T Doherty
Biographic Data
| ID | 3597269 |
|---|---|
| NAME | T Doherty |
| GIVEN NAMES | T |
| FAMILY NAME | Doherty |
| SIGNATURE | DOHERTY T |
| AFFILIATIONS | Brandeis University |
| ORCID | 0000-0002-4183-5595 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1897 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Our neurodiverse minds at work’
Hollywood and Hitler, 1933-1939
The abundance of WWII-era documentaries and the huge cache of archival footage that has emerged since 1945 make it seem as if cinematic images of the Nazis were always as vivid and plentiful as they are today. Yet between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more distinct and ominous only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the …
J. Edgar
Journal Article J. Edgar Get access Individuals who wish to propose films for review in the Journal should communicate with Thomas Doherty, American Studies Department, Brandeis University, 415 South St., Waltham, MA 02454-9110; [email protected]. Edgar. Dir. by Clint Eastwood. Prod. by Brian Grozer, Clint Eastwood, Ron Lorenz, and Ron Howard. Warner Brothers Pictures, 2011. 137 mins. (http://jedgarmovie.warnerbros.com/dvd/#/home) James B. G…
The Rom-Com Genre and the Shopping Gene
The Rom-Com Genre and the Shopping Gene Thomas Doherty Thomas Doherty American Studies at Brandeis University, America Search for other works by this author on: Oxford Academic Google Scholar OAH Magazine of History, Volume 24, Issue 2, April 2010, Pages 25–28, https://doi.org/10.1093/maghis/24.2.25 Published: 01 April 2010
When the Levees Broke
The languid Delta rhythms of “Do You Know What It Means to Miss New Orleans” by Louis Armstrong and His Dixieland Seven ripple over a fluid montage of that city past and present, once flush, now flooded, merging newsreel clips of happier times with video of the waterlogged wreckage of what used to be a neighborhood, a home, a life. Surveyed from the air or at water level, the vista is an otherworldly, soaked-to-the-skin urban sprawl of flotsam an…
Film and History, Foxes and Hedgehogs
Journal Article Film and History, Foxes and Hedgehogs Get access Thomas Doherty Thomas Doherty Thomas Doherty is an assistant professor of American Studies at Brandeis University and author of Projections of War: Hollywood, American Culture, and World War II (Columbia University Press) and Pre-Code Hollywood (Columbia University Press). Search for other works by this author on: Oxford Academic Google Scholar OAH Magazine of History, Volume 16, Is…
Malcolm X
In a rare motion picture memory related in The Autobiography of Malcolm X, the author sits in a Michigan theater watching Gone with the Wind (1939). "When Butterfly McQueen went into her act," he recalls bitterly, "I felt like crawling under the rug" (32). For the young Malcolm Little, as for black Americans everywhere, the classical Hollywood screen was an inventory of negative stereotypes and a 35mm projection of white power. When the mature ma…
At the movies, at the university
Creating a National Cinema
Research Article| August 01 1984 Creating a National Cinema: The South Korean Experience Thomas Doherty Thomas Doherty Search for other works by this author on: This Site PubMed Google Scholar Far Eastern Survey (1955) 24 (8): 840–851. https://doi.org/10.2307/2644427 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite …
Some Notes on the Physique, Customs, and Superstitions of the Peasantry of Innishowen, Co. Donegal
The Rom-Com Genre and the Shopping Gene
The Rom-Com Genre and the Shopping Gene Thomas Doherty Thomas Doherty American Studies at Brandeis University, America Search for other works by this author on: Oxford Academic Google Scholar OAH Magazine of History, Volume 24, Issue 2, April 2010, Pages 25–28, https://doi.org/10.1093/maghis/24.2.25 Published: 01 April 2010
Film and History, Foxes and Hedgehogs
