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Lidia Peralta García

Dados Biográficos

ID3597428
NOMELidia Peralta García
PRENOMESLidia Peralta
SOBRENOMEGarcía
ASSINATURAGARCÍA L P
AFILIAÇÕESUniversity of Castilla-La Mancha
ORCID0000-0003-2934-0108
VERIFICADOSim
TOTAL DE OBRAS21
TOTAL DE CITAÇÕES17
TOTAL COMO AUTOR21
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2015
ANO MAIS RECENTE DE PUBLICAÇÃO2025
ÍNDICE H3
  • La radio en España ante la Transición Ecosocial

    Open Access•Lidia Peralta García, Clara Sanz-Hernando•ARTICLE•Estudios sobre el Mensaje…•2025•Referências: 4

    Esta investigación propone un mapeo y categorización de la programación radiofónica española vinculada a la Transición Ecosocial (T.E.), entendida como un proceso que da cabida a iniciativas y proyectos de transición hacia sociedades más ecológicas, solidarias, justas, equitativas, inclusivas, diversas y feministas. El marco teórico propone una aproximación a los conceptos de Información-Diagnóstico (I.D.) e Información-Antídoto (I.A.). Esta últi…

  • The Role of Film Festivals in Promoting Social Justice

    Open Access•Lidia Peralta García, Lhoussain Simour•ARTICLE•Revista Lusófona de Estudos…•2024

    This paper revolves around Migration Film Festivals as a rich and interdisciplinary fertile subject of inquiry and analysis at an international scale. Its primary aim is to conduct an in-depth analysis of CineMigrante, Festival de Cine y Formación en Derechos Humanos (CineMigrante, Film Festival and Training in Human Rights), held in Buenos Aires (Argentina) since 2010. It serves as an invaluable case study for the understanding of the significan…

  • Towards the consolidation of the migration film festivals’ social functions

    Lidia Peralta García, Lhoussain Simour•ARTICLE•Crossings Journal of Migration…•2024•Referências: 3

    This article revolves around fourteen main migration film festivals (MFFs) worldwide, exploring them as an interdisciplinary fertile subject of inquiry and analysis, with a particular emphasis on their social functions. The specific objectives aim at understanding the principles, values, circumstances and dynamics that permeate these cultural events. We assume that MFFs can serve as genuine catalysts of critical reflection and social transformati…

  • La transición ecosocial en las cadenas generalistas de televisión en España

    Open Access•Lara Espinar Medina, Sara López-Gómez et al.•ARTICLE•Revista Mediterranea de…•2023

    La transición ecosocial es la transformación de las sociedades hacia modos de vida armónicos con la naturaleza, especialmente en el contexto actual de crisis ecosistémica. Resultan fundamentales en este proceso las dinámicas y rutinas mediáticas relacionadas con la configuración de la agenda setting, avaladas por las teorías del framing y el priming, pudiendo los medios convertirse en un referente inspirador para la sociedad, o por el contrario a…

  • Buenas prácticas en la radio comunitaria. Estudio de caso a través de la aplicación del indicador IRSCOM en Colombia

    Open Access•Lara Espinar Medina, Lara Espinar et al.•ARTICLE•Revista de Comunicacion•2023

    Este trabajo presenta un compendio de buenas prácticas detectadas a partir de la aplicación del Indicador de Rentabilidad Social en Comunicación IRSCOM[1] a una muestra de 12 emisoras comunitarias y de interés público indígena en Colombia durante el año 2022. El IRSCOM-RADCC (Radio Comunitaria Colombia) es una metodología testada que se concreta en 33 indicadores y está diseñada para recoger información cuantitativa y cualitativa sobre el funcion…

  • Rural film festivals

    Open Access•Lidia Peralta García, Raquel Gómez-Rosado et al.•ARTICLE•Communication & Society•2023•Referências: 6

    This investigation is centred on film festivals within Spain that take the rural world as their reference. A panoramic approach to an emerging trend is presented in the study. The concept of the “social function” is of central importance to the analytical perspective that is adopted, to understand what added value these sorts of festivals specializing in rural topics can contribute, especially in relation to the current challenges of rural depopu…

  • Adaptation of the Irscom social profitability indicator to the context of community radio in Colombia

    Open Access•Lidia Peralta García, Lara Espinar Medina et al.•ARTICLE•El Profesional de la Informacion•2023•Referências: 6

