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Lawrence Kramer

Biographic Data

ID3593873
NAMELawrence Kramer
GIVEN NAMESLawrence
FAMILY NAMEKramer
SIGNATUREKRAMER L
AFFILIATIONSFordham University
ORCID0000-0002-0612-6347
VERIFIEDYes
TOTAL WORKS37
TOTAL CITATIONS23
AUTHOR COUNT35
EDITOR COUNT2
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR2024
H-INDEX3
  • Experiencing Sound: The Sensation of Being

    Lawrence Kramer•BOOK•Experiencing Sound•2024

  • Harmonies of the World

    Lawrence Kramer•CHAPTER•Experiencing Sound•2024

  • Framing the limits to growth: Narratives in the sustainable fashion industry

    Open Access•Lawrence Kramer, Lena Kramer et al.•ARTICLE•Environmental Innovation and…•2024•References: 75

  • Music and the Forms of Life

    Lawrence Kramer•BOOK•Music and the Forms of Life•2022

  • The Hum of the World: A Philosophy of Listening

    Open Access•Lawrence Kramer•BOOK•Hum of the World•2019

  • Hum of the World: A Philosophy of Listening

    Lawrence Kramer•BOOK•Hum of the World•2019

  • Song as Paraphrase

    Lawrence Kramer•ARTICLE•New Literary History•2015

    Song" is an umbrella term covering a vast variety of practices, many with little in common. This essay asks what it would take to theorize song as a phenomenon rather than to theorize specific genres of song. How can we think about song-if we can-as a relationship of language and music in a purely potential mode, independent of the relationships between words and music typical of those genres? How can we understand the role of media in this frami…

  • Philosophizing Musically: Reconsidering Music and Ideas

    Open Access•Lawrence Kramer•ARTICLE•Journal of the Royal Musical…•2014

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • A Note: On Informal Thinking

    Open Access•Lawrence Kramer•ARTICLE•Music Analysis•2012

  • Interpreting Music

    Lawrence Kramer•BOOK•Interpreting Music•2010•Cited by: 3

    This book is a comprehensive discussion on understanding musical meaning and performing music meaningfully—"interpreting music" in both senses of the term. Synthesizing and advancing two decades of work, it fundamentally rethinks the concepts of work, score, performance, performativity, interpretation, and meaning—even the very concept of music—while breaking down conventional wisdom and received ideas. The book argues that music, far from being …

  • Musical Meaning and Human Values

    Keith Chapin, Lawrence Kramer•BOOK•Musical Meaning and Human Values•2009

    Musical understanding has evolved dramatically in recent years, principally through a heightened appreciation of musical meaning in its social, cultural, and philosophical dimensions. This collection of essays by leading scholars addresses an aspect of meaning that has not yet received its due: the relation of meaning in this broad humanistic sense to the shaping of fundamental values. The volume examines the open and active circle between the va…

  • Musical Meaning and Human Values

    Keith Chapin, Lawrence Kramer•BOOK•Musical meaning and human values•2009

    Musical understanding has evolved dramatically in recent years, principally through a heightened appreciation of musical meaning in its social, cultural, and philosophical dimensions. This collection of essays by leading scholars addresses an aspect of meaning that has not yet received its due: the relation of meaning in this broad humanistic sense to the shaping of fundamental values. The volume examines the open and active circle between the va…

  • Ena kašlja, druga pleše: Freud, Strauss in sprevrženost sodobnega življenja

    Open Access•Lawrence Kramer•ARTICLE•Musicological Annual•2009

    Navkljub znani ravnodušnosti do glasbe jo Freud včasih prav poznavalsko omenja. Ta sestavek napeljuje na misel, da se je freudovska podzavest deloma oblikovala po glasbi pozne romantike v povezavi z opisi ženskega poželenja. Freudov primer Dore in Richarda Straussa opera Saloma se stekata v findesièclovskem konceptu glasbene podzavesti

  • Beyond the Soundtrack: Representing Music in Cinema

    Daniel Goldmark, Daniel Ira Goldmark et al.•BOOK•Beyond the Soundtrack•2007

  • Grasping the Subject

    Arnold Whittall, Lawrence Kramer•ARTICLE•The Musical Times•2007

  • Why Classical Music Still Matters

    Lawrence Kramer•BOOK•Why classical music still matters•2007•Cited by: 6

    What can be done about the state of classical music?" asks this book. Classical music, whose demise has been predicted for at least a decade, has always had its staunch advocates, but in today's media-saturated world there are real concerns about its viability. This book takes a forthright approach by engaging both skeptics and music lovers alike. Over seven chapters, the book affirms the value of classical music—defined as a body of nontheatrica…

  • Speaking Melody, Melodic Speech

    Lawrence Kramer•CHAPTER•Word and Music Studies•2005

  • Timely Meditations

    Arnold Whittall, Lawrence Kramer et al.•ARTICLE•The Musical Times•2005

  • Music, Historical Knowledge, and Critical Inquiry: Three Variations on The Ruins of Athens

