Octavio R González
Biographic Data
| ID | 3593825 |
|---|---|
| NAME | Octavio R González |
| GIVEN NAMES | Octavio R |
| FAMILY NAME | González |
| SIGNATURE | GONZÁLEZ O R |
| ORCID | 0000-0001-7701-7511 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
The Cambridge History of Queer American Literature
Moby-Dick's Ishmael and Queequeg share a bed, Janie in Zora Neale Hurston's Their Eyes Were Watching God imagines her tongue in another woman's mouth. And yet for too long there has not been a volume that provides an account of the breadth and depth of queer American literature. This landmark volume provides the first expansive history of this literature from its inception to the present day, offering a narrative of how American literary studies …
The Cambridge Companion to the Black Body in American Literature
Whether invisible or hyper-visible, adored or reviled, from the inception of American literature the Black body has been rendered in myriad forms. This volume tracks and uncovers the Black body as a persistent presence and absence in American literature. It provides an invaluable guide for teachers and students interested in literary and artistic representations of Blackness and embodiment. The book is divided into three sections that highlight B…
Toward a Black-Queer Critical Rhetoricism
An ambitious book forged with the tarnished tools of queer theory and affective historiography—or “unhistoricism” (10), after Valerie Traub (2013)—Stephen Best's None Like Us is a manifesto. “My goal,” he begins, “is to encourage a frank reappraisal” of the “assumed conjuncture between belonging and a history of subjection” (1; emphasis added). Best's title and animating concept originate in David Walker's 1830 Appeal to the Coloured Citizens of …
Toward Stonewall
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Toward Stonewall
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Toward a Black-Queer Critical Rhetoricism
An ambitious book forged with the tarnished tools of queer theory and affective historiography—or “unhistoricism” (10), after Valerie Traub (2013)—Stephen Best's None Like Us is a manifesto. “My goal,” he begins, “is to encourage a frank reappraisal” of the “assumed conjuncture between belonging and a history of subjection” (1; emphasis added). Best's title and animating concept originate in David Walker's 1830 Appeal to the Coloured Citizens of …
The Cambridge History of Queer American Literature
Moby-Dick's Ishmael and Queequeg share a bed, Janie in Zora Neale Hurston's Their Eyes Were Watching God imagines her tongue in another woman's mouth. And yet for too long there has not been a volume that provides an account of the breadth and depth of queer American literature. This landmark volume provides the first expansive history of this literature from its inception to the present day, offering a narrative of how American literary studies …
The Cambridge Companion to the Black Body in American Literature
Whether invisible or hyper-visible, adored or reviled, from the inception of American literature the Black body has been rendered in myriad forms. This volume tracks and uncovers the Black body as a persistent presence and absence in American literature. It provides an invaluable guide for teachers and students interested in literary and artistic representations of Blackness and embodiment. The book is divided into three sections that highlight B…
Gender Studies (2 works) · History (2 works) · Latin American and Latino Studies (2 works) · Queer (2 works) · Race, History, and American Society (2 works) · Sociology (2 works) · American History and Culture (1 works) · Archaeology and ancient environmental studies (1 works) · Archaeology and Historical Studies (1 works) · Art (1 works)