    The main objective of this research action is to highlight the process of adaptation, validation, and administration of the Indicator of social profitability in communication (Irscom, Indicador de rentabilidad social en comunicación) for the community and indigenous radio sector of Colombia, a country with over 700 community radio stations nationwide, and the first in Latin America/Abya Yala to legalize them. The Irscom, a registered trademark, w…

  • Films in transition

    Lidia Peralta García•ARTICLE•The Journal of North African…•2023•Referências: 19

    This article focusses on Moroccan films that thematize the socially repressive period of authoritarian regime known as the ‘Years of Lead’. The general objective is to determine their rhetorical embodiment as it pertains to the apparatus of state violence and to identify activist possibilities that resonate with the artistic form of cinema. The 18 surveyed films have been chosen from a total census of 367 recorded in the official Moroccan Cinemat…

  • Las Emisoras Municipales de Castilla-La Mancha

    Open Access•Lidia Peralta García, Clara Sanz-Hernando et al.•ARTICLE•Revista ICONO14•2022

    Este artículo pone su foco de atención en las Emisoras Municipales (EMs), y en concreto en el estudio de caso de Castilla-La Mancha. El objetivo es evaluar el impacto que las herramientas digitales han generado en su entorno comunicativo. Concebidas para ofrecer un servicio público de proximidad, se exploran los obstáculos que se encuentran para usar los medios disponibles. Se aplica una metodología mixta, cuantitativa —explotación de base de dat…

  • Estado crítico de las emisoras municipales en Castilla-La Mancha

    Open Access•Lidia Peralta García, Clara Sanz-Hernando et al.•ARTICLE•Estudios sobre el Mensaje…•2022•Citada por: 4

    Este trabajo aplica el Indicador de Rentabilidad Social en Comunicación (IRSCOM) a las emisoras municipales de Castilla-La Mancha, con el fin de medir el estado de salud de su funcionamiento interno. Se estudian 33 variables relacionadas con la gestión, el capital social, la articulación territorial, la programación, el entorno comunicativo y las infraestructuras. El indicador se aplica a las 40 emisoras operativas de la comunidad autónoma a trav…

  • Indicadores de Transición Ecosocial desde una perspectiva ecofeminista. Castilla-La Mancha como estudio de caso

    Open Access•Lidia Peralta García, Manuel Chaparro Escudero et al.•ARTICLE•Investigaciones Feministas•2021

    Introducción. Las transiciones ecosociales, es decir aquellas que plantean modelos relacionales y de consumo circulares, solidarios, ecológicos, equitativos, feministas y en armonía con la naturaleza, entre otros atributos, son un sector en auge. Objetivos. Este estudio propone, desde la perspectiva del ecofeminismo, medir el funcionamiento interno de 55 proyectos de transición eco-social en la provincia de Castilla-La Mancha. Metodología. Para e…

  • Towards a responsible communication strategy in the eco-social transition sector

    Open Access•Lidia Peralta García, Manuel Chaparro Escudero et al.•ARTICLE•Communication & Society•2021•Referências: 7

    The current transitions towards fair and sustainable models of social and economic relations represents a vital process for the maintenance of the ecosystems and the ways of inhabiting them. This paper is an empirical and epistemological study whose aim is to consider how to develop a responsible communication strategy with the eco-transitions sector. We take a specific region of Spain, Castilla-La Mancha, as a field of experimentation and case s…

  • Reality on the Ground

    Tania Ouariachi, Lidia Peralta García•ARTICLE•Journalism Practice•2021•Citada por: 1•Referências: 24

    While most research on the Syrian revolution has been focussing on content analysis about how Western mainstream media cover and frame the conflict, this paper aims at exploring journalistic practices by Syrian journalists. We look at three concrete aspects: the socio-labor profile of the practitioners and their circumstances, the dynamics of journalistic practices when covering the war and the perception of “objectivity” when doing so. A mixed m…

  • Syrian journalists covering the war

    Open Access•Lidia Peralta García, Tania Ouariachi•ARTICLE•Media War & Conflict•2021•Citada por: 5•Referências: 15

    This article analyses the dangers and threats faced by Syrian journalists covering the conflict since the pro-democracy protests erupted in March 2011. While most Western research on the Syrian Revolution has focused on the working difficulties faced by correspondents, parachutists or foreign freelancers, this article scrutinizes the working conditions for Syrian content providers. Syrian journalists’ testimonials of fear and their perception of …

  • Latent and manifest filmic narration

    Lidia Peralta García•ARTICLE•Rethinking History•2021•Citada por: 1•Referências: 2

