Giuliana Bruno
Biographic Data
| ID | 3594031 |
|---|---|
| NAME | Giuliana Bruno |
| GIVEN NAMES | Giuliana |
| FAMILY NAME | Bruno |
| SIGNATURE | BRUNO G |
| AFFILIATIONS | Harvard University |
| VERIFIED | No |
| TOTAL WORKS | 22 |
| TOTAL CITATIONS | 51 |
| AUTHOR COUNT | 22 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1987 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 3 |
Entrevista com Giuliana Bruno
Em antecipação à sua visita a São Paulo em dezembro de 2023, a Significação: Revista de Cultura Audiovisual realizou uma entrevista online de duas horas com Giuliana Bruno, com foco em Atmospheres of Projection e em suas outras contribuições inovadoras. Bruno é palestrante convidada do workshop interdisciplinar organizado pela Fundação de Amparo à Pesquisa do Estado de São Paulo (Fapesp) em dezembro de 2023. Antes disso, ministrará uma Masterclas…
Interview with Giuliana Bruno
Giuliana Bruno is Emmet Blakeney Gleason Professor of Visual and Environmental Studies at Harvard University, situated in the Carpenter Center for Visual Arts. For over three decades, her critical thinking has been characterized by sophistication, rigor and originality, placing her among the leading world academics exploring intersections between visual arts, art history, architecture, film, and visual culture studies. Bruno's interdisciplinary a…
Un milieu de projections: Les pérégrinations de Chantal Akerman à travers le cinéma et les installations
Un paysage exprime pour moi une tonalité affective ou un état de l’âme. En fait, cet exprimer signifie exactement ce que signifie le terme d’empathie. — Theodor Lipps [La façon] dont j’aimerais filmer [...] répond [...] à l’idée que la terre possédée implique toujours le sang et la barbarie, tandis que la terre traversée sans être accaparée fait penser à un livre. — Chantal Akerman À travers la création sensible d’ambiances, Chantal Akerman a dév…
Annette Michelson Remembered
Nineteen scholars, writers, and friends remember Annette Michelson (1922-2018), cofounder of October. Written tributes by Giuliana Bruno, Scott Bukatman, Enrico Camporesi, Edward Dimendberg, Jean-Michel Frodon, Amos Gitai, Vivian Gornick, Gertrud Koch, Antonia Lant, Stuart Liebman, Anne McCarthy, Tony Pipolo, Robert Polidori, Yvonne Rainer, Ethan Taubes, Allen S. Weiss, and Federico Windhausen, and a series of photographs by Babette Mangolte
Pleats of Matter, Folds of the Soul
A Questionnaire on Materialisms
Recent philosophical tendencies of "Actor-Network Theory," "Object-Oriented Ontology," and "Speculative Realism" have profoundly challenged the centrality of subjectivity in the humanities, and many artists and curators, particularly in the UK, Germany, and the United States, appear deeply influenced by this shift from epistemology to ontology. October editors asked artists, historians, and philosophers invested in these projects-from Graham Harm…
Passages through Time and Space: In Memory of Chantal Akerman
Film historian Giuliana Bruno commemorates celebrated filmmaker Chantal Akerman (1950-2015), whose intimate portraits of cities, lands, and homes captured the passing of everyday life and intensified our own sense of time, memory, and space. Akerman's breakthrough film, Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles (1975), exposed the strictures of women's time and space while creating a new cinematic language of observation and duration. …
Surface: Matters of Aesthetics, Materiality, and Media
Ruínas Modernistas, Arqueologias Fílmicas: A Free and Anonymous Monument', de Jane e Louise Wilson
Tradução do texto originalmente publicado em Bruno, Giuliana. 2007. “Modernist Ruins, Filmic Archaeologies. Jane and Louise Wilson’s A Free and Anonymous Monument.” In Public Intimacy: Architecture and the Visual Arts, 43-86. Cambridge: MIT Press
Film, Aesthetics, Science: Hugo Münsterberg's Laboratory of Moving Images
July 01 2009 Film, Aesthetics, Science: Hugo Münsterberg's Laboratory of Moving Images Giuliana Bruno Giuliana Bruno Giuliana Bruno is Professor of Visual and Environmental Studies at Harvard University. Her seminal book Atlas of Emotion: Journeys in Art, Architecture, and Film (Verso, 2002) won the Kraszna-Krausz Book Award for "the world's best book on the moving image." Her Streetwalking on a Ruined Map (Princeton University Press, 1993) won t…
The Vitality of Objects
Bildwissenschaft. Spatial Turns in vier Einstellungen
Yes , It's about Time: A `Virtual' Letter to Sally Potter from Giuliana Bruno
