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Saidiya Hartman

Biographic Data

ID3595178
NAMESaidiya Hartman
GIVEN NAMESSaidiya
FAMILY NAMEHartman
SIGNATUREHARTMAN S
AFFILIATIONSColumbia University
VERIFIEDNo
TOTAL WORKS23
TOTAL CITATIONS985
AUTHOR COUNT23
EDITOR COUNT0
FIRST PUBLICATION YEAR1994
LATEST PUBLICATION YEAR2024
H-INDEX7
  • Five Manifestos for the Beautiful World

    Phoebe Boswell, Saidiya Hartman et al.•BOOK•Five Manifestos for the Beautiful…•2024

    The second annual Alchemy Lecture brought together five artists, thinkers, and writers who proposed new ways of being and discussed radical visions for the future. Five Manifestos for the Beautiful World captures and expands these lectures to illuminate our path towards this possible beautiful world. Joseph M. Pierce (Cherokee Nation) asserts that “for this decolonial future to become possible, the guiding force must no longer be capital but rela…

  • Wayward lives, beautiful experiments: Intimate histories of social upheaval

    Open Access•Terrell Carver, Saidiya Hartman•BOOK•Feminist Political Theory•2024•Cited by: 44

    This chapter, excerpted from Saidiya Hartman's acclaimed book "Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval," delves into the lives of young Black women in early twentieth-century Philadelphia and New York. Hartman challenges conventional historical narratives that often pathologize or erase these women's experiences, instead focusing on their agency, desires, and struggles for autonomy amidst the constraints of rac…

  • Venus in Two Acts: A Revolutionary Reader in U. S. Women's History

    Ellen Carol Dubois, Saidiya Hartman et al.•BOOK•Unequal Sisters•2023•Cited by: 756•References: 5

    Em "Venus in Two Acts", Saidiya Hartman explora as dificuldades de recuperar as histórias de mulheres africanas escravizadas no Atlântico, cujas vidas e mortes foram amplamente não documentadas. Hartman examina os arquivos coloniais, reconhecendo sua parcialidade e violência inerentes, e questiona as possibilidades e os limites da representação histórica. Através da figura espectral de Vênus, uma mulher africana escravizada que morreu durante a t…

  • Litany for Grieving Sisters

    Saidiya Hartman•ARTICLE•Representations•2022•Cited by: 2

    Litany for Grieving SistersAnd what of her fate is in fact a social death

  • O Tempo da Escravidão

    Open Access•Saidiya Hartman•ARTICLE•Revista Periódicus•2021•Cited by: 4

    Neste texto, Saidiya Hartman elabora questões sobre diáspora e luto a partir de sua visita ao Castelo da Costa do Cabo e ao Castelo de Elmina, em Gana, e à Casa dos Escravos, na Ilha de Gorée, no Senegal. Percebendo as articulações entre memória e turismo, a autora tensiona narrativas oficias e encenações do luto, considerando o tempo da escravidão como um evento contínuo que nos faz "contemporâneas das mortas

  • Intimate History, Radical Narrative

    Saidiya Hartman•ARTICLE•The Journal of African American…•2021•Cited by: 7•References: 3

  • Tempo da escravidão

    Open Access•Saidiya Hartman•ARTICLE•Contemporânea - revista de…•2020•Cited by: 1

    O legado da escravidão e a questão de como lidar com a dor e o luto são dois temas centrais deste texto que aprofunda questões relacionadas ao memorizar e problematiza aquelas atitudes dos negros norte-americanos que tendem a reduzir a África a um passado – a uma terra primordial. Assim, ele questiona os enquadramentos analíticos dominantes que têm moldado os reencontros com a África e nega, em última instância, a possibilidade de reparar tamanha…