    Since the early 2000s, Moroccan cinema has reflected on the period of intense political repression during the rule of King Hassan II, known as the Years of Lead. Running from the 1960s through the 1980s, this period of contemporary Moroccan history was characterised by huge violations of human rights against democracy activists. One of the key features of Hassan II’s repressive policy was a network of secret prisons. In this article, I explore ho…

  • Migrations in Moroccan cinema (1958-2015)

    Lidia Peralta García•ARTICLE•The Journal of North African…•2020•Citada por: 1•Referências: 42

    Morocco is a country with one of the highest migration rates in the world. With 29% of Moroccan films dealing with migration as the main topic, the objectives of this paper are to establish the most recurrent migratory thematic lines and to determine how migratory topics have evolved from 1958 - the year in which the first postcolonial film was produced- to 2015. A sample of 96 migratory films included in the Moroccan Cinematographic Center ́s ca…

  • Risky and Unauthorized Migrations

    Lidia Peralta García•ARTICLE•Journal of Intercultural Studies•2020•Citada por: 1•Referências: 15

    This study explores certain features of cinema on Moroccan migration, focusing on the case study of risky and unauthorized migrations. The main objective is to determine the most recurrent narrative, aesthetic, contextual and cultural parameters when dealing with this sociological phenomenon in a sample of 17 films about migration included in the Moroccan Cinematographic Centre’s catalogue. The methodology, including both quantitative and qualita…

  • Moralistic versus compassionate portrayals of prostitution in Moroccan cinema

    Open Access•Mériam Cheikh, M K El Cheikh et al.•ARTICLE•Revista Mediterranea de…•2019

    En los medios de comunicación marroquíes, la figura de la prostituta ha pasado a ser un icono cultural. Este artículo analiza desde una perspectiva comparada dos formas diferentes de representación en dos películas marroquíes: Casablanca by Night (Mostafa Darkaoui, 2003) y Much Loved (Nabyl Ayouch, 2016). En el primer caso la figura de la prostituta se corresponde con la idea hegemónica y moral que el gran público tiene sobre la prostitución en M…

  • Fact checking

    Open Access•María José Ufarte Ruíz, Lidia Peralta García et al.•ARTICLE•El Profesional de la Informacion•2018•Citada por: 3•Referências: 14

    The present article analyses similarity and differences between academic and professional speech about “fact checking”, understanding it from a double perspective, both, like a competence that current journalists have to acquire, and a work field that offers new opportunities. The research is based on a bibliographical review about the fact checkers’ profiles. It also collects the opinion of seven university professors by means of a structured in…

  • Documentaries, industry and social engagement. Sub-Saharan immigration as a case study

    Open Access•Lidia Peralta García•ARTICLE•Anàlisi•2015

    Anàlisi is a science journal published by the Journalism and Communication Sciences Department of the Autonomous University of Barcelona (UAB). The journal has been published by the UAB Journalism Department since 1980. Anàlisi publishes science articles in the fields of the communication sciences: journalism, advertising and public relations, audiovisual communication, internet, multimedia and similar areas, always from the social and cultural v…

  • Moroccan cinema uncut

    Lidia Peralta García•Citada por: 1

    Moroccan cinema uncut: decentred voices, transnational perspectives." The Journal of North African Studies, 26(6), pp. 1256–1257

  • Syrian journalists covering the war

    Open Access•Lidia Peralta García, Tania Ouariachi•ARTICLE•Media War & Conflict•2021•Citada por: 5•Referências: 15

    This article analyses the dangers and threats faced by Syrian journalists covering the conflict since the pro-democracy protests erupted in March 2011. While most Western research on the Syrian Revolution has focused on the working difficulties faced by correspondents, parachutists or foreign freelancers, this article scrutinizes the working conditions for Syrian content providers. Syrian journalists’ testimonials of fear and their perception of …

  • Estado crítico de las emisoras municipales en Castilla-La Mancha

    Open Access•Lidia Peralta García, Clara Sanz-Hernando et al.•ARTICLE•Estudios sobre el Mensaje…•2022•Citada por: 4

    Este trabajo aplica el Indicador de Rentabilidad Social en Comunicación (IRSCOM) a las emisoras municipales de Castilla-La Mancha, con el fin de medir el estado de salud de su funcionamiento interno. Se estudian 33 variables relacionadas con la gestión, el capital social, la articulación territorial, la programación, el entorno comunicativo y las infraestructuras. El indicador se aplica a las 40 emisoras operativas de la comunidad autónoma a trav…

