Tine Sommer
Biographic Data
| ID | 3593806 |
|---|---|
| NAME | Tine Sommer |
| GIVEN NAMES | Tine |
| FAMILY NAME | Sommer |
| SIGNATURE | SOMMER T |
| AFFILIATIONS | Film Independent |
| ORCID | 0000-0003-4364-1302 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
How Houses Move Us
This article explores the representation of lived life in the house in Willa Cather’s The Professor’s House (1925). It uncovers how the house moves bodies and affects moods that create individual meaning but also reflect broader responses to modernity. The article argues, in line with recent architectural scholarship, that literature, especially “middlebrow” fiction that would reach a large audience, is productive for understanding atmospheres. U…
I Take Everything Back That I Said”
This article discusses motherhood in James M. Cain’s Mildred Pierce (1941). It argues that academic criticism so far has neglected the important contribution Cain’s text makes to debates concerning motherhood norms in the post-Depression years. The article takes as its central concern the fraught relationship between Mildred and her daughter, Veda. Building on Sianne Ngai’s theory of “ugly feelings,” the article claims that Mildred’s ambivalent e…
No prominent works on this page.
I Take Everything Back That I Said”
This article discusses motherhood in James M. Cain’s Mildred Pierce (1941). It argues that academic criticism so far has neglected the important contribution Cain’s text makes to debates concerning motherhood norms in the post-Depression years. The article takes as its central concern the fraught relationship between Mildred and her daughter, Veda. Building on Sianne Ngai’s theory of “ugly feelings,” the article claims that Mildred’s ambivalent e…
How Houses Move Us
This article explores the representation of lived life in the house in Willa Cather’s The Professor’s House (1925). It uncovers how the house moves bodies and affects moods that create individual meaning but also reflect broader responses to modernity. The article argues, in line with recent architectural scholarship, that literature, especially “middlebrow” fiction that would reach a large audience, is productive for understanding atmospheres. U…
Art (2 works) · Law (2 works) · Law (2 works) · Political science (2 works) · Psychology (2 works) · Social Psychology (2 works) · Social Psychology (2 works) · Sociology (2 works) · Aesthetics (1 work) · Agency (philosophy (1 work)