  • Vênus em dois atos

    Open Access•Saidiya Hartman•BOOK•Revista ECO-Pós•2020•Cited by: 16

    Este ensaio examina a ubíqua presença de Vênus no arquivo da escravidão atlântica e luta com a impossibilidade de descobrir qualquer coisa sobre ela que já não tenha sido afirmada. Como figura emblemática da mulher escravizada no mundo atlântico, Vênus evidencia a convergência do terror e do prazer na economia libidinal da escravidão, assim como a intimidade da História com o escândalo e o excesso de literatura. Ao escrever no limite do indizível…

  • The Anarchy of Colored Girls Assembled in a Riotous Manner

    Saidiya Hartman•ARTICLE•South Atlantic Quarterly•2018•Cited by: 32

    This speculative history of the wayward is an effort to narrate the open rebellion and beautiful experiment produced by young black women in the emergent ghetto, a form of racial enclosure that succeeded the plantation. The narrative utilizes the reports and case files of the reformatory, private investigators, psychologists, and social workers to challenge the primary tenets of these accounts, the most basic of these assumptions being that the l…

  • The Dead Book Revisited

    Saidiya Hartman•ARTICLE•History of the Present•2016•Cited by: 6

  • Delia's Tears: Race, Science, and Photography in Nineteenth-Century America

    Saidiya Hartman, Hartman•ARTICLE•Journal of American History•2011•Cited by: 3

    There are few photographs of black subjects that have attracted more critical attention or that have been more widely circulated and reproduced than the ethnological studies commissioned by the esteemed naturalist Louis Agassiz to document the separate origins of humankind. The photographs were taken by the South Carolina daguerreotypist J. T. Zealy and the series consists of fifteen images of enslaved men and women in partial and full nudity. Si…

  • A Future Beyond Empire: An Introduction

    Saidiya Hartman, Tina M Campt et al.•ARTICLE•Small Axe A Caribbean Journal of…•2009•Cited by: 1

    Research Article| March 01 2009 A Future Beyond Empire: An Introduction Saidiya Hartman; Saidiya Hartman Search for other works by this author on: This Site Google Tina Campt Tina Campt Search for other works by this author on: This Site Google Small Axe (2009) 13 (1): 19–26. https://doi.org/10.1215/07990537-2008-003 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Saidiya Hartman, Tina Campt; A Future Beyond Empire: An In…

  • Fugitive Justice

    Stephen Best, Saidiya Hartman•ARTICLE•Representations•2005•Cited by: 54•References: 2

  • The Position of the Unthought

    Saidiya V Hartman, Saidiya Hartman et al.•ARTICLE•Qui Parle•2003

    Research Article| December 01 2003 The Position of the Unthought Saidiya V. Hartman; Saidiya V. Hartman Search for other works by this author on: This Site Google Frank B. Wilderson, III Frank B. Wilderson, III Search for other works by this author on: This Site Google Qui Parle (2003) 13 (2): 183–201. https://doi.org/10.1215/quiparle.13.2.183 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Saidiya V. Hartman, Frank B. Wi…

  • The Time of Slavery

    Saidiya Hartman•ARTICLE•South Atlantic Quarterly•2002•Cited by: 41

    Research Article| October 01 2002 The Time of Slavery Saidiya Hartman Saidiya Hartman Search for other works by this author on: This Site Google South Atlantic Quarterly (2002) 101 (4): 757–777. https://doi.org/10.1215/00382876-101-4-757 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Said…

  • Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America

    Patricia M Morton, Patricia Morton et al.•REVIEW•The Journal of Southern History•2001

  • Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America

    Alexander X Byrd, Saidiya V Hartman et al.•ARTICLE•Labour / Le Travail•2000

  • Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America

    Anita Patterson, Saidiya V Hartman et al.•ARTICLE•African American Review•1999•Cited by: 2

  • Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth- Century America

    Nell Irvin Painter, Saidiya Hartman•REVIEW•Journal of American History•1998•Cited by: 9

    Journal Article Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America. By Saidiya V. Hartman. (New York: Oxford University Press, 1997. x, 281 pp. Cloth, $45.00, ISBN 0-19-508983-9. Paper, $19.95, ISBN 0-19-508984-7.) Get access Nell Irvin Painter Nell Irvin Painter Princeton University, Princeton, New Jersey Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume…

  • Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America

    Russ Castronovo, Saidiya Hartman et al.•REVIEW•American Literature•1998

  • The Slumbering Volcano: American Slave Ship Revolts and the Production of Rebellious Masculinity

    Saidiya Hartman, Maggie Montesinos Sale•ARTICLE•Labour / Le Travail•1998

  • Seduction and the Ruses of Power

    Saidiya V Hartman, Saidiya Hartman•ARTICLE•Callaloo•1996•Cited by: 5

    Callaloo - Volume 19, Number 2, Spring 1996

  • The Territory Between Us: "A Report on "Black Women in the Academy: Defending Our Name: 1894-1994

    Saidiya Hartman•ARTICLE•Callaloo•1994•Cited by: 2

  • Venus in Two Acts: A Revolutionary Reader in U. S. Women's History

    Ellen Carol Dubois, Saidiya Hartman et al.•BOOK•Unequal Sisters•2023•Cited by: 756•References: 5

    Em "Venus in Two Acts", Saidiya Hartman explora as dificuldades de recuperar as histórias de mulheres africanas escravizadas no Atlântico, cujas vidas e mortes foram amplamente não documentadas. Hartman examina os arquivos coloniais, reconhecendo sua parcialidade e violência inerentes, e questiona as possibilidades e os limites da representação histórica. Através da figura espectral de Vênus, uma mulher africana escravizada que morreu durante a t…

  • Fugitive Justice

    Stephen Best, Saidiya Hartman•ARTICLE•Representations•2005•Cited by: 54•References: 2

  • Wayward lives, beautiful experiments: Intimate histories of social upheaval

    Open Access•Terrell Carver, Saidiya Hartman•BOOK•Feminist Political Theory•2024•Cited by: 44

    This chapter, excerpted from Saidiya Hartman's acclaimed book "Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval," delves into the lives of young Black women in early twentieth-century Philadelphia and New York. Hartman challenges conventional historical narratives that often pathologize or erase these women's experiences, instead focusing on their agency, desires, and struggles for autonomy amidst the constraints of rac…

  • The Time of Slavery

    Saidiya Hartman•ARTICLE•South Atlantic Quarterly•2002•Cited by: 41

    Research Article| October 01 2002 The Time of Slavery Saidiya Hartman Saidiya Hartman Search for other works by this author on: This Site Google South Atlantic Quarterly (2002) 101 (4): 757–777. https://doi.org/10.1215/00382876-101-4-757 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Said…

  • The Anarchy of Colored Girls Assembled in a Riotous Manner

    Saidiya Hartman•ARTICLE•South Atlantic Quarterly•2018•Cited by: 32

    This speculative history of the wayward is an effort to narrate the open rebellion and beautiful experiment produced by young black women in the emergent ghetto, a form of racial enclosure that succeeded the plantation. The narrative utilizes the reports and case files of the reformatory, private investigators, psychologists, and social workers to challenge the primary tenets of these accounts, the most basic of these assumptions being that the l…

  • Vênus em dois atos

    Open Access•Saidiya Hartman•BOOK•Revista ECO-Pós•2020•Cited by: 16

    Este ensaio examina a ubíqua presença de Vênus no arquivo da escravidão atlântica e luta com a impossibilidade de descobrir qualquer coisa sobre ela que já não tenha sido afirmada. Como figura emblemática da mulher escravizada no mundo atlântico, Vênus evidencia a convergência do terror e do prazer na economia libidinal da escravidão, assim como a intimidade da História com o escândalo e o excesso de literatura. Ao escrever no limite do indizível…

  • Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth- Century America

    Nell Irvin Painter, Saidiya Hartman•REVIEW•Journal of American History•1998•Cited by: 9

    Journal Article Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America. By Saidiya V. Hartman. (New York: Oxford University Press, 1997. x, 281 pp. Cloth, $45.00, ISBN 0-19-508983-9. Paper, $19.95, ISBN 0-19-508984-7.) Get access Nell Irvin Painter Nell Irvin Painter Princeton University, Princeton, New Jersey Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume…