    Lawrence Kramer•ARTICLE•Critical Inquiry•2005•References: 3

  • Music, Metaphor and Metaphysics

    Lawrence Kramer•ARTICLE•The Musical Times•2004

  • Odradek Analysis: Reflections on Musical Ontology

    Open Access•Lawrence Kramer•ARTICLE•Music Analysis•2004•Cited by: 2

  • Powers of Blackness: Africanist Discourse in Modern Concert Music

    Lawrence Kramer•ARTICLE•Black Music Research Journal•2002•References: 3

    War, said Carl von Clausewitz ([1832] 1984, 87), is the continuation of politics by other means. My aim in this essay is to propose a pair of Clausewitzian theses about the encounter between a diversity of black American music--ragtime, blues, and jazz--and white modernist concert music in the United States and France, circa 1909-1931, with a later codicil from England. The encounter was both rich and strange, and it produced a large handful of n…

  • Recognizing Schubert: Musical Subjectivity, Cultural Change, and Jane Campion'sThe Portrait of a Lady

    Lawrence Kramer•ARTICLE•Critical Inquiry•2002•References: 7

  • Musical Meaning: Toward a Critical History

    Lawrence Kramer•BOOK•Musical Meaning•2001•Cited by: 8

    Lawrence Kramer has been a pivotal figure in the development of the controversial new musicology, integrating the study of music with social and cultural issues. This accessible and eloquently written book continues and deepens the trajectory of Kramer's thinking as it boldly argues that humanistic, not just technical, meaning is a basic force in music history and an indispensable factor in how, where, and when music is heard. Kramer draws on a b…

  • The Mysteries of Animation: History, Analysis and Musical Subjectivity

    Open Access•Lawrence Kramer•ARTICLE•Music Analysis•2001•Cited by: 2

Next
  • Musical Meaning: Toward a Critical History

    Lawrence Kramer•BOOK•Musical Meaning•2001•Cited by: 8

    Lawrence Kramer has been a pivotal figure in the development of the controversial new musicology, integrating the study of music with social and cultural issues. This accessible and eloquently written book continues and deepens the trajectory of Kramer's thinking as it boldly argues that humanistic, not just technical, meaning is a basic force in music history and an indispensable factor in how, where, and when music is heard. Kramer draws on a b…

  • Why Classical Music Still Matters

    Lawrence Kramer•BOOK•Why classical music still matters•2007•Cited by: 6

    What can be done about the state of classical music?" asks this book. Classical music, whose demise has been predicted for at least a decade, has always had its staunch advocates, but in today's media-saturated world there are real concerns about its viability. This book takes a forthright approach by engaging both skeptics and music lovers alike. Over seven chapters, the book affirms the value of classical music—defined as a body of nontheatrica…

  • Interpreting Music

    Lawrence Kramer•BOOK•Interpreting Music•2010•Cited by: 3

    This book is a comprehensive discussion on understanding musical meaning and performing music meaningfully—"interpreting music" in both senses of the term. Synthesizing and advancing two decades of work, it fundamentally rethinks the concepts of work, score, performance, performativity, interpretation, and meaning—even the very concept of music—while breaking down conventional wisdom and received ideas. The book argues that music, far from being …

  • Odradek Analysis: Reflections on Musical Ontology

    Open Access•Lawrence Kramer•ARTICLE•Music Analysis•2004•Cited by: 2

  • The Mysteries of Animation: History, Analysis and Musical Subjectivity

    Open Access•Lawrence Kramer•ARTICLE•Music Analysis•2001•Cited by: 2

  • Powers of Blackness: Africanist Discourse in Modern Concert Music

    Lawrence Kramer•ARTICLE•Black Music Research Journal•1996•Cited by: 2

  • The Shape of Post-Classical Music

    Lawrence Kramer•ARTICLE•Critical Inquiry•1979

  • "Schorske's Ring Cycle, Schoenberg's "Liebestod: Fin-de-Siecle Vienna: Politics and Culture . Carl Schorske

    Lawrence Kramer•BOOK•19th-Century Music•1981

  • Gender and Sexuality in the Prelude: The Question of Book Seven

    Lawrence Kramer•ARTICLE•ELH•1987

  • Text and music: Some new directions

    Lawrence Kramer•ARTICLE•Contemporary Music Review•1989

    Recent developments in text-music relationships may be studied in three new compositions commissioned by Dartmouth College. These works, by Christian Wolff, Susan Blaustein, and the author, present themselves as self-conscious critiques of traditional song. Dealing with overtly political and historical material, they redefine the song cycle as a public genre in dialogue with the private genre that evolved in the great 19th (and 20th) century Lied…

  • Music as Cultural Practice, 1800-1900

    Robert Walser, Lawrence Kramer•ARTICLE•Contemporary Sociology A Journal…•1991

  • Music as Cultural Practice 1800-1900

    Alan Street, Lawrence Kramer•ARTICLE•Music Analysis•1992

  • Music as Cultural Practice, 1800-1900

    Eric A Hanson, Lawrence Kramer•ARTICLE•German Studies Review•1993

    In Music as Cultural Practice, Lawrence Kramer adapts the resources of contemporary literary theory to forge a genuinely new discourse about music. Rethinking fundamental questions of meaning and expression, he demonstrates how European music of the nineteenth century collaborates on equal terms with textual and sociocultural practices in the constitution of self and society. In Kramer's analysis, compositional processes usually understood in for…