Journal Article Film and History, Foxes and Hedgehogs Get access Thomas Doherty Thomas Doherty Thomas Doherty is an assistant professor of American Studies at Brandeis University and author of Projections of War: Hollywood, American Culture, and World War II (Columbia University Press) and Pre-Code Hollywood (Columbia University Press). Search for other works by this author on: Oxford Academic Google Scholar OAH Magazine of History, Volume 16, Is…
Malcolm X
In a rare motion picture memory related in The Autobiography of Malcolm X, the author sits in a Michigan theater watching Gone with the Wind (1939). "When Butterfly McQueen went into her act," he recalls bitterly, "I felt like crawling under the rug" (32). For the young Malcolm Little, as for black Americans everywhere, the classical Hollywood screen was an inventory of negative stereotypes and a 35mm projection of white power. When the mature ma…
Some Notes on the Physique, Customs, and Superstitions of the Peasantry of Innishowen, Co. Donegal
Creating a National Cinema
Research Article| August 01 1984 Creating a National Cinema: The South Korean Experience Thomas Doherty Thomas Doherty Search for other works by this author on: This Site PubMed Google Scholar Far Eastern Survey (1955) 24 (8): 840–851. https://doi.org/10.2307/2644427 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite …
At the movies, at the university
Malcolm X
In a rare motion picture memory related in The Autobiography of Malcolm X, the author sits in a Michigan theater watching Gone with the Wind (1939). "When Butterfly McQueen went into her act," he recalls bitterly, "I felt like crawling under the rug" (32). For the young Malcolm Little, as for black Americans everywhere, the classical Hollywood screen was an inventory of negative stereotypes and a 35mm projection of white power. When the mature ma…
Film and History, Foxes and Hedgehogs
Journal Article Film and History, Foxes and Hedgehogs Get access Thomas Doherty Thomas Doherty Thomas Doherty is an assistant professor of American Studies at Brandeis University and author of Projections of War: Hollywood, American Culture, and World War II (Columbia University Press) and Pre-Code Hollywood (Columbia University Press). Search for other works by this author on: Oxford Academic Google Scholar OAH Magazine of History, Volume 16, Is…
When the Levees Broke
The languid Delta rhythms of “Do You Know What It Means to Miss New Orleans” by Louis Armstrong and His Dixieland Seven ripple over a fluid montage of that city past and present, once flush, now flooded, merging newsreel clips of happier times with video of the waterlogged wreckage of what used to be a neighborhood, a home, a life. Surveyed from the air or at water level, the vista is an otherworldly, soaked-to-the-skin urban sprawl of flotsam an…
The Rom-Com Genre and the Shopping Gene
The Rom-Com Genre and the Shopping Gene Thomas Doherty Thomas Doherty American Studies at Brandeis University, America Search for other works by this author on: Oxford Academic Google Scholar OAH Magazine of History, Volume 24, Issue 2, April 2010, Pages 25–28, https://doi.org/10.1093/maghis/24.2.25 Published: 01 April 2010
J. Edgar
Journal Article J. Edgar Get access Individuals who wish to propose films for review in the Journal should communicate with Thomas Doherty, American Studies Department, Brandeis University, 415 South St., Waltham, MA 02454-9110; [email protected]. Edgar. Dir. by Clint Eastwood. Prod. by Brian Grozer, Clint Eastwood, Ron Lorenz, and Ron Howard. Warner Brothers Pictures, 2011. 137 mins. (http://jedgarmovie.warnerbros.com/dvd/#/home) James B. G…
Hollywood and Hitler, 1933-1939
The abundance of WWII-era documentaries and the huge cache of archival footage that has emerged since 1945 make it seem as if cinematic images of the Nazis were always as vivid and plentiful as they are today. Yet between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more distinct and ominous only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the …
Our neurodiverse minds at work’
Art (7 works) · Art history (6 works) · History (5 works) · History (5 works) · Political science (5 works) · Law (4 works) · Archaeology (3 works) · Cinema and Media Studies (3 works) · Hollywood (3 works) · Media studies (3 works)