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Victor Erlich

Biographic Data

ID3595544
NAMEVictor Erlich
GIVEN NAMESVictor
FAMILY NAMEErlich
SIGNATUREERLICH V
AFFILIATIONSYale University
VERIFIEDNo
TOTAL WORKS28
TOTAL CITATIONS9
WORKS AS AUTHOR27
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1955
LATEST PUBLICATION YEAR2006
H-INDEX1
  • Diary, 1901-1969

    Rachel Stauffer, Kornei Chukovsky et al.•ARTICLE•The Slavic and East European…•2006

  • Diary, 1901-1969

    Kornei Chukovsky, Корней Иванович Чуковский et al.•EDITOR•BOOK•Diary, 1901-1969•2005

    A perceptive literary critic, a world-famous writer of witty and playful verses for children, a leading authority on children's linguistic creativity, and a highly skilled translator, Kornei Chukovsky was a complete man of letters. As benefactor to many writers including Alexander Solzhenitsyn and Joseph Brodsky, he stood for several decades at the center of the Russian literary milieu. It is no exaggeration to claim that Chukovsky knew everyone …

  • Efim Grigor'evich Etkind, 1918-1999

    Open Access•Victor Erlich•ARTICLE•Slavic Review•2000

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Modernism and Revolution

    Brian Horowitz, Victor Erlich•ARTICLE•The Slavic and East European…•1995

  • Modernism and Revolution

    Harriet Murav, Victor Erlich•ARTICLE•The Russian Review•1995

    The period before 1917 was a brilliant one for Russian literature, marked by the innovations and experimentation of modernism. With the Bolshevik seizure of power, a parallel process of drastic social innovation and experimentation began. How did revolution in the arts and revolution in society and politics relate to one another? Victor Erlich, an eminent authority on modern Slavic culture, takes up this question in Modernism and Revolution, a ma…

  • Art and Reality

    Victor Erlich•ARTICLE•Canadian Slavonic Papers•1994

    in no way detracts from the seriousness and intensity of Isaak Babel's imaginative involvement with the theme of the Revolution and of the society it spawned to say that throughout his brief career, it was the craft of fiction that claimed his deepest and unswerving allegiance. Small wonder that some of his most accomplished narratives bear on the nature and uses of art, most notably, on the relationship between art and reality. The dichotomy of …

  • Two Conversations With Lidiia Iakovlevna

    Victor Erlich•ARTICLE•Canadian-American Slavic Studies•1985

  • Pasternak v dvadtsatye gody

    Victor Erlich, Lazar Fleishman•ARTICLE•The Russian Review•1982

  • Russian Formalism

    Victor Erlich•ARTICLE•Poetics Today•1982

  • Russian Formalism

    Victor Erlich•BOOK•Russian Formalism•1980

  • Stat'i o Pasternake

    Victor Erlich, L Fleishman•ARTICLE•The Russian Review•1980•Cited by: 1

  • Pasternak

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1979•Cited by: 1

  • Russian Modernism

    Victor Erlich, George Gibian et al.•ARTICLE•The Russian Review•1977

  • For Wiktor Weintraub

    Joyce Story, J Lyle Story et al.•ARTICLE•The Slavic and East European…•1976

  • Twentieth-Century Russian Literary Criticism

    John Fizer, Victor Erlich•ARTICLE•The Slavic and East European…•1976

  • On Being Fair to Viktor Shklovsky or the Act of Hedged Surrender

    Open Access•Victor Erlich•ARTICLE•Slavic Review•1976•Cited by: 4•References: 1

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Russian Formalism

    Victor Erlich•ARTICLE•Journal of the History of Ideas•1973•Cited by: 1

  • Gogol

    Hugh Mclean, Victor Erlich•ARTICLE•The Slavic and East European…•1970

  • The Double Image

    Zoya Yurieff, Victor Erlich•ARTICLE•The Slavic and East European…•1965

  • Studies in Russian and Polish Literature

    Open Access•Victor Erlich•ARTICLE•Slavic Review•1965

    Studies in Russian and Polish Literature: In Honor of Wactaw Lednicki. Edited by Zbigniew Folejewski, Michael Karpovich, Francis J. Whitfield, and Albert Kaspin. The Hague: Mouton, 1962. Pages 250. 36 Dutch guilders. "Slavistic Printings and Reprintings," Vol. XXVII. - Volume 24 Issue 3