  • Intimate History, Radical Narrative

    Saidiya Hartman•ARTICLE•The Journal of African American…•2021•Cited by: 7•References: 3

  • The Dead Book Revisited

    Saidiya Hartman•ARTICLE•History of the Present•2016•Cited by: 6

  • Seduction and the Ruses of Power

    Saidiya V Hartman, Saidiya Hartman•ARTICLE•Callaloo•1996•Cited by: 5

    Callaloo - Volume 19, Number 2, Spring 1996

  • O Tempo da Escravidão

    Open Access•Saidiya Hartman•ARTICLE•Revista Periódicus•2021•Cited by: 4

    Neste texto, Saidiya Hartman elabora questões sobre diáspora e luto a partir de sua visita ao Castelo da Costa do Cabo e ao Castelo de Elmina, em Gana, e à Casa dos Escravos, na Ilha de Gorée, no Senegal. Percebendo as articulações entre memória e turismo, a autora tensiona narrativas oficias e encenações do luto, considerando o tempo da escravidão como um evento contínuo que nos faz "contemporâneas das mortas

  • Delia's Tears: Race, Science, and Photography in Nineteenth-Century America

    Saidiya Hartman, Hartman•ARTICLE•Journal of American History•2011•Cited by: 3

    There are few photographs of black subjects that have attracted more critical attention or that have been more widely circulated and reproduced than the ethnological studies commissioned by the esteemed naturalist Louis Agassiz to document the separate origins of humankind. The photographs were taken by the South Carolina daguerreotypist J. T. Zealy and the series consists of fifteen images of enslaved men and women in partial and full nudity. Si…

  • Litany for Grieving Sisters

    Saidiya Hartman•ARTICLE•Representations•2022•Cited by: 2

    Litany for Grieving SistersAnd what of her fate is in fact a social death

  • Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America

    Anita Patterson, Saidiya V Hartman et al.•ARTICLE•African American Review•1999•Cited by: 2

  • The Territory Between Us: "A Report on "Black Women in the Academy: Defending Our Name: 1894-1994

    Saidiya Hartman•ARTICLE•Callaloo•1994•Cited by: 2

  • Tempo da escravidão

    Open Access•Saidiya Hartman•ARTICLE•Contemporânea - revista de…•2020•Cited by: 1

    O legado da escravidão e a questão de como lidar com a dor e o luto são dois temas centrais deste texto que aprofunda questões relacionadas ao memorizar e problematiza aquelas atitudes dos negros norte-americanos que tendem a reduzir a África a um passado – a uma terra primordial. Assim, ele questiona os enquadramentos analíticos dominantes que têm moldado os reencontros com a África e nega, em última instância, a possibilidade de reparar tamanha…

  • A Future Beyond Empire: An Introduction

    Saidiya Hartman, Tina M Campt et al.•ARTICLE•Small Axe A Caribbean Journal of…•2009•Cited by: 1

    Research Article| March 01 2009 A Future Beyond Empire: An Introduction Saidiya Hartman; Saidiya Hartman Search for other works by this author on: This Site Google Tina Campt Tina Campt Search for other works by this author on: This Site Google Small Axe (2009) 13 (1): 19–26. https://doi.org/10.1215/07990537-2008-003 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Saidiya Hartman, Tina Campt; A Future Beyond Empire: An In…

  • The Territory Between Us: "A Report on "Black Women in the Academy: Defending Our Name: 1894-1994

    Saidiya Hartman•ARTICLE•Callaloo•1994•Cited by: 2

  • Seduction and the Ruses of Power

    Saidiya V Hartman, Saidiya Hartman•ARTICLE•Callaloo•1996•Cited by: 5

    Callaloo - Volume 19, Number 2, Spring 1996

  • Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth- Century America

    Nell Irvin Painter, Saidiya Hartman•REVIEW•Journal of American History•1998•Cited by: 9

