Kemi Adeyemi
Dados Biográficos
| ID | 3596838 |
|---|---|
| NOME | Kemi Adeyemi |
| PRENOMES | Kemi |
| SOBRENOME | Adeyemi |
| ASSINATURA | ADEYEMI K |
| AFILIAÇÕES | University of Washington |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAÇÕES | 22 |
| TOTAL COMO AUTOR | 8 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2017 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 3 |
Blackness and Lesbian Studies
This roundtable documents a conversation between four scholars who work at the intersection of Black, feminist, lesbian, and queer studies across a variety of methods. Their discussion focuses on the imagined, produced, and policed boundaries of lesbian studies as a field and “lesbian” as a category as each relates to the field of Black studies and the category of Blackness
Where Are the Studs
This essay begins by asking what Simone Leigh's work at the Venice Biennale can tell us about how Black feminism takes shape in the twenty-first century-namely, querying the extent to which the field has become organized around the Black femme. The essay takes up Evelynn Hammonds's hermeneutics of Black lesbian absence to chart the intellectual-economic systems through which this happens and to ask what a figure like the stud might offer Black fe…
The Night is Still Young
Sombrer droit
Dans cet article, il s’agit d’interroger la relation au travail de jeunes sans diplôme, étudiants d’un centre de formation professionnelle de Bologne, dans la région italienne de l’Émilie-Romagne. Dans une première partie, les auteurs présentent la situation des jeunes sur le marché du travail italien et leurs difficultés en revenant brièvement sur la progression des dispositifs normatifs qui favorisent le mélange entre formation et emploi comme …
Oliverio Rodriguez's The Last Seduction/La Seducción Fatal (2015–)
This review of Oliverio Rodriguez's ongoing series The Last Seduction/La Seducción Fatal examines how his images press against European and South American “masters” of painting through explicitly queer and kinky optics. As Rodriguez uses collage techniques to activate the obvious, he creates a suite that theorizes the queerer grounds on which alternate modes of imaging might reflect the broader, more nuanced and quotidian practices of inhabiting …
Beyond 90°
This essay argues for detailed attention to the materiality of black queer women's spatial coordinates, the literal points of contact with the surfaces we traverse, as sites where categories of race, gender, and sexuality are disciplined and negotiated. It does so through a brief history of how Man's 90° relationship to the ground, a verticality and perpendicularity that valorizes a physical comportment that is also the structuring condition for …
The Practice of Slowness
This essay understands slowness as an embodied method that black queer women mobilize to articulate their place within gentrifying neighborhoods oriented around speed and its by-product: white heteromasculinity. It follows the women as they participate in a queer dance party dedicated to slow jams, examining how they use slowness to theorize and take pleasure in the party as black queer women. As the party gets more popular, however, the music ge…
Donald Trump is the Perfect Man for the Job
Research Article| June 01 2017 Donald Trump is the Perfect Man for the Job Kemi Adeyemi Kemi Adeyemi Kemi Adeyemi is assistant professor of Gender, Women and Sexuality Studies at the University of Washington. Her work examines the visual, sonic, and embodied methods black queer women have for creating space for themselves in the contemporary American city. Her book manuscript, Making New Grounds: Black Queer Women’s Geographies of Neoliberalism, …
The Practice of Slowness
This essay understands slowness as an embodied method that black queer women mobilize to articulate their place within gentrifying neighborhoods oriented around speed and its by-product: white heteromasculinity. It follows the women as they participate in a queer dance party dedicated to slow jams, examining how they use slowness to theorize and take pleasure in the party as black queer women. As the party gets more popular, however, the music ge…
Beyond 90°
This essay argues for detailed attention to the materiality of black queer women's spatial coordinates, the literal points of contact with the surfaces we traverse, as sites where categories of race, gender, and sexuality are disciplined and negotiated. It does so through a brief history of how Man's 90° relationship to the ground, a verticality and perpendicularity that valorizes a physical comportment that is also the structuring condition for …
The Night is Still Young
Where Are the Studs
This essay begins by asking what Simone Leigh's work at the Venice Biennale can tell us about how Black feminism takes shape in the twenty-first century-namely, querying the extent to which the field has become organized around the Black femme. The essay takes up Evelynn Hammonds's hermeneutics of Black lesbian absence to chart the intellectual-economic systems through which this happens and to ask what a figure like the stud might offer Black fe…
Donald Trump is the Perfect Man for the Job
Research Article| June 01 2017 Donald Trump is the Perfect Man for the Job Kemi Adeyemi Kemi Adeyemi Kemi Adeyemi is assistant professor of Gender, Women and Sexuality Studies at the University of Washington. Her work examines the visual, sonic, and embodied methods black queer women have for creating space for themselves in the contemporary American city. Her book manuscript, Making New Grounds: Black Queer Women’s Geographies of Neoliberalism, …
Oliverio Rodriguez's The Last Seduction/La Seducción Fatal (2015–)
This review of Oliverio Rodriguez's ongoing series The Last Seduction/La Seducción Fatal examines how his images press against European and South American “masters” of painting through explicitly queer and kinky optics. As Rodriguez uses collage techniques to activate the obvious, he creates a suite that theorizes the queerer grounds on which alternate modes of imaging might reflect the broader, more nuanced and quotidian practices of inhabiting …
Beyond 90°
This essay argues for detailed attention to the materiality of black queer women's spatial coordinates, the literal points of contact with the surfaces we traverse, as sites where categories of race, gender, and sexuality are disciplined and negotiated. It does so through a brief history of how Man's 90° relationship to the ground, a verticality and perpendicularity that valorizes a physical comportment that is also the structuring condition for …
The Practice of Slowness
This essay understands slowness as an embodied method that black queer women mobilize to articulate their place within gentrifying neighborhoods oriented around speed and its by-product: white heteromasculinity. It follows the women as they participate in a queer dance party dedicated to slow jams, examining how they use slowness to theorize and take pleasure in the party as black queer women. As the party gets more popular, however, the music ge…
Sombrer droit
Dans cet article, il s’agit d’interroger la relation au travail de jeunes sans diplôme, étudiants d’un centre de formation professionnelle de Bologne, dans la région italienne de l’Émilie-Romagne. Dans une première partie, les auteurs présentent la situation des jeunes sur le marché du travail italien et leurs difficultés en revenant brièvement sur la progression des dispositifs normatifs qui favorisent le mélange entre formation et emploi comme …
The Night is Still Young
Blackness and Lesbian Studies
This roundtable documents a conversation between four scholars who work at the intersection of Black, feminist, lesbian, and queer studies across a variety of methods. Their discussion focuses on the imagined, produced, and policed boundaries of lesbian studies as a field and “lesbian” as a category as each relates to the field of Black studies and the category of Blackness
Where Are the Studs
This essay begins by asking what Simone Leigh's work at the Venice Biennale can tell us about how Black feminism takes shape in the twenty-first century-namely, querying the extent to which the field has become organized around the Black femme. The essay takes up Evelynn Hammonds's hermeneutics of Black lesbian absence to chart the intellectual-economic systems through which this happens and to ask what a figure like the stud might offer Black fe…
Sociology (7 obras) · Queer (6 obras) · Art (4 obras) · Gender Studies (4 obras) · Gender Studies (3 obras) · Law (3 obras) · Political science (3 obras) · Aesthetics (2 obras) · Art history (2 obras) · Ephemera (2 obras)