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Suhail Malik

Biographic Data

ID3594034
NAMESuhail Malik
GIVEN NAMESSuhail
FAMILY NAMEMalik
SIGNATUREMALIK S
AFFILIATIONSGoldsmiths College, University of London
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS16
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2016
H-INDEX3
  • Genealogies of Speculation

    Armen Avanessian, Suhail Malik•BOOK•Genealogies of Speculation•2016

    Genealogies of Speculation looks to break the impasse between the innovations of speculative thought in comprehending our encounter with reality and the dominant strands of twentieth century anti-foundationalist philosophy - emphasizing subjectivity as a condition for all experience and knowledge - explicitly identifying continuities and debts between them. Challenging emerging paradigms of philosophical history, this text re-evaluates different …

  • Genealogies of Speculation

    Suhail Malik, Armen Avanessian•BOOK•Genealogies of Speculation•2016

  • Introduction

    Open Access•Gerald Nestler, Suhail Malik•ARTICLE•Finance and Society•2016•Cited by: 3

    The editorial premise of this special issue is that the adage 'art and money do not mix' is now wholly untenable. As detailed in our extended interview with Clare McAndrew, the art market has grown rapidly over the last twenty years, leading to systemic and structural changes in the art field. For some, this growth of the market and its significance for art is an institutional misfortune that, for all of its effects, is nonetheless inconsequentia…

  • Plotting the art market

    Open Access•Clare Mcandrew, Suhail Malik et al.•ARTICLE•Finance and Society•2016•Cited by: 1•References: 2

    Clare McAndrew is a leading analyst of the global art market. Here the guest editors of this special issue interview McAndrew on the structures of the art market, its sectorial and regional arrangements, and transformations in its historical, technical, and monetary operation. Their discussion highlights the rapid increase in prices for art and the global extension of the art market since the early-to-mid 2000s, as well as further changes to its …

  • A Questionnaire on Materialisms

    Emily Apter, E M Atkins et al.•ARTICLE•October•2016•Cited by: 7•References: 7

    Recent philosophical tendencies of "Actor-Network Theory," "Object-Oriented Ontology," and "Speculative Realism" have profoundly challenged the centrality of subjectivity in the humanities, and many artists and curators, particularly in the UK, Germany, and the United States, appear deeply influenced by this shift from epistemology to ontology. October editors asked artists, historians, and philosophers invested in these projects-from Graham Harm…

  • Fucking Straight Death Metal

    Open Access•Suhail Malik•ARTICLE•Journal of Visual Culture•2006

  • The War in Iraq and Visual Culture - An Introduction

    Open Access•Suhail Malik•ARTICLE•Journal of Visual Culture•2006

  • Global Sovereignty

    Open Access•Suhail Malik•ARTICLE•Theory Culture & Society•2006

    Taking globalization to be in large part a consequence of American domination, we follow Derrida's characterization of this domination as being a mode of sovereignty of world-scale institutions and force. Such sovereignty, which is also a roguery, is the primary actual condition for a global knowledge. Bataille's characterization of rogue sovereignty, however, proposes that knowledge is eclipsed under such a condition by an experience that is irr…

  • Information and Knowledge

    Open Access•Suhail Malik•ARTICLE•Theory Culture & Society•2005•Cited by: 5•References: 2

    A received criticism of information is that it is an instrumentalization of knowledge. This article questions the conditions for such a critique. Examining developmental systems theory, biology and social sciences, it argues that information is a situated event; that it is intrinsic to the development and (de)structuring of mnemic organization (meaning) at a number of levels; and that such developmental systems are epigenetically constituted. Thi…

  • Bordering on Living

    Open Access•Suhail Malik•ARTICLE•Oxford Literary Review•1992•References: 1

  • A Questionnaire on Materialisms

    Emily Apter, E M Atkins et al.•ARTICLE•October•2016•Cited by: 7•References: 7

    Recent philosophical tendencies of "Actor-Network Theory," "Object-Oriented Ontology," and "Speculative Realism" have profoundly challenged the centrality of subjectivity in the humanities, and many artists and curators, particularly in the UK, Germany, and the United States, appear deeply influenced by this shift from epistemology to ontology. October editors asked artists, historians, and philosophers invested in these projects-from Graham Harm…

  • Information and Knowledge

    Open Access•Suhail Malik•ARTICLE•Theory Culture & Society•2005•Cited by: 5•References: 2

    A received criticism of information is that it is an instrumentalization of knowledge. This article questions the conditions for such a critique. Examining developmental systems theory, biology and social sciences, it argues that information is a situated event; that it is intrinsic to the development and (de)structuring of mnemic organization (meaning) at a number of levels; and that such developmental systems are epigenetically constituted. Thi…