    Journal Article Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America. By Saidiya V. Hartman. (New York: Oxford University Press, 1997. x, 281 pp. Cloth, $45.00, ISBN 0-19-508983-9. Paper, $19.95, ISBN 0-19-508984-7.) Get access Nell Irvin Painter Nell Irvin Painter Princeton University, Princeton, New Jersey Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume…

  • Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America

    Russ Castronovo, Saidiya Hartman et al.•REVIEW•American Literature•1998

  • The Slumbering Volcano: American Slave Ship Revolts and the Production of Rebellious Masculinity

    Saidiya Hartman, Maggie Montesinos Sale•ARTICLE•Labour / Le Travail•1998

  • Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America

    Anita Patterson, Saidiya V Hartman et al.•ARTICLE•African American Review•1999•Cited by: 2

  • Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America

    Alexander X Byrd, Saidiya V Hartman et al.•ARTICLE•Labour / Le Travail•2000

  • Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America

    Patricia M Morton, Patricia Morton et al.•REVIEW•The Journal of Southern History•2001

  • The Time of Slavery

    Saidiya Hartman•ARTICLE•South Atlantic Quarterly•2002•Cited by: 41

    Research Article| October 01 2002 The Time of Slavery Saidiya Hartman Saidiya Hartman Search for other works by this author on: This Site Google South Atlantic Quarterly (2002) 101 (4): 757–777. https://doi.org/10.1215/00382876-101-4-757 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Said…

  • The Position of the Unthought

    Saidiya V Hartman, Saidiya Hartman et al.•ARTICLE•Qui Parle•2003

    Research Article| December 01 2003 The Position of the Unthought Saidiya V. Hartman; Saidiya V. Hartman Search for other works by this author on: This Site Google Frank B. Wilderson, III Frank B. Wilderson, III Search for other works by this author on: This Site Google Qui Parle (2003) 13 (2): 183–201. https://doi.org/10.1215/quiparle.13.2.183 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Saidiya V. Hartman, Frank B. Wi…

  • Fugitive Justice

    Stephen Best, Saidiya Hartman•ARTICLE•Representations•2005•Cited by: 54•References: 2

  • A Future Beyond Empire: An Introduction

    Saidiya Hartman, Tina M Campt et al.•ARTICLE•Small Axe A Caribbean Journal of…•2009•Cited by: 1

    Research Article| March 01 2009 A Future Beyond Empire: An Introduction Saidiya Hartman; Saidiya Hartman Search for other works by this author on: This Site Google Tina Campt Tina Campt Search for other works by this author on: This Site Google Small Axe (2009) 13 (1): 19–26. https://doi.org/10.1215/07990537-2008-003 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Saidiya Hartman, Tina Campt; A Future Beyond Empire: An In…

  • Delia's Tears: Race, Science, and Photography in Nineteenth-Century America

    Saidiya Hartman, Hartman•ARTICLE•Journal of American History•2011•Cited by: 3

    There are few photographs of black subjects that have attracted more critical attention or that have been more widely circulated and reproduced than the ethnological studies commissioned by the esteemed naturalist Louis Agassiz to document the separate origins of humankind. The photographs were taken by the South Carolina daguerreotypist J. T. Zealy and the series consists of fifteen images of enslaved men and women in partial and full nudity. Si…

  • The Dead Book Revisited

    Saidiya Hartman•ARTICLE•History of the Present•2016•Cited by: 6

  • The Anarchy of Colored Girls Assembled in a Riotous Manner

    Saidiya Hartman•ARTICLE•South Atlantic Quarterly•2018•Cited by: 32

    This speculative history of the wayward is an effort to narrate the open rebellion and beautiful experiment produced by young black women in the emergent ghetto, a form of racial enclosure that succeeded the plantation. The narrative utilizes the reports and case files of the reformatory, private investigators, psychologists, and social workers to challenge the primary tenets of these accounts, the most basic of these assumptions being that the l…

