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Pat Simpson

Biographic Data

ID3595817
NAMEPat Simpson
GIVEN NAMESPat
FAMILY NAMESimpson
SIGNATURESIMPSON P
AFFILIATIONSUniversity of Hertfordshire
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS3
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Letters

    Open Access•P Golubev, Pat Simpson•ARTICLE•Slavic Review•2022

  • A Cold War curiosity

    Open Access•Pat Simpson, Patricia Simpson•ARTICLE•Journal of the History of…•2018

    memorial museum at Down House in Kent acquired a collection of Soviet paintings, sculptures and photographic albums

  • Liberation and Containment

    Pat Simpson, Patricia Simpson•ARTICLE•The International Journal of the…•2011•References: 11

    In July 1944 cross-country races and parades of physical culturists were prominently used to celebrate Soviet liberation from German occupation. While journalistic accounts stressed the manly health and vigour of the victorious Red Army, press photographs in Pravda and Red Sport, and Aleksandr Deneika's monumental painting 'Liberation', emphasised images of the young female physical culturist. This essay explores what a contextualised analysis of…

  • Parading Myths

    Open Access•Pat Simpson, Patricia Simpson•ARTICLE•The Russian Review•2004•Cited by: 3

  • On the Margins of Discourse? Visions of New Soviet Woman in Socialist Realistic Painting 1949–50

    Open Access•Pat Simpson, Patricia Simpson•ARTICLE•Art History•1998

    This paper questions the marginalization of representations of women implied by the emphasis on New Man as signifier of Soviet identity in critical revisions of the Socialist Realist canon 1949–50. The approach, partly informed by feminist critical theory and pluralist, rather than totalitarian, models of Stalinist power, also engages critically with marginalizing tendencies in some recent histories. It suggests the existence of a significant dis…

  • Parading Myths

    Open Access•Pat Simpson, Patricia Simpson•ARTICLE•The Russian Review•2004•Cited by: 3

  • On the Margins of Discourse? Visions of New Soviet Woman in Socialist Realistic Painting 1949–50

    Open Access•Pat Simpson, Patricia Simpson•ARTICLE•Art History•1998

    This paper questions the marginalization of representations of women implied by the emphasis on New Man as signifier of Soviet identity in critical revisions of the Socialist Realist canon 1949–50. The approach, partly informed by feminist critical theory and pluralist, rather than totalitarian, models of Stalinist power, also engages critically with marginalizing tendencies in some recent histories. It suggests the existence of a significant dis…

  • Parading Myths

    Open Access•Pat Simpson, Patricia Simpson•ARTICLE•The Russian Review•2004•Cited by: 3

  • Liberation and Containment

    Pat Simpson, Patricia Simpson•ARTICLE•The International Journal of the…•2011•References: 11

    In July 1944 cross-country races and parades of physical culturists were prominently used to celebrate Soviet liberation from German occupation. While journalistic accounts stressed the manly health and vigour of the victorious Red Army, press photographs in Pravda and Red Sport, and Aleksandr Deneika's monumental painting 'Liberation', emphasised images of the young female physical culturist. This essay explores what a contextualised analysis of…

  • A Cold War curiosity

    Open Access•Pat Simpson, Patricia Simpson•ARTICLE•Journal of the History of…•2018

    memorial museum at Down House in Kent acquired a collection of Soviet paintings, sculptures and photographic albums

  • Letters

    Open Access•P Golubev, Pat Simpson•ARTICLE•Slavic Review•2022

History (5 works) · Art history (3 works) · Law (3 works) · Painting (3 works) · Political science (3 works) · Art (2 works) · Eastern European Communism and Reforms (2 works) · Gender Studies (2 works) · Historical Gender and Feminism Studies (2 works) · Philosophy (2 works)

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