This reflection on Sally Potter's film Yes takes the form of a letter to the maker, a vehicle chosen for its capacity to address questions of critical distance and personal engagement between author and filmmaker. The letter has a history as a vital form of intellectual yet intimate exchange among friends, often made public through publication. Here, it becomes a means to work out a `critical' exposure of privacy in the public realm. Not a readin…
Havana: Memoirs of Material Culture
This article engages the ‘fashioning’ of cultural memory. It is a travelogue through the city of Havana, and looks in particular at the curatorial design of its museums. In this Cuban city where time is frozen in architecture, and peels off buildings, where all that is solid rots and melts in the air, memory is ‘suited’ to ruinous fabrics. In the Museum of the Revolution, torn shirts and worn-out skirts speak of the country’s struggle. A model mo…
Atlas of emotion: Journeys in art, architecture, and film
Choice: Outstanding Academic Title of the Year; Guardian: Book of the Year; 2004 Kraszna-Krausz Prize Winner Traversing a varied and enchanting landscape with forays into the fields of geography, art, architecture, design, cartography and film, Giuliana Bruno's Atlas of Emotion is a highly original endeavor to map a cultural history of spatio-visual arts. Throughout these pages Bruno insists on the inseparability of seeing and travelling. In an e…
Streetwalking on a Ruined Map: Cultural Theory and the City Films of Elvira Notari
Emphasizing the importance of cultural theory for film history, Giuliana Bruno enriches our understanding of early Italian film as she guides us on a series of "inferential walks" through Italian culture in the first decades of this century. This innovative approach---the interweaving of examples of cinema with architecture, art history, medical discourse, photography, and literature--addresses the challenge posed by feminism to film study while …
Spectatorial Embodiments: Anatomies of the Visiable and the Female Bodyscape
Research Article| January 01 1992 Spectatorial Embodiments: Anatomies of the Visiable and the Female Bodyscape Giuliana Bruno Giuliana Bruno Search for other works by this author on: This Site Google Camera Obscura (1992) 10 (1 (28)): 238–261. https://doi.org/10.1215/02705346-10-1_28-238 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Giuliana Bruno; Spectatorial Embodiments: Anatomies of the Visiable and the Female Bodys…
Streetwalking around Plato's Cave
In Naples] building and action interpenetrate in the courtyards, arcades, and stairways . .. to become a theater of the new ... This is how architecture, the most binding part of the communal rhythm, comes into being here, .... [in] the baroque opening of a heightened public sphere ... What distinguishes Naples from other large cities is [that] ... each private attitude or act is permeated by streams of communal life
Off-Screen: Women and Film in Italy
Heresies: The Body of Pasolini's Semiotics
This essay offers a critical reconsideration of Pier Paolo Pasolini's theoretical writings on film, showing their links to current developments in critical theory. Though heavily criticized by his contemporaries, Pasolini appears today to have anticipated some of the crucial issues of post-structuralist thinking and of the condition of postmodernity. Showing these links, my essay aims to reassess the work of one of the most important intellectual…
The Image (and the) Movement: An Overview of Italian Feminist Research
Ramble City: "Postmodernism and "Blade Runner
Ramble City: "Postmodernism and "Blade Runner
A Questionnaire on Materialisms
Recent philosophical tendencies of "Actor-Network Theory," "Object-Oriented Ontology," and "Speculative Realism" have profoundly challenged the centrality of subjectivity in the humanities, and many artists and curators, particularly in the UK, Germany, and the United States, appear deeply influenced by this shift from epistemology to ontology. October editors asked artists, historians, and philosophers invested in these projects-from Graham Harm…
Film, Aesthetics, Science: Hugo Münsterberg's Laboratory of Moving Images
July 01 2009 Film, Aesthetics, Science: Hugo Münsterberg's Laboratory of Moving Images Giuliana Bruno Giuliana Bruno Giuliana Bruno is Professor of Visual and Environmental Studies at Harvard University. Her seminal book Atlas of Emotion: Journeys in Art, Architecture, and Film (Verso, 2002) won the Kraszna-Krausz Book Award for "the world's best book on the moving image." Her Streetwalking on a Ruined Map (Princeton University Press, 1993) won t…
Streetwalking around Plato's Cave