  • The Double Image

    Clarence Brown, Victor Erlich•ARTICLE•The Russian Review•1964

  • Post-Stalin Trends in Russian Literature

    Open Access•Victor Erlich•ARTICLE•Slavic Review•1964•Cited by: 1

    Writing about recent Soviet literature is a hazardous occupation. A Western chronicler of the post-Stalin literary ferment is as likely to overestimate an ephemeral trend as he is to miss a significant cue. He must be equally wary of premature euphoria and premature impatience. Last but not least, he has to do his best to maintain a viable balance between literary and political considerations.The latter question was raised sharply by Mr. Andrew F…

  • The Dead Hand of the Future

    Open Access•Victor Erlich•ARTICLE•Slavic Review•1962

    In a recent memoir Iurii Olesha, one of the most sophisticated Soviet prose writers, recalls a conversation he once had with V. E. Meyerhold regarding a film version of Turgenev's Fathers and Sons which the famous avant-garde director was then contemplating. "I asked him whom he had in mind for the part of Bazarov. He answered, 'Mayakovsky'."The resemblance between one of modern Russia's foremost poets and Turgenev's harshly antipoetic hero may n…

  • Henryk Sienkiewicz

    Victor Erlich, Waclaw Lednicki•ARTICLE•The Slavic and East European…•1961

  • A New Year's Tale

    Victor Erlich, Vladimir Dudintsev•ARTICLE•Slavic Review•1961

Next
  • On Being Fair to Viktor Shklovsky or the Act of Hedged Surrender

    Open Access•Victor Erlich•ARTICLE•Slavic Review•1976•Cited by: 4•References: 1

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Stat'i o Pasternake

    Victor Erlich, L Fleishman•ARTICLE•The Russian Review•1980•Cited by: 1

  • Pasternak

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1979•Cited by: 1

  • Russian Formalism

    Victor Erlich•ARTICLE•Journal of the History of Ideas•1973•Cited by: 1

  • Post-Stalin Trends in Russian Literature

    Open Access•Victor Erlich•ARTICLE•Slavic Review•1964•Cited by: 1

    Writing about recent Soviet literature is a hazardous occupation. A Western chronicler of the post-Stalin literary ferment is as likely to overestimate an ephemeral trend as he is to miss a significant cue. He must be equally wary of premature euphoria and premature impatience. Last but not least, he has to do his best to maintain a viable balance between literary and political considerations.The latter question was raised sharply by Mr. Andrew F…

  • Images of Siberia

    Victor Erlich•ARTICLE•The Slavic and East European…•1957•Cited by: 1

  • Oxford Slavonic Papers

    Victor Erlich, С В Коновалов et al.•ARTICLE•Comparative Literature•1955

  • The Field of Yiddish. Studies in Yiddish Language, Folklore and Literature

    Victor Erlich, Uriel Weinreich•ARTICLE•Comparative Literature•1956

  • Images of Siberia

    Victor Erlich•ARTICLE•The Slavic and East European…•1957•Cited by: 1

  • Henryk Sienkiewicz

    Victor Erlich, Waclaw Lednicki•ARTICLE•The Slavic and East European…•1961

  • A New Year's Tale

    Victor Erlich, Vladimir Dudintsev•ARTICLE•Slavic Review•1961

  • The Dead Hand of the Future

    Open Access•Victor Erlich•ARTICLE•Slavic Review•1962

    In a recent memoir Iurii Olesha, one of the most sophisticated Soviet prose writers, recalls a conversation he once had with V. E. Meyerhold regarding a film version of Turgenev's Fathers and Sons which the famous avant-garde director was then contemplating. "I asked him whom he had in mind for the part of Bazarov. He answered, 'Mayakovsky'."The resemblance between one of modern Russia's foremost poets and Turgenev's harshly antipoetic hero may n…