  • Tempo da escravidão

    Open Access•Saidiya Hartman•ARTICLE•Contemporânea - revista de…•2020•Cited by: 1

    O legado da escravidão e a questão de como lidar com a dor e o luto são dois temas centrais deste texto que aprofunda questões relacionadas ao memorizar e problematiza aquelas atitudes dos negros norte-americanos que tendem a reduzir a África a um passado – a uma terra primordial. Assim, ele questiona os enquadramentos analíticos dominantes que têm moldado os reencontros com a África e nega, em última instância, a possibilidade de reparar tamanha…

  • Vênus em dois atos

    Open Access•Saidiya Hartman•BOOK•Revista ECO-Pós•2020•Cited by: 16

    Este ensaio examina a ubíqua presença de Vênus no arquivo da escravidão atlântica e luta com a impossibilidade de descobrir qualquer coisa sobre ela que já não tenha sido afirmada. Como figura emblemática da mulher escravizada no mundo atlântico, Vênus evidencia a convergência do terror e do prazer na economia libidinal da escravidão, assim como a intimidade da História com o escândalo e o excesso de literatura. Ao escrever no limite do indizível…

  • O Tempo da Escravidão

    Open Access•Saidiya Hartman•ARTICLE•Revista Periódicus•2021•Cited by: 4

    Neste texto, Saidiya Hartman elabora questões sobre diáspora e luto a partir de sua visita ao Castelo da Costa do Cabo e ao Castelo de Elmina, em Gana, e à Casa dos Escravos, na Ilha de Gorée, no Senegal. Percebendo as articulações entre memória e turismo, a autora tensiona narrativas oficias e encenações do luto, considerando o tempo da escravidão como um evento contínuo que nos faz "contemporâneas das mortas

  • Intimate History, Radical Narrative

    Saidiya Hartman•ARTICLE•The Journal of African American…•2021•Cited by: 7•References: 3

  • Litany for Grieving Sisters

    Saidiya Hartman•ARTICLE•Representations•2022•Cited by: 2

    Litany for Grieving SistersAnd what of her fate is in fact a social death

  • Venus in Two Acts: A Revolutionary Reader in U. S. Women's History

    Ellen Carol Dubois, Saidiya Hartman et al.•BOOK•Unequal Sisters•2023•Cited by: 756•References: 5

    Em "Venus in Two Acts", Saidiya Hartman explora as dificuldades de recuperar as histórias de mulheres africanas escravizadas no Atlântico, cujas vidas e mortes foram amplamente não documentadas. Hartman examina os arquivos coloniais, reconhecendo sua parcialidade e violência inerentes, e questiona as possibilidades e os limites da representação histórica. Através da figura espectral de Vênus, uma mulher africana escravizada que morreu durante a t…

  • Five Manifestos for the Beautiful World

    Phoebe Boswell, Saidiya Hartman et al.•BOOK•Five Manifestos for the Beautiful…•2024

    The second annual Alchemy Lecture brought together five artists, thinkers, and writers who proposed new ways of being and discussed radical visions for the future. Five Manifestos for the Beautiful World captures and expands these lectures to illuminate our path towards this possible beautiful world. Joseph M. Pierce (Cherokee Nation) asserts that “for this decolonial future to become possible, the guiding force must no longer be capital but rela…

  • Wayward lives, beautiful experiments: Intimate histories of social upheaval

    Open Access•Terrell Carver, Saidiya Hartman•BOOK•Feminist Political Theory•2024•Cited by: 44

    This chapter, excerpted from Saidiya Hartman's acclaimed book "Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval," delves into the lives of young Black women in early twentieth-century Philadelphia and New York. Hartman challenges conventional historical narratives that often pathologize or erase these women's experiences, instead focusing on their agency, desires, and struggles for autonomy amidst the constraints of rac…

History (17 works) · Art (11 works) · History (9 works) · Race, History, and American Society (9 works) · Sociology (5 works) · Colonialism, slavery, and trade (4 works) · Literature (4 works) · Political science (4 works) · Psychology (4 works) · Aesthetics (3 works)

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