Janna Michael
Biographic Data
| ID | 3594207 |
|---|---|
| NAME | Janna Michael |
| GIVEN NAMES | Janna |
| FAMILY NAME | Michael |
| SIGNATURE | MICHAEL J |
| AFFILIATIONS | Erasmus University Rotterdam |
| ORCID | 0000-0002-5426-316X |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 52 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 3 |
Secretly Serious? Maintaining and Crossing Cultural Boundaries in the Karaoke Bar Through Ironic Consumption
When existing cultural boundaries seem to blur, people will look for alternative ways to express their identities. Recent research has shown that aesthetic dispositions (how one consumes culture) may be more significant than taste preferences (what is consumed). Sociologists therefore wonder whether distinction might be going underground. Elaborating on this issue, we examine the role of irony in cultural consumption through nine in-depth intervi…
Highbrow culture for high-potentials? Cultural orientations of a business elite in the making
Bringing the banjo back to life: The field of Dutch independent folk music as participatory culture
In this paper we investigate factors underlying the production of independent folk music (indie folk) in the Netherlands. By studying the creation, distribution and reception of indie folk music through in-depth interviewing, we argue that the social production of indie folk music is affected by a shift towards ‘participatory culture’ brought about by the rise of the Internet and Web 2.0. We note how Web 2.0 helps musicians to educate themselves …
Culturele consumptie en de habitus - De rol van kennis en esthetische disposities
Cultural consumption and the habitus: The role of knowledge and aesthetic dispositions .The habitus is a crucial concept in Bourdieus theory of taste. In this article, we assess the relations between cultural taste or participation and two measured elements of habitus: aesthetic dispositions and domain-specific knowledge. To his end, we have analyzed a sample of 2,500 Flemings in 2003-2004. Active culture lovers attach more significance to the fo…
It’s really not hip to be a hipster: Negotiating trends and authenticity in the cultural field
Being ‘hip’ is nowadays considered a crucial source of social prestige in the fields of fashion and music which are in a state of constant flux and revaluation. Being ‘in the know’ of new developments in the cultural field has consequently been discussed as an alternative to a status hierarchy based on social class as Bourdieu described it. In-depth interviews with young people deeply involved in urban culture scenes reveal a different perspectiv…
It’s really not hip to be a hipster: Negotiating trends and authenticity in the cultural field
Being ‘hip’ is nowadays considered a crucial source of social prestige in the fields of fashion and music which are in a state of constant flux and revaluation. Being ‘in the know’ of new developments in the cultural field has consequently been discussed as an alternative to a status hierarchy based on social class as Bourdieu described it. In-depth interviews with young people deeply involved in urban culture scenes reveal a different perspectiv…
Secretly Serious? Maintaining and Crossing Cultural Boundaries in the Karaoke Bar Through Ironic Consumption
When existing cultural boundaries seem to blur, people will look for alternative ways to express their identities. Recent research has shown that aesthetic dispositions (how one consumes culture) may be more significant than taste preferences (what is consumed). Sociologists therefore wonder whether distinction might be going underground. Elaborating on this issue, we examine the role of irony in cultural consumption through nine in-depth intervi…
Highbrow culture for high-potentials? Cultural orientations of a business elite in the making
Culturele consumptie en de habitus - De rol van kennis en esthetische disposities
Cultural consumption and the habitus: The role of knowledge and aesthetic dispositions .The habitus is a crucial concept in Bourdieus theory of taste. In this article, we assess the relations between cultural taste or participation and two measured elements of habitus: aesthetic dispositions and domain-specific knowledge. To his end, we have analyzed a sample of 2,500 Flemings in 2003-2004. Active culture lovers attach more significance to the fo…
It’s really not hip to be a hipster: Negotiating trends and authenticity in the cultural field
Being ‘hip’ is nowadays considered a crucial source of social prestige in the fields of fashion and music which are in a state of constant flux and revaluation. Being ‘in the know’ of new developments in the cultural field has consequently been discussed as an alternative to a status hierarchy based on social class as Bourdieu described it. In-depth interviews with young people deeply involved in urban culture scenes reveal a different perspectiv…
Bringing the banjo back to life: The field of Dutch independent folk music as participatory culture
In this paper we investigate factors underlying the production of independent folk music (indie folk) in the Netherlands. By studying the creation, distribution and reception of indie folk music through in-depth interviewing, we argue that the social production of indie folk music is affected by a shift towards ‘participatory culture’ brought about by the rise of the Internet and Web 2.0. We note how Web 2.0 helps musicians to educate themselves …
Highbrow culture for high-potentials? Cultural orientations of a business elite in the making
Secretly Serious? Maintaining and Crossing Cultural Boundaries in the Karaoke Bar Through Ironic Consumption
When existing cultural boundaries seem to blur, people will look for alternative ways to express their identities. Recent research has shown that aesthetic dispositions (how one consumes culture) may be more significant than taste preferences (what is consumed). Sociologists therefore wonder whether distinction might be going underground. Elaborating on this issue, we examine the role of irony in cultural consumption through nine in-depth intervi…
Psychology (5 works) · Social and Cultural Dynamics (5 works) · Sociology (5 works) · Aesthetics (4 works) · Cultural Industries and Urban Development (4 works) · Political science (4 works) · Social Psychology (4 works) · Social science (4 works) · Art (3 works) · Cultural capital (3 works)