In Naples] building and action interpenetrate in the courtyards, arcades, and stairways . .. to become a theater of the new ... This is how architecture, the most binding part of the communal rhythm, comes into being here, .... [in] the baroque opening of a heightened public sphere ... What distinguishes Naples from other large cities is [that] ... each private attitude or act is permeated by streams of communal life
Passages through Time and Space: In Memory of Chantal Akerman
Film historian Giuliana Bruno commemorates celebrated filmmaker Chantal Akerman (1950-2015), whose intimate portraits of cities, lands, and homes captured the passing of everyday life and intensified our own sense of time, memory, and space. Akerman's breakthrough film, Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles (1975), exposed the strictures of women's time and space while creating a new cinematic language of observation and duration. …
Heresies: The Body of Pasolini's Semiotics
This essay offers a critical reconsideration of Pier Paolo Pasolini's theoretical writings on film, showing their links to current developments in critical theory. Though heavily criticized by his contemporaries, Pasolini appears today to have anticipated some of the crucial issues of post-structuralist thinking and of the condition of postmodernity. Showing these links, my essay aims to reassess the work of one of the most important intellectual…
Ramble City: "Postmodernism and "Blade Runner
The Image (and the) Movement: An Overview of Italian Feminist Research
Off-Screen: Women and Film in Italy
Heresies: The Body of Pasolini's Semiotics
This essay offers a critical reconsideration of Pier Paolo Pasolini's theoretical writings on film, showing their links to current developments in critical theory. Though heavily criticized by his contemporaries, Pasolini appears today to have anticipated some of the crucial issues of post-structuralist thinking and of the condition of postmodernity. Showing these links, my essay aims to reassess the work of one of the most important intellectual…
Spectatorial Embodiments: Anatomies of the Visiable and the Female Bodyscape
Research Article| January 01 1992 Spectatorial Embodiments: Anatomies of the Visiable and the Female Bodyscape Giuliana Bruno Giuliana Bruno Search for other works by this author on: This Site Google Camera Obscura (1992) 10 (1 (28)): 238–261. https://doi.org/10.1215/02705346-10-1_28-238 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Giuliana Bruno; Spectatorial Embodiments: Anatomies of the Visiable and the Female Bodys…
Streetwalking around Plato's Cave
In Naples] building and action interpenetrate in the courtyards, arcades, and stairways . .. to become a theater of the new ... This is how architecture, the most binding part of the communal rhythm, comes into being here, .... [in] the baroque opening of a heightened public sphere ... What distinguishes Naples from other large cities is [that] ... each private attitude or act is permeated by streams of communal life
Streetwalking on a Ruined Map: Cultural Theory and the City Films of Elvira Notari
Emphasizing the importance of cultural theory for film history, Giuliana Bruno enriches our understanding of early Italian film as she guides us on a series of "inferential walks" through Italian culture in the first decades of this century. This innovative approach---the interweaving of examples of cinema with architecture, art history, medical discourse, photography, and literature--addresses the challenge posed by feminism to film study while …
Havana: Memoirs of Material Culture
This article engages the ‘fashioning’ of cultural memory. It is a travelogue through the city of Havana, and looks in particular at the curatorial design of its museums. In this Cuban city where time is frozen in architecture, and peels off buildings, where all that is solid rots and melts in the air, memory is ‘suited’ to ruinous fabrics. In the Museum of the Revolution, torn shirts and worn-out skirts speak of the country’s struggle. A model mo…
Atlas of emotion: Journeys in art, architecture, and film
Choice: Outstanding Academic Title of the Year; Guardian: Book of the Year; 2004 Kraszna-Krausz Prize Winner Traversing a varied and enchanting landscape with forays into the fields of geography, art, architecture, design, cartography and film, Giuliana Bruno's Atlas of Emotion is a highly original endeavor to map a cultural history of spatio-visual arts. Throughout these pages Bruno insists on the inseparability of seeing and travelling. In an e…
Bildwissenschaft. Spatial Turns in vier Einstellungen
Yes , It's about Time: A `Virtual' Letter to Sally Potter from Giuliana Bruno
