Yoel Greenberg
Biographic Data
| ID | 3593869 |
|---|---|
| NAME | Yoel Greenberg |
| GIVEN NAMES | Yoel |
| FAMILY NAME | Greenberg |
| SIGNATURE | GREENBERG Y |
| AFFILIATIONS | Bar-Ilan University |
| ORCID | 0000-0001-7656-2200 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
The Off-Tonic Recapitulation in Context
The double return of the principal theme and home key has long held pride of place in theories of sonata form. For James Webster (2001) it is the paramount feature of sonata form; similarly, for James Hepokoski and Warren Darcy (2006) it is the feature that lies at the heart of their sonata-theory typology, distinguishing between their types 1, 2 and 3. Several scholars have already noted that off-tonic recapitulations render this typology fuzzy,…
Ordo ab Chao’
Fugal composition has traditionally been taken as 'a sign of order and tradition' (Chapin, 2014). In the seventeenth and early eighteenth centuries, it was normally associated with cosmic order, in keeping with the concept of the harmony of the spheres, and it later came to represent social order (Chua, 1999). In this article I argue that in a variety of early twentieth-century manifestations, fugue came to represent chaos rather than order, main…
Parables of the Old Men and the Young
The traumatic experiences of the First World War forced Erwin Schulhoff and many artists of his generation to re-evaluate their relationship with the culture of the past. Focusing on his works for string quartet, I discuss the means through which Schulhoff’s works are preoccupied with artistic renewal and the way his goals are expressed in his reception. I establish that two methods of rejection stand out among creative artists of Schulhoff’s gen…
The Off-Tonic Recapitulation in Context
The double return of the principal theme and home key has long held pride of place in theories of sonata form. For James Webster (2001) it is the paramount feature of sonata form; similarly, for James Hepokoski and Warren Darcy (2006) it is the feature that lies at the heart of their sonata-theory typology, distinguishing between their types 1, 2 and 3. Several scholars have already noted that off-tonic recapitulations render this typology fuzzy,…
Parables of the Old Men and the Young
The traumatic experiences of the First World War forced Erwin Schulhoff and many artists of his generation to re-evaluate their relationship with the culture of the past. Focusing on his works for string quartet, I discuss the means through which Schulhoff’s works are preoccupied with artistic renewal and the way his goals are expressed in his reception. I establish that two methods of rejection stand out among creative artists of Schulhoff’s gen…
Ordo ab Chao’
Fugal composition has traditionally been taken as 'a sign of order and tradition' (Chapin, 2014). In the seventeenth and early eighteenth centuries, it was normally associated with cosmic order, in keeping with the concept of the harmony of the spheres, and it later came to represent social order (Chua, 1999). In this article I argue that in a variety of early twentieth-century manifestations, fugue came to represent chaos rather than order, main…
The Off-Tonic Recapitulation in Context
The double return of the principal theme and home key has long held pride of place in theories of sonata form. For James Webster (2001) it is the paramount feature of sonata form; similarly, for James Hepokoski and Warren Darcy (2006) it is the feature that lies at the heart of their sonata-theory typology, distinguishing between their types 1, 2 and 3. Several scholars have already noted that off-tonic recapitulations render this typology fuzzy,…
Musicology and Musical Analysis (3 works) · Art (2 works) · Literature (2 works) · Philosophy (2 works) · Psychology (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Art Education and Development (1 work) · Biology (1 work) · Cognitive science (1 work)