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Aaron Chando

Biographic Data

ID3596499
NAMEAaron Chando
GIVEN NAMESAaron
FAMILY NAMEChando
SIGNATURECHANDO A
AFFILIATIONSSol Plaatje University
ORCID0000-0002-1784-6382
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS1
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Queer love under duress: Narrative constraints, affective economies and ethical refusal in African literary imagination

    Open Access•Aaron Chando, Victor N Teise•ARTICLE•African Identities•2026

  • Between displacement and continuity: African indigenous knowledge systems in capitalist modernity

    Aaron Chando, Victor N Teise•ARTICLE•South African Journal of African…•2026

  • Moored Bodies, Travelling Spirits: Contested Mobilities in Siphiwe Gloria Ndlovu’s The Theory of Flight and Yvonne Vera’s Butterfly Burning

    Open Access•Aaron Chando•ARTICLE•Current Writing•2026

  • Reimagining ecological justice: Intersections of Unhu and African eco-feminism in Doris Lessing’s The Grass is Singing and Tsitsi Mapepa’s Ndima Ndima

    Aaron Chando, T Mangena•ARTICLE•Critical African Studies•2025•References: 4

  • Precarious discourses: Herstory and the politics of re-articulation in Panashe Chigumadzi’s These Bones Will Rise Again

    Aaron Chando•ARTICLE•African Identities•2025•References: 19

    Zimbabwe’s nationalist historiography is founded on an androcentric political imagination that excludes women from sites of nation-narration and knowledge production. This scenario has sparked a proliferation of women-authored and women-centred historical narratives (‘herstory’) that seek to displace male-centred history (‘(his)tory’) and reinscribe women into the nationalist narrative. Through a close reading of Panashe Chigumadzi’s autobiograph…

  • Of ghosts and haunting: Postcolonial urbanisms in Southern Africa

    Open Access•Aaron Chando•ARTICLE•Social Dynamics•2025•References: 2

  • From “Hungry Translations” to “Co-Journeying”: Radical Vulnerability in Christopher Mlalazi's Running with Mother and Novuyo Tshuma's House of Stone

    Aaron Chando•ARTICLE•Scrutiny2•2024•References: 12

  • Law, justice and decoloniality in Petina Gappah’s works: An Ubuntu perspective

    Open Access•Aaron Chando•ARTICLE•African Identities•2024•References: 22

    The emergence of law and literature as a transdiscipline has unravelled fascinating insights into the role of literary imagination in raising pertinent jurisprudential questions and envisioning alternative legal universes. The literary front can expand legal literacy, humanise the law, and offer perspectives that are otherwise overlooked in conventional jurisprudence. This article explores Petina Gappah’s representation of law and justice in The …

  • Stephen Chifunyise’s Medicine for Love and Other Plays: A review

    Aaron Chando•ARTICLE•South African Theatre Journal•2023

  • The Albinic Body and the Architecture of Resilience in Ben Hanson’s Takadini and Petina Gappah’s The Book of Memory

    Aaron Chando•ARTICLE•Scrutiny2•2021•Cited by: 1•References: 7

    Skin pigmentation has a bearing on identity construction and the politics of belonging in Zimbabwean literature. Persons with albinism are often subjected to social exclusion, rape, and ritual killing due to misconceptions about the aetiology of their condition. The albinic body—regarded by ableist society as either unpigmented or wrongly pigmented—inhabits a precarious liminal space between whiteness and blackness, normalcy and abnormality, and …

  • The Albinic Body and the Architecture of Resilience in Ben Hanson’s Takadini and Petina Gappah’s The Book of Memory

    Aaron Chando•ARTICLE•Scrutiny2•2021•Cited by: 1•References: 7

    Skin pigmentation has a bearing on identity construction and the politics of belonging in Zimbabwean literature. Persons with albinism are often subjected to social exclusion, rape, and ritual killing due to misconceptions about the aetiology of their condition. The albinic body—regarded by ableist society as either unpigmented or wrongly pigmented—inhabits a precarious liminal space between whiteness and blackness, normalcy and abnormality, and …

  • The Albinic Body and the Architecture of Resilience in Ben Hanson’s Takadini and Petina Gappah’s The Book of Memory

    Aaron Chando•ARTICLE•Scrutiny2•2021•Cited by: 1•References: 7

    Skin pigmentation has a bearing on identity construction and the politics of belonging in Zimbabwean literature. Persons with albinism are often subjected to social exclusion, rape, and ritual killing due to misconceptions about the aetiology of their condition. The albinic body—regarded by ableist society as either unpigmented or wrongly pigmented—inhabits a precarious liminal space between whiteness and blackness, normalcy and abnormality, and …

  • Stephen Chifunyise’s Medicine for Love and Other Plays: A review

    Aaron Chando•ARTICLE•South African Theatre Journal•2023

  • From “Hungry Translations” to “Co-Journeying”: Radical Vulnerability in Christopher Mlalazi's Running with Mother and Novuyo Tshuma's House of Stone

    Aaron Chando•ARTICLE•Scrutiny2•2024•References: 12

  • Law, justice and decoloniality in Petina Gappah’s works: An Ubuntu perspective

    Open Access•Aaron Chando•ARTICLE•African Identities•2024•References: 22

    The emergence of law and literature as a transdiscipline has unravelled fascinating insights into the role of literary imagination in raising pertinent jurisprudential questions and envisioning alternative legal universes. The literary front can expand legal literacy, humanise the law, and offer perspectives that are otherwise overlooked in conventional jurisprudence. This article explores Petina Gappah’s representation of law and justice in The …

  • Reimagining ecological justice: Intersections of Unhu and African eco-feminism in Doris Lessing’s The Grass is Singing and Tsitsi Mapepa’s Ndima Ndima

    Aaron Chando, T Mangena•ARTICLE•Critical African Studies•2025•References: 4

  • Precarious discourses: Herstory and the politics of re-articulation in Panashe Chigumadzi’s These Bones Will Rise Again

    Aaron Chando•ARTICLE•African Identities•2025•References: 19

    Zimbabwe’s nationalist historiography is founded on an androcentric political imagination that excludes women from sites of nation-narration and knowledge production. This scenario has sparked a proliferation of women-authored and women-centred historical narratives (‘herstory’) that seek to displace male-centred history (‘(his)tory’) and reinscribe women into the nationalist narrative. Through a close reading of Panashe Chigumadzi’s autobiograph…

  • Of ghosts and haunting: Postcolonial urbanisms in Southern Africa

    Open Access•Aaron Chando•ARTICLE•Social Dynamics•2025•References: 2

  • Queer love under duress: Narrative constraints, affective economies and ethical refusal in African literary imagination

    Open Access•Aaron Chando, Victor N Teise•ARTICLE•African Identities•2026

  • Between displacement and continuity: African indigenous knowledge systems in capitalist modernity

    Aaron Chando, Victor N Teise•ARTICLE•South African Journal of African…•2026

  • Moored Bodies, Travelling Spirits: Contested Mobilities in Siphiwe Gloria Ndlovu’s The Theory of Flight and Yvonne Vera’s Butterfly Burning

    Open Access•Aaron Chando•ARTICLE•Current Writing•2026

African studies and sociopolitical issues (4 works) · Postcolonial and Cultural Literary Studies (4 works) · African history and culture studies (3 works) · African Sexualities and LGBTQ+ Issues (3 works) · Art (3 works) · Sociology (3 works) · Colonialism (2 works) · History (2 works) · Indigenous (2 works) · Law (2 works)

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