M Ty
Biographic Data
| ID | 359293 |
|---|---|
| NAME | M Ty |
| GIVEN NAMES | M |
| FAMILY NAME | Ty |
| SIGNATURE | TY M |
| AFFILIATIONS | University of Wisconsin–Madison |
| ORCID | 0000-0002-0511-2349 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
“Dream Book for Existing Otherwise”
Is it possible to dream together? This essay assembles an archive of collective dreaming that includes the art installation Black Power Naps (2015); Harriet Tubman’s neuroatypical visions of freedom that took hold during involuntary bouts of sleep; the dictionary of dream symbols that the ethnologist Charles Seligman extracted from colonial India; and Mohammad Malas’s film The Dream (1987), which documents the dreams of Palestinians living in ref…
By Way of Resemblance
Channeling affinities with certain motifs of Daoism, Walter Benjamin renews a form of dialectical thought that diffuses ideological notions of progress and grants minimal weight to the ontological distinction of the Subject. In fleeting yet pivotal moments of contact with Chinese aesthetics, Benjamin moves attention toward the practice of 'thinking by way of resemblance' - a phenomenon he variously enacts. Calling forth resonances within late-cap…
The Riot of the Literal
When Hortense Spillers speaks of ‘the hieroglyphics of the flesh’, she closes in on the lethally generative coincidence between racialized violence and symbolic production. Reading backward from her essay's last words, in which she incites an emergent praxis of naming, this study of ‘Mama's Baby, Papa's Maybe’ moves with attention to the unsettling of figure and ground that Spillers's writing induces. In doing so, I draw out her insights into the…
By Way of Resemblance
Channeling affinities with certain motifs of Daoism, Walter Benjamin renews a form of dialectical thought that diffuses ideological notions of progress and grants minimal weight to the ontological distinction of the Subject. In fleeting yet pivotal moments of contact with Chinese aesthetics, Benjamin moves attention toward the practice of 'thinking by way of resemblance' - a phenomenon he variously enacts. Calling forth resonances within late-cap…
The Riot of the Literal
When Hortense Spillers speaks of ‘the hieroglyphics of the flesh’, she closes in on the lethally generative coincidence between racialized violence and symbolic production. Reading backward from her essay's last words, in which she incites an emergent praxis of naming, this study of ‘Mama's Baby, Papa's Maybe’ moves with attention to the unsettling of figure and ground that Spillers's writing induces. In doing so, I draw out her insights into the…
By Way of Resemblance
Channeling affinities with certain motifs of Daoism, Walter Benjamin renews a form of dialectical thought that diffuses ideological notions of progress and grants minimal weight to the ontological distinction of the Subject. In fleeting yet pivotal moments of contact with Chinese aesthetics, Benjamin moves attention toward the practice of 'thinking by way of resemblance' - a phenomenon he variously enacts. Calling forth resonances within late-cap…
“Dream Book for Existing Otherwise”
Is it possible to dream together? This essay assembles an archive of collective dreaming that includes the art installation Black Power Naps (2015); Harriet Tubman’s neuroatypical visions of freedom that took hold during involuntary bouts of sleep; the dictionary of dream symbols that the ethnologist Charles Seligman extracted from colonial India; and Mohammad Malas’s film The Dream (1987), which documents the dreams of Palestinians living in ref…
Aesthetics (2 works) · Art (2 works) · Epistemology (2 works) · Law (2 works) · Law (2 works) · Literature (2 works) · Philosophy (2 works) · Philosophy (2 works) · Psychoanalysis (2 works) · Psychology (2 works)