Lydia L Moland
Biographic Data
| ID | 3593994 |
|---|---|
| NAME | Lydia L Moland |
| GIVEN NAMES | Lydia L |
| FAMILY NAME | Moland |
| SIGNATURE | MOLAND L L |
| AFFILIATIONS | Colby College |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Hegel on the Essence and Future of Individual Arts
Putting Ourselves in Play
Cet article développe l’argument initialement présenté dans mon livre Hegel’s Aesthetics: The Art of Idealism , en prêtant plus d’attention aux termes mêmes de Hegel dans la troisième partie de ses leçons sur l’art. La troisième partie contient l’argument de Hegel selon lequel l’architecture, la sculpture, la peinture, la musique et la poésie nous permettent de contempler le statut ontologique de concepts cruciaux tels que l’espace, le temps, la …
Hegel on the Essence and Future of Individual Arts
Lydia Maria Child on German philosophy and American slavery
As editor of the National Anti-Slavery Standard in the early 1840s, Lydia Maria Child was responsible for keeping the abolitionist movement in the United States informed of relevant news. She also used her editorial position to philosophize. Her column entitled “Letters from New York” is particularly philosophical, including considerations of infinity, free will, time, nature, art, and history. She especially turned to German philosophers and int…
Hegel's Aesthetics
All Too Human
T erry P inkard . Does History Make Sense? Hegel on the Historical Shapes of Justice
Humans are, Terry Pinkard suggests in a new book on G. W. F. Hegel’s philosophy of history, “finite creatures facing an infinite problem” (20). We act for reasons; we also want to know whether our reasons make sense. History is an arena where this desire takes on particular urgency. Hegel himself gave the fear of history’s senselessness one of its most famous images. What if, instead of progress toward enlightenment, there is only the “slaughter-…
Hegel on Political Identity
An Unrelieved Heart
In an early, unpublished essay on Friedrich Schiller's trilogy Wallenstein, G. W. F. Hegel criticizes the play's denouement as “horrific” and “appalling” and for depicting the triumph of death over life. To understand why Hegel's response was so negative, Lydia Moland analyzes Wallenstein in terms of his mature theory of modern tragedy. She argues that Schiller's portrayal of Wallenstein's character and death indeed makes the play a particularly …
No prominent works on this page.
An Unrelieved Heart
In an early, unpublished essay on Friedrich Schiller's trilogy Wallenstein, G. W. F. Hegel criticizes the play's denouement as “horrific” and “appalling” and for depicting the triumph of death over life. To understand why Hegel's response was so negative, Lydia Moland analyzes Wallenstein in terms of his mature theory of modern tragedy. She argues that Schiller's portrayal of Wallenstein's character and death indeed makes the play a particularly …
Hegel on Political Identity
All Too Human
T erry P inkard . Does History Make Sense? Hegel on the Historical Shapes of Justice
Humans are, Terry Pinkard suggests in a new book on G. W. F. Hegel’s philosophy of history, “finite creatures facing an infinite problem” (20). We act for reasons; we also want to know whether our reasons make sense. History is an arena where this desire takes on particular urgency. Hegel himself gave the fear of history’s senselessness one of its most famous images. What if, instead of progress toward enlightenment, there is only the “slaughter-…
Hegel's Aesthetics
Lydia Maria Child on German philosophy and American slavery
As editor of the National Anti-Slavery Standard in the early 1840s, Lydia Maria Child was responsible for keeping the abolitionist movement in the United States informed of relevant news. She also used her editorial position to philosophize. Her column entitled “Letters from New York” is particularly philosophical, including considerations of infinity, free will, time, nature, art, and history. She especially turned to German philosophers and int…
Hegel on the Essence and Future of Individual Arts
Putting Ourselves in Play
Cet article développe l’argument initialement présenté dans mon livre Hegel’s Aesthetics: The Art of Idealism , en prêtant plus d’attention aux termes mêmes de Hegel dans la troisième partie de ses leçons sur l’art. La troisième partie contient l’argument de Hegel selon lequel l’architecture, la sculpture, la peinture, la musique et la poésie nous permettent de contempler le statut ontologique de concepts cruciaux tels que l’espace, le temps, la …
Hegel on the Essence and Future of Individual Arts
Hegelianism (8 works) · Philosophy (8 works) · Aesthetics (7 works) · Epistemology (7 works) · Art (5 works) · Critical Theory and Philosophy (4 works) · Literature (4 works) · Philosophical Ethics and Theory (4 works) · Art history (3 works) · Interpretation (philosophy) (3 works)