  • Introduction

    Open Access•Gerald Nestler, Suhail Malik•ARTICLE•Finance and Society•2016•Cited by: 3

    The editorial premise of this special issue is that the adage 'art and money do not mix' is now wholly untenable. As detailed in our extended interview with Clare McAndrew, the art market has grown rapidly over the last twenty years, leading to systemic and structural changes in the art field. For some, this growth of the market and its significance for art is an institutional misfortune that, for all of its effects, is nonetheless inconsequentia…

  • Plotting the art market

    Open Access•Clare Mcandrew, Suhail Malik et al.•ARTICLE•Finance and Society•2016•Cited by: 1•References: 2

    Clare McAndrew is a leading analyst of the global art market. Here the guest editors of this special issue interview McAndrew on the structures of the art market, its sectorial and regional arrangements, and transformations in its historical, technical, and monetary operation. Their discussion highlights the rapid increase in prices for art and the global extension of the art market since the early-to-mid 2000s, as well as further changes to its …

  • Bordering on Living

    Open Access•Suhail Malik•ARTICLE•Oxford Literary Review•1992•References: 1

  • Information and Knowledge

    Open Access•Suhail Malik•ARTICLE•Theory Culture & Society•2005•Cited by: 5•References: 2

    A received criticism of information is that it is an instrumentalization of knowledge. This article questions the conditions for such a critique. Examining developmental systems theory, biology and social sciences, it argues that information is a situated event; that it is intrinsic to the development and (de)structuring of mnemic organization (meaning) at a number of levels; and that such developmental systems are epigenetically constituted. Thi…

  • Fucking Straight Death Metal

    Open Access•Suhail Malik•ARTICLE•Journal of Visual Culture•2006

  • The War in Iraq and Visual Culture - An Introduction

    Open Access•Suhail Malik•ARTICLE•Journal of Visual Culture•2006

  • Global Sovereignty

    Open Access•Suhail Malik•ARTICLE•Theory Culture & Society•2006

    Taking globalization to be in large part a consequence of American domination, we follow Derrida's characterization of this domination as being a mode of sovereignty of world-scale institutions and force. Such sovereignty, which is also a roguery, is the primary actual condition for a global knowledge. Bataille's characterization of rogue sovereignty, however, proposes that knowledge is eclipsed under such a condition by an experience that is irr…

  • Genealogies of Speculation

    Armen Avanessian, Suhail Malik•BOOK•Genealogies of Speculation•2016

    Genealogies of Speculation looks to break the impasse between the innovations of speculative thought in comprehending our encounter with reality and the dominant strands of twentieth century anti-foundationalist philosophy - emphasizing subjectivity as a condition for all experience and knowledge - explicitly identifying continuities and debts between them. Challenging emerging paradigms of philosophical history, this text re-evaluates different …

  • Genealogies of Speculation

    Suhail Malik, Armen Avanessian•BOOK•Genealogies of Speculation•2016

  • Introduction

    Open Access•Gerald Nestler, Suhail Malik•ARTICLE•Finance and Society•2016•Cited by: 3

    The editorial premise of this special issue is that the adage 'art and money do not mix' is now wholly untenable. As detailed in our extended interview with Clare McAndrew, the art market has grown rapidly over the last twenty years, leading to systemic and structural changes in the art field. For some, this growth of the market and its significance for art is an institutional misfortune that, for all of its effects, is nonetheless inconsequentia…

  • Plotting the art market

    Open Access•Clare Mcandrew, Suhail Malik et al.•ARTICLE•Finance and Society•2016•Cited by: 1•References: 2

    Clare McAndrew is a leading analyst of the global art market. Here the guest editors of this special issue interview McAndrew on the structures of the art market, its sectorial and regional arrangements, and transformations in its historical, technical, and monetary operation. Their discussion highlights the rapid increase in prices for art and the global extension of the art market since the early-to-mid 2000s, as well as further changes to its …

  • A Questionnaire on Materialisms

    Emily Apter, E M Atkins et al.•ARTICLE•October•2016•Cited by: 7•References: 7

    Recent philosophical tendencies of "Actor-Network Theory," "Object-Oriented Ontology," and "Speculative Realism" have profoundly challenged the centrality of subjectivity in the humanities, and many artists and curators, particularly in the UK, Germany, and the United States, appear deeply influenced by this shift from epistemology to ontology. October editors asked artists, historians, and philosophers invested in these projects-from Graham Harm…

Sociology (5 works) · Art (4 works) · Economics (4 works) · Epistemology (4 works) · Law (4 works) · Philosophy (4 works) · Political science (4 works) · Philosophy (3 works) · Art history (2 works) · Art History and Market Analysis (2 works)

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