This reflection on Sally Potter's film Yes takes the form of a letter to the maker, a vehicle chosen for its capacity to address questions of critical distance and personal engagement between author and filmmaker. The letter has a history as a vital form of intellectual yet intimate exchange among friends, often made public through publication. Here, it becomes a means to work out a `critical' exposure of privacy in the public realm. Not a readin…
Film, Aesthetics, Science: Hugo Münsterberg's Laboratory of Moving Images
July 01 2009 Film, Aesthetics, Science: Hugo Münsterberg's Laboratory of Moving Images Giuliana Bruno Giuliana Bruno Giuliana Bruno is Professor of Visual and Environmental Studies at Harvard University. Her seminal book Atlas of Emotion: Journeys in Art, Architecture, and Film (Verso, 2002) won the Kraszna-Krausz Book Award for "the world's best book on the moving image." Her Streetwalking on a Ruined Map (Princeton University Press, 1993) won t…
The Vitality of Objects
Surface: Matters of Aesthetics, Materiality, and Media
Ruínas Modernistas, Arqueologias Fílmicas: A Free and Anonymous Monument', de Jane e Louise Wilson
Tradução do texto originalmente publicado em Bruno, Giuliana. 2007. “Modernist Ruins, Filmic Archaeologies. Jane and Louise Wilson’s A Free and Anonymous Monument.” In Public Intimacy: Architecture and the Visual Arts, 43-86. Cambridge: MIT Press
A Questionnaire on Materialisms
Recent philosophical tendencies of "Actor-Network Theory," "Object-Oriented Ontology," and "Speculative Realism" have profoundly challenged the centrality of subjectivity in the humanities, and many artists and curators, particularly in the UK, Germany, and the United States, appear deeply influenced by this shift from epistemology to ontology. October editors asked artists, historians, and philosophers invested in these projects-from Graham Harm…
Passages through Time and Space: In Memory of Chantal Akerman
Film historian Giuliana Bruno commemorates celebrated filmmaker Chantal Akerman (1950-2015), whose intimate portraits of cities, lands, and homes captured the passing of everyday life and intensified our own sense of time, memory, and space. Akerman's breakthrough film, Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles (1975), exposed the strictures of women's time and space while creating a new cinematic language of observation and duration. …
Pleats of Matter, Folds of the Soul
Annette Michelson Remembered
Nineteen scholars, writers, and friends remember Annette Michelson (1922-2018), cofounder of October. Written tributes by Giuliana Bruno, Scott Bukatman, Enrico Camporesi, Edward Dimendberg, Jean-Michel Frodon, Amos Gitai, Vivian Gornick, Gertrud Koch, Antonia Lant, Stuart Liebman, Anne McCarthy, Tony Pipolo, Robert Polidori, Yvonne Rainer, Ethan Taubes, Allen S. Weiss, and Federico Windhausen, and a series of photographs by Babette Mangolte
Un milieu de projections: Les pérégrinations de Chantal Akerman à travers le cinéma et les installations
Un paysage exprime pour moi une tonalité affective ou un état de l’âme. En fait, cet exprimer signifie exactement ce que signifie le terme d’empathie. — Theodor Lipps [La façon] dont j’aimerais filmer [...] répond [...] à l’idée que la terre possédée implique toujours le sang et la barbarie, tandis que la terre traversée sans être accaparée fait penser à un livre. — Chantal Akerman À travers la création sensible d’ambiances, Chantal Akerman a dév…
Entrevista com Giuliana Bruno
Em antecipação à sua visita a São Paulo em dezembro de 2023, a Significação: Revista de Cultura Audiovisual realizou uma entrevista online de duas horas com Giuliana Bruno, com foco em Atmospheres of Projection e em suas outras contribuições inovadoras. Bruno é palestrante convidada do workshop interdisciplinar organizado pela Fundação de Amparo à Pesquisa do Estado de São Paulo (Fapesp) em dezembro de 2023. Antes disso, ministrará uma Masterclas…
Interview with Giuliana Bruno
Giuliana Bruno is Emmet Blakeney Gleason Professor of Visual and Environmental Studies at Harvard University, situated in the Carpenter Center for Visual Arts. For over three decades, her critical thinking has been characterized by sophistication, rigor and originality, placing her among the leading world academics exploring intersections between visual arts, art history, architecture, film, and visual culture studies. Bruno's interdisciplinary a…
Art (18 works) · Visual arts (11 works) · Art history (9 works) · Aesthetics (8 works) · Computer Science (7 works) · Philosophy (7 works) · Architecture (6 works) · Italian Fascism and Post-war Society (6 works) · Sociology (6 works) · Cinema and Media Studies (4 works)