Caroline A Jones
Biographic Data
| ID | 3594035 |
|---|---|
| NAME | Caroline A Jones |
| GIVEN NAMES | Caroline A |
| FAMILY NAME | Jones |
| SIGNATURE | JONES C A |
| AFFILIATIONS | Massachusetts Institute of Technology |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 23 |
| AUTHOR COUNT | 14 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 3 |
Resonance
In speculating on how an infant human emerges into consciousness, William James deployed the active acoustic and haptic metaphor of a buzzing confusion, resonating in a sensing body. Resonance enters us as music, sound, acousma, timbre, and even subaural inputs. Per Veit Erlmann, resonance opens us to different ways of listening and being and thinking in a world of oscillating matter. As Erlmann chronicles, the body’s equipment (eye and ear, but …
The Equitable Resilience Framework: An environmental justice strategy for community-led resilience planning
Science/Art/Culture Through an Oceanic Lens
Since the year 2000, artists have increasingly employed tools, methods, and aesthetics associated with scientific practice to produce forms of art that assert themselves as kinds of experimental and empirical knowledge production parallel to and in critical dialogue with science. Anthropologists, intrigued by the work of art in the age of its technoscientific affiliation, have taken notice. This article discusses bio art, eco art, and surveillanc…
A Questionnaire on Materialisms
Recent philosophical tendencies of "Actor-Network Theory," "Object-Oriented Ontology," and "Speculative Realism" have profoundly challenged the centrality of subjectivity in the humanities, and many artists and curators, particularly in the UK, Germany, and the United States, appear deeply influenced by this shift from epistemology to ontology. October editors asked artists, historians, and philosophers invested in these projects-from Graham Harm…
L'histoire de l'art aux États-Unis et le tournant vers la mondialité
Depuis des débuts profondément régionaux, l'histoire de l'art aux États-Unis a évolué pour devenir une des ressources mondiales majeures sur le plan de l'édition, de la pédagogie et des expositions. Au regard des utopies initiales de « transnationalisme » et de cosmopolitisme qui ont émergé à l'aube du xxe siècle, nous affirmons que les obsessions actuelles à propos de la mondialisation ne sont pas simplement la conséquence du consensus induit pa…
Global turns in US art history
numérique sous réserve qu'elles soient strictement réservées à un usage soit personnel, soit scientifique ou pédagogique excluant toute exploitation commerciale
Investigating the studio: History, Functions, Transformations
Une stylisation de l'histoire de l'atelier d'artiste fait dependre ses fonctions du degre d'individualisation du travail createur, des innovations esthetiques et de l'economie de la production artistique. La periodisation qui suit fournit une trame sommaire. Indistinction entre art et artisanat d'abord : les ateliers sont situes dans les monasteres, dans les demeures des mecenes de la cour ou se confondent avec le domicile ou avec la boutique d'a…
Visibility
Post-modernism
Preconscious/Posthumous Smithson: The Ambiguous Status of Art and Artist in the Postmodern Frame
Anxiety and Elation: Response to Michael Fried
The Modernist Paradigm: The Artworld and Thomas Kuhn
Finishing School: John Cage and the Abstract Expressionist Ego
"Andy Warhol's "Factory: The Production Site, Its Context and Its Impact on the Work of Art
The ArgumentIt is often observed by historians of postwar American art that painters and sculptors of the 1960s sought a more mechanized "look" for their art. I argue that the changes reflected in the art have their source in a deeper shift - a shift at the level of production, expressed in new studio practices as well as in the space of the artworks themselves.In the period immediately before, during, and after World War II, the dominant topos o…
A Questionnaire on Materialisms
Recent philosophical tendencies of "Actor-Network Theory," "Object-Oriented Ontology," and "Speculative Realism" have profoundly challenged the centrality of subjectivity in the humanities, and many artists and curators, particularly in the UK, Germany, and the United States, appear deeply influenced by this shift from epistemology to ontology. October editors asked artists, historians, and philosophers invested in these projects-from Graham Harm…
Science/Art/Culture Through an Oceanic Lens
Since the year 2000, artists have increasingly employed tools, methods, and aesthetics associated with scientific practice to produce forms of art that assert themselves as kinds of experimental and empirical knowledge production parallel to and in critical dialogue with science. Anthropologists, intrigued by the work of art in the age of its technoscientific affiliation, have taken notice. This article discusses bio art, eco art, and surveillanc…
Finishing School: John Cage and the Abstract Expressionist Ego
"Andy Warhol's "Factory: The Production Site, Its Context and Its Impact on the Work of Art
The ArgumentIt is often observed by historians of postwar American art that painters and sculptors of the 1960s sought a more mechanized "look" for their art. I argue that the changes reflected in the art have their source in a deeper shift - a shift at the level of production, expressed in new studio practices as well as in the space of the artworks themselves.In the period immediately before, during, and after World War II, the dominant topos o…