  • Classical Music and Postmodern Knowledge

    Lawrence Kramer•BOOK•Classical Music and Postmodern…•1995

  • Two. From the Other to the Abject: Music as Cultural Trope

    Lawrence Kramer•CHAPTER•Classical Music and Postmodern…•1995

  • Eight. Consuming the Exotic: Ravel’s Daphnis and Chloe

    Lawrence Kramer•CHAPTER•Classical Music and Postmodern…•1995

  • Powers of Blackness: Africanist Discourse in Modern Concert Music

    Lawrence Kramer•ARTICLE•Black Music Research Journal•1996•Cited by: 2

  • Franz Schubert: Sexuality, Subjectivity, Song

    Ann Le Bar, Lawrence Kramer•ARTICLE•German Studies Review•2000

    1. Interpretive dramaturgy and social drama: Schubert's Erster Verlust 2. Undisciplined song: scorings of the subject 3. Mermaid fancies: Schubert's trout and the wish to be a woman 4. The Ganymed complex: Schubert's songs and the homosexual imagination 5. Masochism and domesticity in Die schone Mullerin 6. Revenants: masculine thresholds in Schubert, James, and Freud

  • Musical Meaning: Toward a Critical History

    Lawrence Kramer•BOOK•Musical Meaning•2001•Cited by: 8

    Lawrence Kramer has been a pivotal figure in the development of the controversial new musicology, integrating the study of music with social and cultural issues. This accessible and eloquently written book continues and deepens the trajectory of Kramer's thinking as it boldly argues that humanistic, not just technical, meaning is a basic force in music history and an indispensable factor in how, where, and when music is heard. Kramer draws on a b…

  • The Mysteries of Animation: History, Analysis and Musical Subjectivity

    Open Access•Lawrence Kramer•ARTICLE•Music Analysis•2001•Cited by: 2

  • Powers of Blackness: Africanist Discourse in Modern Concert Music

    Lawrence Kramer•ARTICLE•Black Music Research Journal•2002•References: 3

    War, said Carl von Clausewitz ([1832] 1984, 87), is the continuation of politics by other means. My aim in this essay is to propose a pair of Clausewitzian theses about the encounter between a diversity of black American music--ragtime, blues, and jazz--and white modernist concert music in the United States and France, circa 1909-1931, with a later codicil from England. The encounter was both rich and strange, and it produced a large handful of n…

  • Recognizing Schubert: Musical Subjectivity, Cultural Change, and Jane Campion'sThe Portrait of a Lady

    Lawrence Kramer•ARTICLE•Critical Inquiry•2002•References: 7

  • Music, Metaphor and Metaphysics

    Lawrence Kramer•ARTICLE•The Musical Times•2004

  • Odradek Analysis: Reflections on Musical Ontology

    Open Access•Lawrence Kramer•ARTICLE•Music Analysis•2004•Cited by: 2

  • Speaking Melody, Melodic Speech

    Lawrence Kramer•CHAPTER•Word and Music Studies•2005

  • Timely Meditations

    Arnold Whittall, Lawrence Kramer et al.•ARTICLE•The Musical Times•2005

  • Music, Historical Knowledge, and Critical Inquiry: Three Variations on The Ruins of Athens

    Lawrence Kramer•ARTICLE•Critical Inquiry•2005•References: 3

  • Beyond the Soundtrack: Representing Music in Cinema

    Daniel Goldmark, Daniel Ira Goldmark et al.•BOOK•Beyond the Soundtrack•2007

  • Grasping the Subject

    Arnold Whittall, Lawrence Kramer•ARTICLE•The Musical Times•2007

  • Why Classical Music Still Matters

    Lawrence Kramer•BOOK•Why classical music still matters•2007•Cited by: 6

    What can be done about the state of classical music?" asks this book. Classical music, whose demise has been predicted for at least a decade, has always had its staunch advocates, but in today's media-saturated world there are real concerns about its viability. This book takes a forthright approach by engaging both skeptics and music lovers alike. Over seven chapters, the book affirms the value of classical music—defined as a body of nontheatrica…

  • Musical Meaning and Human Values

    Keith Chapin, Lawrence Kramer•BOOK•Musical Meaning and Human Values•2009

    Musical understanding has evolved dramatically in recent years, principally through a heightened appreciation of musical meaning in its social, cultural, and philosophical dimensions. This collection of essays by leading scholars addresses an aspect of meaning that has not yet received its due: the relation of meaning in this broad humanistic sense to the shaping of fundamental values. The volume examines the open and active circle between the va…

Art (31 works) · Musicology and Musical Analysis (18 works) · Diverse Musicological Studies (14 works) · Literature (13 works) · Visual arts (12 works) · Aesthetics (11 works) · Musical (11 works) · Philosophy (11 works) · Computer Science (10 works) · Epistemology (10 works)

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