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Jemma Deer

Biographic Data

ID3593834
NAMEJemma Deer
GIVEN NAMESJemma
FAMILY NAMEDeer
SIGNATUREDEER J
AFFILIATIONSUniversity of Sussex
ORCID0000-0002-5659-7913
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS0
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2020
H-INDEX0
  • The Uncanny

    Open Access•Jemma Deer•ARTICLE•Oxford Literary Review•2020

  • Quenched

    Open Access•Jemma Deer•ARTICLE•Oxford Literary Review•2019

    By the light or remains of five fires, this paper considers how the current extinction crisis might be thought in relation to the future and the past, to speed and acceleration, to ir/reversibility, and to the evolution of human language and consciousness. The thought of extinction as the extinction of thought is elaborated through engagement with J.G. Ballard's The Drowned World, Jacques Derrida's ‘No Apocalypse, Not Now’ and ‘White Mythology’, …

  • Addressed to You

    Jemma Deer•ARTICLE•Mosaic•2017•References: 1

    Elizabeth Bowen's 1955 novel A World of Love arrives in our hands today like a letter from the past, insisting that we recognize the nonhuman forces at work in every act of writing and reading-as well as the ethical injunction such an apprehension engenders

  • More Strange Return

    Open Access•Jemma Deer•ARTICLE•Oxford Literary Review•2016

    Returning to the in/articulations of the death drives in Beyond the Pleasure Principle, this paper speculates about a literary debt that appears and disappears in Freud's essay. It follows the various modes of play within the text: the playing of a child's game, the staging of a tragic play, the magical play of examples, and the animate, incessant play of language—particularly the play of a single letter, O

  • Literary Ghosts from the Victorians to Modernism

    Jemma Deer•ARTICLE•Textual Practice•2013

    "Literary Ghosts from the Victorians to Modernism: The Haunting Interval." Textual Practice, 27(2), pp. 348–349

No prominent works on this page.

  • Literary Ghosts from the Victorians to Modernism

    Jemma Deer•ARTICLE•Textual Practice•2013

    "Literary Ghosts from the Victorians to Modernism: The Haunting Interval." Textual Practice, 27(2), pp. 348–349

  • More Strange Return

    Open Access•Jemma Deer•ARTICLE•Oxford Literary Review•2016

    Returning to the in/articulations of the death drives in Beyond the Pleasure Principle, this paper speculates about a literary debt that appears and disappears in Freud's essay. It follows the various modes of play within the text: the playing of a child's game, the staging of a tragic play, the magical play of examples, and the animate, incessant play of language—particularly the play of a single letter, O

  • Addressed to You

    Jemma Deer•ARTICLE•Mosaic•2017•References: 1

    Elizabeth Bowen's 1955 novel A World of Love arrives in our hands today like a letter from the past, insisting that we recognize the nonhuman forces at work in every act of writing and reading-as well as the ethical injunction such an apprehension engenders

  • Quenched

    Open Access•Jemma Deer•ARTICLE•Oxford Literary Review•2019

    By the light or remains of five fires, this paper considers how the current extinction crisis might be thought in relation to the future and the past, to speed and acceleration, to ir/reversibility, and to the evolution of human language and consciousness. The thought of extinction as the extinction of thought is elaborated through engagement with J.G. Ballard's The Drowned World, Jacques Derrida's ‘No Apocalypse, Not Now’ and ‘White Mythology’, …

  • The Uncanny

    Open Access•Jemma Deer•ARTICLE•Oxford Literary Review•2020

Philosophy (4 works) · Philosophy (4 works) · Aesthetics (3 works) · Art (3 works) · Computer Science (2 works) · Environmental ethics (2 works) · Epistemology (2 works) · Literature (2 works) · Psychoanalysis (2 works) · Psychology (2 works)

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