L'histoire de l'art aux États-Unis et le tournant vers la mondialité
Depuis des débuts profondément régionaux, l'histoire de l'art aux États-Unis a évolué pour devenir une des ressources mondiales majeures sur le plan de l'édition, de la pédagogie et des expositions. Au regard des utopies initiales de « transnationalisme » et de cosmopolitisme qui ont émergé à l'aube du xxe siècle, nous affirmons que les obsessions actuelles à propos de la mondialisation ne sont pas simplement la conséquence du consensus induit pa…
The Modernist Paradigm: The Artworld and Thomas Kuhn
The Equitable Resilience Framework: An environmental justice strategy for community-led resilience planning
Investigating the studio: History, Functions, Transformations
Une stylisation de l'histoire de l'atelier d'artiste fait dependre ses fonctions du degre d'individualisation du travail createur, des innovations esthetiques et de l'economie de la production artistique. La periodisation qui suit fournit une trame sommaire. Indistinction entre art et artisanat d'abord : les ateliers sont situes dans les monasteres, dans les demeures des mecenes de la cour ou se confondent avec le domicile ou avec la boutique d'a…
Preconscious/Posthumous Smithson: The Ambiguous Status of Art and Artist in the Postmodern Frame
"Andy Warhol's "Factory: The Production Site, Its Context and Its Impact on the Work of Art
The ArgumentIt is often observed by historians of postwar American art that painters and sculptors of the 1960s sought a more mechanized "look" for their art. I argue that the changes reflected in the art have their source in a deeper shift - a shift at the level of production, expressed in new studio practices as well as in the space of the artworks themselves.In the period immediately before, during, and after World War II, the dominant topos o…
Finishing School: John Cage and the Abstract Expressionist Ego
The Modernist Paradigm: The Artworld and Thomas Kuhn
Anxiety and Elation: Response to Michael Fried
Preconscious/Posthumous Smithson: The Ambiguous Status of Art and Artist in the Postmodern Frame
Post-modernism
Visibility
Investigating the studio: History, Functions, Transformations
Une stylisation de l'histoire de l'atelier d'artiste fait dependre ses fonctions du degre d'individualisation du travail createur, des innovations esthetiques et de l'economie de la production artistique. La periodisation qui suit fournit une trame sommaire. Indistinction entre art et artisanat d'abord : les ateliers sont situes dans les monasteres, dans les demeures des mecenes de la cour ou se confondent avec le domicile ou avec la boutique d'a…
L'histoire de l'art aux États-Unis et le tournant vers la mondialité
Depuis des débuts profondément régionaux, l'histoire de l'art aux États-Unis a évolué pour devenir une des ressources mondiales majeures sur le plan de l'édition, de la pédagogie et des expositions. Au regard des utopies initiales de « transnationalisme » et de cosmopolitisme qui ont émergé à l'aube du xxe siècle, nous affirmons que les obsessions actuelles à propos de la mondialisation ne sont pas simplement la conséquence du consensus induit pa…
Global turns in US art history
numérique sous réserve qu'elles soient strictement réservées à un usage soit personnel, soit scientifique ou pédagogique excluant toute exploitation commerciale
A Questionnaire on Materialisms
Recent philosophical tendencies of "Actor-Network Theory," "Object-Oriented Ontology," and "Speculative Realism" have profoundly challenged the centrality of subjectivity in the humanities, and many artists and curators, particularly in the UK, Germany, and the United States, appear deeply influenced by this shift from epistemology to ontology. October editors asked artists, historians, and philosophers invested in these projects-from Graham Harm…
Science/Art/Culture Through an Oceanic Lens
Since the year 2000, artists have increasingly employed tools, methods, and aesthetics associated with scientific practice to produce forms of art that assert themselves as kinds of experimental and empirical knowledge production parallel to and in critical dialogue with science. Anthropologists, intrigued by the work of art in the age of its technoscientific affiliation, have taken notice. This article discusses bio art, eco art, and surveillanc…
Resonance
In speculating on how an infant human emerges into consciousness, William James deployed the active acoustic and haptic metaphor of a buzzing confusion, resonating in a sensing body. Resonance enters us as music, sound, acousma, timbre, and even subaural inputs. Per Veit Erlmann, resonance opens us to different ways of listening and being and thinking in a world of oscillating matter. As Erlmann chronicles, the body’s equipment (eye and ear, but …
The Equitable Resilience Framework: An environmental justice strategy for community-led resilience planning
Art (10 works) · Art history (9 works) · Visual arts (4 works) · Aesthetics (3 works) · Art, Politics, and Modernism (3 works) · Artistic and Creative Research (3 works) · Computer Science (3 works) · Sociology (3 works) · Visual Culture and Art Theory (3 works) · Cultural Identity and Heritage (2 works)