary representationpostcolonial theoryplurisignifying practiceThings Fall Apart

  • Detecting globalisation, modernity and gender subjectivity in David Maillu'sBenni Kamba 009 in Operation DXT

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Journal of Eastern African Studies•2009•Cited by: 1•References: 6

    Through a study of his detective novel, Benni Kamba 009 in Operation DX, and the debates surrounding the emergence of East African Popular literature in English, this paper reflects on the contribution of the Kenyan writer, David Maillu Maillu, David. 1986. Benni Kamba 009 in Operation DXT, Nairobi: Heinemann. [Google Scholar], to the production of a Popular discourse of Post-colonial African modernity. It argues that Maillu Maillu, David. 1980. …

  • Sam Selvon's The Lonely Londoners and the structure of Black metropolitan life

    Mpalive‐hangson Msiska•ARTICLE•African and Black Diaspora An…•2008•Cited by: 1•References: 1

    The paper argues that Sam Selvon's novel The Lonely Londoners (1956), whilst offering a study of the metropolitan experience of post-war African and Caribbean immigrants to London, gives profound insights into the fundamental structure of Black metropolitan subjectivity generally. The theoretical work of Georg Simmel, Walter Benjamin, Stuart Hall and, Paul Gilroy, among others, is used to illuminate particular aspects of the location of the Black…

  • Cultural Dislocation and Gender Ideology in Kole Omotoso's The Edifice

    Open Access•Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•The Journal of Commonwealth…•1990

  • African Literature Today

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•African Affairs•1992

  • Writing and Africa

    Open Access•Mpalive‐hangson Msiska, Mpalive Msiska et al.•BOOK•Writing and Africa•1997

    Introduction: writing and Africa, Mpalive-Hangson Msiska. Part 1 Writing and history - a survey: north African writing, Anissa Talahite west African writing, Patrick Williams eastern and central African writing, Mpalive-Hangson Msiska. Part 2 Issues and problems: what is African literature? ethnography and criticism, Kadiatu Kanneh fiction as a historicizing form in modern South Africa, Michael Green empires of the imagination - Rider Haggard, po…

  • The politics of identity and the identity of politics

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Journal of African Cultural Studies•2006•References: 1

    The paper argues that Wole Soyinka's Camwood on the Leaves and The Strong Breed offer us a notion of Self as Agency that is a critique of African tradition, modernity and, above all, the Post-Modernist revalorization of the subject. It is argued that Soyinka proffers a post Post-Structuralism Humanist interrogation as well as reclamation of subjectivity in which Selfhood is conceived of as a site of responsibility and transformation. The study ex…

  • Sam Selvon's The Lonely Londoners and the structure of Black metropolitan life

    Mpalive‐hangson Msiska•ARTICLE•African and Black Diaspora An…•2008•Cited by: 1•References: 1

    The paper argues that Sam Selvon's novel The Lonely Londoners (1956), whilst offering a study of the metropolitan experience of post-war African and Caribbean immigrants to London, gives profound insights into the fundamental structure of Black metropolitan subjectivity generally. The theoretical work of Georg Simmel, Walter Benjamin, Stuart Hall and, Paul Gilroy, among others, is used to illuminate particular aspects of the location of the Black…

  • Things Fall Apart

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Interventions•2009•Cited by: 1•References: 2

    Keywords: Chinua Achebeliterary criticismliterary representationpostcolonial theoryplurisignifying practiceThings Fall Apart

  • Detecting globalisation, modernity and gender subjectivity in David Maillu'sBenni Kamba 009 in Operation DXT

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Journal of Eastern African Studies•2009•Cited by: 1•References: 6

    Through a study of his detective novel, Benni Kamba 009 in Operation DX, and the debates surrounding the emergence of East African Popular literature in English, this paper reflects on the contribution of the Kenyan writer, David Maillu Maillu, David. 1986. Benni Kamba 009 in Operation DXT, Nairobi: Heinemann. [Google Scholar], to the production of a Popular discourse of Post-colonial African modernity. It argues that Maillu Maillu, David. 1980. …

  • Imagined nations and imaginary Nigeria

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Journal of Genocide Research•2014•Cited by: 3

    This article argues that Chinua Achebe's memoir, There was a country: a personal history of Biafra (2012) articulates a hankering after a home, a habitable country in the context of colonially derived contradictions embedded in the institutional formation of Nigeria, the failure of the nationalist and postcolonial leadership to resolve such contradictions as well as the legacy of ethnicity. It demonstrates how the memoir expresses the writer's de…

  • Writing and Africa

    Mpalive‐hangson Msiska, Mpalive-Hangson Msiska et al.•BOOK•Writing and Africa•2017

  • Situating the BRICS Phenomenon within the Histories and Cultures of Southern Africa

    Lyn Schumaker, Andrew Brooks et al.•ARTICLE•Journal of Southern African Studies•2017

  • Kujoni

    Mpalive-Hangson Msiska, Mpalive‐hangson Msiska•ARTICLE•Journal of Southern African Studies•2017

    This article recovers the literary and political value of Legson Kayira’s novel Jingala (1969), dismissed by earlier critics as lightweight. I argue instead for the seriousness of its engagement with a significant aspect of Malawian life, namely the country’s historical reliance on the export of migrant labour to its mineral-rich neighbours, especially South Africa. Between 1900 and 1988, the country was the second-largest supplier of contracted …

Political science (9 works) · Sociology (8 works) · Law (6 works) · Politics (6 works) · Gender Studies (5 works) · Postcolonial and Cultural Literary Studies (5 works) · Aesthetics (4 works) · Epistemology (4 works) · Gender Studies (4 works) · History (4 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae