Seth Howe
Biographic Data
| ID | 3594009 |
|---|---|
| NAME | Seth Howe |
| GIVEN NAMES | Seth |
| FAMILY NAME | Howe |
| SIGNATURE | HOWE S |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Fassbinder’s Jews: Screening Jewish/German History in Berlin Alexanderplatz
This essay considers representations of German-Jewish culture in Rainer Werner Fassbinder’s adaptation of Berlin Alexanderplatz. After reconstructing the historical and political context in which Fassbinder adapted the film, the essay analyzes key scenes from the film containing Jewish figures: Franz Biberkopf’s conversations with the Ostjuden Nahum and Eliser; scenes juxtaposing biblical discussions of ritual sacrifice with the sights and sounds…
We Can Come Very Close to Them: Solidarity and the Struggle for Liberation inThe Aesthetics of Resistance
This essay explores how Peter Weiss's anticolonial, anti-imperialist analysis, developed in the 1960s in response to the advent of decolonization and the emergence of neocolonialism, is woven into Die Ästhetik des Widerstands' story of political self-education. Two central features of this analysis were Weiss's concern with how solidarity can be forged between groups separated by geographic distance or cultural difference, and with the difference…
Introduction: Peter Weiss and The Aesthetics of Resistance
In this introduction the editors first trace the reception of Peter Weiss's Aesthetics of Resistance in (West) Germany and the United States. Focusing on the relation between politics and aesthetics, some critics characterized this relation as fraught, arguing that the novel's supposedly outdated politics ultimately rendered it obsolete. Others approached the novel as a writing experiment articulating politics and aesthetics in tense but producti…
DIY, im Eigenverlag: East German Tamizdat LPs
Between 1983 and 1989, as the two German pop music industries continued to license one another's properties, and Amiga continued releasing American and British records, five long-playing records were released by independent labels based in Western Europe that contained music recorded in the German Democratic Republic. They were then smuggled out of the country rather than formally licensed for release abroad. Existing outside the legal framework …
Pop-Rock Music: Aesthetic Cosmopolitanism in Late Modernity
Introduction: Peter Weiss and The Aesthetics of Resistance
In this introduction the editors first trace the reception of Peter Weiss's Aesthetics of Resistance in (West) Germany and the United States. Focusing on the relation between politics and aesthetics, some critics characterized this relation as fraught, arguing that the novel's supposedly outdated politics ultimately rendered it obsolete. Others approached the novel as a writing experiment articulating politics and aesthetics in tense but producti…
We Can Come Very Close to Them: Solidarity and the Struggle for Liberation inThe Aesthetics of Resistance
This essay explores how Peter Weiss's anticolonial, anti-imperialist analysis, developed in the 1960s in response to the advent of decolonization and the emergence of neocolonialism, is woven into Die Ästhetik des Widerstands' story of political self-education. Two central features of this analysis were Weiss's concern with how solidarity can be forged between groups separated by geographic distance or cultural difference, and with the difference…
Pop-Rock Music: Aesthetic Cosmopolitanism in Late Modernity
DIY, im Eigenverlag: East German Tamizdat LPs
Between 1983 and 1989, as the two German pop music industries continued to license one another's properties, and Amiga continued releasing American and British records, five long-playing records were released by independent labels based in Western Europe that contained music recorded in the German Democratic Republic. They were then smuggled out of the country rather than formally licensed for release abroad. Existing outside the legal framework …
We Can Come Very Close to Them: Solidarity and the Struggle for Liberation inThe Aesthetics of Resistance
This essay explores how Peter Weiss's anticolonial, anti-imperialist analysis, developed in the 1960s in response to the advent of decolonization and the emergence of neocolonialism, is woven into Die Ästhetik des Widerstands' story of political self-education. Two central features of this analysis were Weiss's concern with how solidarity can be forged between groups separated by geographic distance or cultural difference, and with the difference…
Introduction: Peter Weiss and The Aesthetics of Resistance
In this introduction the editors first trace the reception of Peter Weiss's Aesthetics of Resistance in (West) Germany and the United States. Focusing on the relation between politics and aesthetics, some critics characterized this relation as fraught, arguing that the novel's supposedly outdated politics ultimately rendered it obsolete. Others approached the novel as a writing experiment articulating politics and aesthetics in tense but producti…
Fassbinder’s Jews: Screening Jewish/German History in Berlin Alexanderplatz
This essay considers representations of German-Jewish culture in Rainer Werner Fassbinder’s adaptation of Berlin Alexanderplatz. After reconstructing the historical and political context in which Fassbinder adapted the film, the essay analyzes key scenes from the film containing Jewish figures: Franz Biberkopf’s conversations with the Ostjuden Nahum and Eliser; scenes juxtaposing biblical discussions of ritual sacrifice with the sights and sounds…
Law (4 works) · Political science (4 works) · Sociology (4 works) · Aesthetics (3 works) · Philosophy (3 works) · Politics (3 works) · Art (2 works) · German (2 works) · German History and Society (2 works) · Law (2 works)