  • The Double Image

    Clarence Brown, Victor Erlich•ARTICLE•The Russian Review•1964

  • Post-Stalin Trends in Russian Literature

    Open Access•Victor Erlich•ARTICLE•Slavic Review•1964•Cited by: 1

    Writing about recent Soviet literature is a hazardous occupation. A Western chronicler of the post-Stalin literary ferment is as likely to overestimate an ephemeral trend as he is to miss a significant cue. He must be equally wary of premature euphoria and premature impatience. Last but not least, he has to do his best to maintain a viable balance between literary and political considerations.The latter question was raised sharply by Mr. Andrew F…

  • The Double Image

    Zoya Yurieff, Victor Erlich•ARTICLE•The Slavic and East European…•1965

  • Studies in Russian and Polish Literature

    Open Access•Victor Erlich•ARTICLE•Slavic Review•1965

    Studies in Russian and Polish Literature: In Honor of Wactaw Lednicki. Edited by Zbigniew Folejewski, Michael Karpovich, Francis J. Whitfield, and Albert Kaspin. The Hague: Mouton, 1962. Pages 250. 36 Dutch guilders. "Slavistic Printings and Reprintings," Vol. XXVII. - Volume 24 Issue 3

  • Gogol

    Hugh Mclean, Victor Erlich•ARTICLE•The Slavic and East European…•1970

  • Russian Formalism

    Victor Erlich•ARTICLE•Journal of the History of Ideas•1973•Cited by: 1

  • For Wiktor Weintraub

    Joyce Story, J Lyle Story et al.•ARTICLE•The Slavic and East European…•1976

  • Twentieth-Century Russian Literary Criticism

    John Fizer, Victor Erlich•ARTICLE•The Slavic and East European…•1976

  • On Being Fair to Viktor Shklovsky or the Act of Hedged Surrender

    Open Access•Victor Erlich•ARTICLE•Slavic Review•1976•Cited by: 4•References: 1

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Russian Modernism

    Victor Erlich, George Gibian et al.•ARTICLE•The Russian Review•1977

  • Pasternak

    Irene Masing-Delic, Irene Masing‐Delic et al.•ARTICLE•The Russian Review•1979•Cited by: 1

  • Russian Formalism

    Victor Erlich•BOOK•Russian Formalism•1980

  • Stat'i o Pasternake

    Victor Erlich, L Fleishman•ARTICLE•The Russian Review•1980•Cited by: 1

  • Pasternak v dvadtsatye gody

    Victor Erlich, Lazar Fleishman•ARTICLE•The Russian Review•1982

  • Russian Formalism

    Victor Erlich•ARTICLE•Poetics Today•1982

  • Two Conversations With Lidiia Iakovlevna

    Victor Erlich•ARTICLE•Canadian-American Slavic Studies•1985

  • Art and Reality

    Victor Erlich•ARTICLE•Canadian Slavonic Papers•1994

    in no way detracts from the seriousness and intensity of Isaak Babel's imaginative involvement with the theme of the Revolution and of the society it spawned to say that throughout his brief career, it was the craft of fiction that claimed his deepest and unswerving allegiance. Small wonder that some of his most accomplished narratives bear on the nature and uses of art, most notably, on the relationship between art and reality. The dichotomy of …

  • Modernism and Revolution

    Brian Horowitz, Victor Erlich•ARTICLE•The Slavic and East European…•1995

  • Modernism and Revolution

    Harriet Murav, Victor Erlich•ARTICLE•The Russian Review•1995

    The period before 1917 was a brilliant one for Russian literature, marked by the innovations and experimentation of modernism. With the Bolshevik seizure of power, a parallel process of drastic social innovation and experimentation began. How did revolution in the arts and revolution in society and politics relate to one another? Victor Erlich, an eminent authority on modern Slavic culture, takes up this question in Modernism and Revolution, a ma…

History (16 works) · Art (14 works) · Literature (12 works) · Philosophy (9 works) · Eastern European Communism and Reforms (8 works) · History (6 works) · Political science (6 works) · Soviet and Russian History (6 works) · Law (5 works) · Linguistics (5 works)

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