Camilla Smith
Biographic Data
| ID | 3593995 |
|---|---|
| NAME | Camilla Smith |
| GIVEN NAMES | Camilla |
| FAMILY NAME | Smith |
| SIGNATURE | SMITH C |
| AFFILIATIONS | University of Birmingham |
| ORCID | 0000-0002-0538-2314 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
Forum: Visual Studies—The Art Historians’ View
TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields
Sex Sells! Wolfgang Gurlitt, Erotic Print Culture and Women Artists in the Weimar Republic
TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields
Weimar's Others: Art History, Alterity and Regionalism in Inter‐War Germany
Crushed underneath the broken marble of former empires / lies an entire narrative / of the bloody conquest / the colonial scroll palimpsest / the interest in the unrest / the beginning and the end.1 (Philipp Khabo Koepsell, 2014). In 2014 the British Museum in London staged an ambitious sweep through six hundred years of German history as told through a carefully selected range of diverse material objects. Curated by the museum's then director Ne…
Was Nicht im "Baedeker" Steht
This article focuses on visual culture and the guidebook series Was nicht im “Baedeker” steht, published by Piper Verlag in Weimar Germany. The Berlin guide, written by Eugen Szatmari in 1927, shared attitudes toward tourism championed by the journal Der Querschnitt. Szatmari’s portrayal of Berlin-eschewing mass tourist sites-was informed by his role as a prominent journalist among intellectual circles in the Romanisches Café. Instead of maps, ad…
Telling tales: The construction of nature and Alpine myth in text and image in eighteenth-century Zurich
This article examines the significance of nature for two male societies in Zurich during the eighteenth century. By focussing on Salomon Gessner and Johann Caspar Füssli, the father of Anglo-Swiss artist Henry Fuseli, it explores the synthesis of classicist and romanticist forms of nature in their works. I show how their constructions of nature help shape early forms of Swiss national identity as part of the campaign of resistance against Napoleo…
Between Fantasy and Angst: Assessing the Subject and Meaning of Henry Fuseli’s Late Pornographic Drawings, 1800–25
This article examines four sexually violent drawings by the Anglo-Swiss artist Henry Fuseli, in order to assess how they functioned as both personal fantasies and vehicles for institutional criticism. It relates Fuseli’s images to the libertine fiction of Sade and London’s illicit underworld, arguing that the artist’s works can be firmly located alongside growing libertine tendencies in a pan-European market. Moreover, the exquisite dress, nudity…
No prominent works on this page.
Between Fantasy and Angst: Assessing the Subject and Meaning of Henry Fuseli’s Late Pornographic Drawings, 1800–25
This article examines four sexually violent drawings by the Anglo-Swiss artist Henry Fuseli, in order to assess how they functioned as both personal fantasies and vehicles for institutional criticism. It relates Fuseli’s images to the libertine fiction of Sade and London’s illicit underworld, arguing that the artist’s works can be firmly located alongside growing libertine tendencies in a pan-European market. Moreover, the exquisite dress, nudity…
Telling tales: The construction of nature and Alpine myth in text and image in eighteenth-century Zurich
This article examines the significance of nature for two male societies in Zurich during the eighteenth century. By focussing on Salomon Gessner and Johann Caspar Füssli, the father of Anglo-Swiss artist Henry Fuseli, it explores the synthesis of classicist and romanticist forms of nature in their works. I show how their constructions of nature help shape early forms of Swiss national identity as part of the campaign of resistance against Napoleo…
Was Nicht im "Baedeker" Steht
This article focuses on visual culture and the guidebook series Was nicht im “Baedeker” steht, published by Piper Verlag in Weimar Germany. The Berlin guide, written by Eugen Szatmari in 1927, shared attitudes toward tourism championed by the journal Der Querschnitt. Szatmari’s portrayal of Berlin-eschewing mass tourist sites-was informed by his role as a prominent journalist among intellectual circles in the Romanisches Café. Instead of maps, ad…
Forum: Visual Studies—The Art Historians’ View
TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields
Sex Sells! Wolfgang Gurlitt, Erotic Print Culture and Women Artists in the Weimar Republic
TEST 02 - Elsevier's Scopus, the largest abstract and citation database of peer-reviewed literature. Search and access research from the science, technology, medicine, social sciences and arts and humanities fields
Weimar's Others: Art History, Alterity and Regionalism in Inter‐War Germany
Crushed underneath the broken marble of former empires / lies an entire narrative / of the bloody conquest / the colonial scroll palimpsest / the interest in the unrest / the beginning and the end.1 (Philipp Khabo Koepsell, 2014). In 2014 the British Museum in London staged an ambitious sweep through six hundred years of German history as told through a carefully selected range of diverse material objects. Curated by the museum's then director Ne…
Art (6 works) · Art history (5 works) · History (5 works) · Literature (4 works) · European history and politics (3 works) · Visual arts (3 works) · Archaeology (2 works) · European Political History Analysis (2 works) · German (2 works) · German Literature and Culture Studies (2 works)