Amber Day
Biographic Data
| ID | 3596803 |
|---|---|
| NAME | Amber Day |
| GIVEN NAMES | Amber |
| FAMILY NAME | Day |
| SIGNATURE | DAY A |
| AFFILIATIONS | Bryant University |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 21 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
Gender and Genre in Hannah Gadsby’s Nanette
This article argues that Hannah Gadsby’s 2018 Netflix stand-up special Nanette bundles a critique of the comedy industry and of gendered violence through genre transformations that expand the public sphere for survivor testimony. Though Gadsby was not the first to broach these topics in a public forum, she did so at a moment when audiences were primed to be newly receptive. While there was predictably some backlash from audience members who maint…
Mothers and Whores
This article examines two public controversies that arose in quick succession in 2018 around the routines of two female comics: Michelle Wolf’s monologue at the White House Correspondents’ Association dinner and Samantha Bee’s segment on the policy of separating children from their immigrant parents at the border, which contained a crude insult about Ivanka Trump. Both incidents attracted attention and commentary far beyond the reaches of the per…
Asking for It
Although the outpouring of discussion about sexual violence following the allegations against film producer Harvey Weinstein caught many by surprise, the topic has been brewing as a cultural battleground for decades, particularly in the world of comedy. Today there are more high-profile female performers than ever before, bringing new perspectives to mainstream audiences and a heightened interest in exposing rape culture. Concurrently, rape cultu…
Throwing our voices
Tipped off ahead of time about the Chevron company’s pending ad campaign designed to respond to consumer worries about the conduct of oil companies, the activist group The Yes Men produced its own copycat ads and fake press releases on Chevron’s behalf which spoke much more bluntly about the company’s misdeeds. Designed to be mistaken for the real, the dummy campaign was indeed picked up by the press, generating a series of reportage, retractions…
Live From New York, It's the Fake News! Saturday Night Live and the (Non)Politics of Parody
Though Saturday Night Live's “Weekend Update” has become one of the most iconic of fake news programs, it is remarkably unfocused on either satiric critique or parody of particular news conventions. Instead, the segment has been shaped by a series of hosts who made a name for themselves by developing distinctive comic personalities. In contrast to more politically invested contemporary programs, the genre of fake news on Saturday Night Live has b…
Mr. Stewart and Mr. Colbert Go to Washington
The political satirists Jon Stewart and Stephen Colbert are largely celebrated for their nightly television programs, which use humor to offer useful political information, provide important forums for deliberation and debate, and serve as sites for alternative interpretations of political reality. Yet, when the two satirists more directly intervene in the field of politics—which they increasingly do—they are often met by a chorus of criticism th…
Satire and Dissent
Uncensored
The Maria Chronicles (review)
Mr. Stewart and Mr. Colbert Go to Washington
The political satirists Jon Stewart and Stephen Colbert are largely celebrated for their nightly television programs, which use humor to offer useful political information, provide important forums for deliberation and debate, and serve as sites for alternative interpretations of political reality. Yet, when the two satirists more directly intervene in the field of politics—which they increasingly do—they are often met by a chorus of criticism th…
Live From New York, It's the Fake News! Saturday Night Live and the (Non)Politics of Parody
Though Saturday Night Live's “Weekend Update” has become one of the most iconic of fake news programs, it is remarkably unfocused on either satiric critique or parody of particular news conventions. Instead, the segment has been shaped by a series of hosts who made a name for themselves by developing distinctive comic personalities. In contrast to more politically invested contemporary programs, the genre of fake news on Saturday Night Live has b…
Asking for It
Although the outpouring of discussion about sexual violence following the allegations against film producer Harvey Weinstein caught many by surprise, the topic has been brewing as a cultural battleground for decades, particularly in the world of comedy. Today there are more high-profile female performers than ever before, bringing new perspectives to mainstream audiences and a heightened interest in exposing rape culture. Concurrently, rape cultu…
Gender and Genre in Hannah Gadsby’s Nanette
This article argues that Hannah Gadsby’s 2018 Netflix stand-up special Nanette bundles a critique of the comedy industry and of gendered violence through genre transformations that expand the public sphere for survivor testimony. Though Gadsby was not the first to broach these topics in a public forum, she did so at a moment when audiences were primed to be newly receptive. While there was predictably some backlash from audience members who maint…
Throwing our voices
Tipped off ahead of time about the Chevron company’s pending ad campaign designed to respond to consumer worries about the conduct of oil companies, the activist group The Yes Men produced its own copycat ads and fake press releases on Chevron’s behalf which spoke much more bluntly about the company’s misdeeds. Designed to be mistaken for the real, the dummy campaign was indeed picked up by the press, generating a series of reportage, retractions…
The Maria Chronicles (review)
The Maria Chronicles (review)
Uncensored
Satire and Dissent
Live From New York, It's the Fake News! Saturday Night Live and the (Non)Politics of Parody
Though Saturday Night Live's “Weekend Update” has become one of the most iconic of fake news programs, it is remarkably unfocused on either satiric critique or parody of particular news conventions. Instead, the segment has been shaped by a series of hosts who made a name for themselves by developing distinctive comic personalities. In contrast to more politically invested contemporary programs, the genre of fake news on Saturday Night Live has b…
Mr. Stewart and Mr. Colbert Go to Washington
The political satirists Jon Stewart and Stephen Colbert are largely celebrated for their nightly television programs, which use humor to offer useful political information, provide important forums for deliberation and debate, and serve as sites for alternative interpretations of political reality. Yet, when the two satirists more directly intervene in the field of politics—which they increasingly do—they are often met by a chorus of criticism th…
Throwing our voices
Tipped off ahead of time about the Chevron company’s pending ad campaign designed to respond to consumer worries about the conduct of oil companies, the activist group The Yes Men produced its own copycat ads and fake press releases on Chevron’s behalf which spoke much more bluntly about the company’s misdeeds. Designed to be mistaken for the real, the dummy campaign was indeed picked up by the press, generating a series of reportage, retractions…
Asking for It
Although the outpouring of discussion about sexual violence following the allegations against film producer Harvey Weinstein caught many by surprise, the topic has been brewing as a cultural battleground for decades, particularly in the world of comedy. Today there are more high-profile female performers than ever before, bringing new perspectives to mainstream audiences and a heightened interest in exposing rape culture. Concurrently, rape cultu…
Mothers and Whores
This article examines two public controversies that arose in quick succession in 2018 around the routines of two female comics: Michelle Wolf’s monologue at the White House Correspondents’ Association dinner and Samantha Bee’s segment on the policy of separating children from their immigrant parents at the border, which contained a crude insult about Ivanka Trump. Both incidents attracted attention and commentary far beyond the reaches of the per…
Gender and Genre in Hannah Gadsby’s Nanette
This article argues that Hannah Gadsby’s 2018 Netflix stand-up special Nanette bundles a critique of the comedy industry and of gendered violence through genre transformations that expand the public sphere for survivor testimony. Though Gadsby was not the first to broach these topics in a public forum, she did so at a moment when audiences were primed to be newly receptive. While there was predictably some backlash from audience members who maint…
Political science (8 works) · Art (7 works) · Law (7 works) · Media studies (6 works) · Politics (6 works) · Sociology (6 works) · Humor Studies and Applications (5 works) · Aesthetics (4 works) · History (4 works) · Law (4 works)