  • Fact checking

    Open Access•María José Ufarte Ruíz, Lidia Peralta García et al.•ARTICLE•El Profesional de la Informacion•2018•Citada por: 3•Referências: 14

    The present article analyses similarity and differences between academic and professional speech about “fact checking”, understanding it from a double perspective, both, like a competence that current journalists have to acquire, and a work field that offers new opportunities. The research is based on a bibliographical review about the fact checkers’ profiles. It also collects the opinion of seven university professors by means of a structured in…

  • Moroccan cinema uncut

    Lidia Peralta García•Citada por: 1

    Moroccan cinema uncut: decentred voices, transnational perspectives." The Journal of North African Studies, 26(6), pp. 1256–1257

  • Reality on the Ground

    Tania Ouariachi, Lidia Peralta García•ARTICLE•Journalism Practice•2021•Citada por: 1•Referências: 24

    While most research on the Syrian revolution has been focussing on content analysis about how Western mainstream media cover and frame the conflict, this paper aims at exploring journalistic practices by Syrian journalists. We look at three concrete aspects: the socio-labor profile of the practitioners and their circumstances, the dynamics of journalistic practices when covering the war and the perception of “objectivity” when doing so. A mixed m…

  • Latent and manifest filmic narration

    Lidia Peralta García•ARTICLE•Rethinking History•2021•Citada por: 1•Referências: 2

    Since the early 2000s, Moroccan cinema has reflected on the period of intense political repression during the rule of King Hassan II, known as the Years of Lead. Running from the 1960s through the 1980s, this period of contemporary Moroccan history was characterised by huge violations of human rights against democracy activists. One of the key features of Hassan II’s repressive policy was a network of secret prisons. In this article, I explore ho…

  • Migrations in Moroccan cinema (1958-2015)

    Lidia Peralta García•ARTICLE•The Journal of North African…•2020•Citada por: 1•Referências: 42

    Morocco is a country with one of the highest migration rates in the world. With 29% of Moroccan films dealing with migration as the main topic, the objectives of this paper are to establish the most recurrent migratory thematic lines and to determine how migratory topics have evolved from 1958 - the year in which the first postcolonial film was produced- to 2015. A sample of 96 migratory films included in the Moroccan Cinematographic Center ́s ca…

  • Risky and Unauthorized Migrations

    Lidia Peralta García•ARTICLE•Journal of Intercultural Studies•2020•Citada por: 1•Referências: 15

    This study explores certain features of cinema on Moroccan migration, focusing on the case study of risky and unauthorized migrations. The main objective is to determine the most recurrent narrative, aesthetic, contextual and cultural parameters when dealing with this sociological phenomenon in a sample of 17 films about migration included in the Moroccan Cinematographic Centre’s catalogue. The methodology, including both quantitative and qualita…

  • Documentaries, industry and social engagement. Sub-Saharan immigration as a case study

    Open Access•Lidia Peralta García•ARTICLE•Anàlisi•2015

    Anàlisi is a science journal published by the Journalism and Communication Sciences Department of the Autonomous University of Barcelona (UAB). The journal has been published by the UAB Journalism Department since 1980. Anàlisi publishes science articles in the fields of the communication sciences: journalism, advertising and public relations, audiovisual communication, internet, multimedia and similar areas, always from the social and cultural v…

  • Fact checking

    Open Access•María José Ufarte Ruíz, Lidia Peralta García et al.•ARTICLE•El Profesional de la Informacion•2018•Citada por: 3•Referências: 14

    The present article analyses similarity and differences between academic and professional speech about “fact checking”, understanding it from a double perspective, both, like a competence that current journalists have to acquire, and a work field that offers new opportunities. The research is based on a bibliographical review about the fact checkers’ profiles. It also collects the opinion of seven university professors by means of a structured in…

  • Moralistic versus compassionate portrayals of prostitution in Moroccan cinema

    Open Access•Mériam Cheikh, M K El Cheikh et al.•ARTICLE•Revista Mediterranea de…•2019

    En los medios de comunicación marroquíes, la figura de la prostituta ha pasado a ser un icono cultural. Este artículo analiza desde una perspectiva comparada dos formas diferentes de representación en dos películas marroquíes: Casablanca by Night (Mostafa Darkaoui, 2003) y Much Loved (Nabyl Ayouch, 2016). En el primer caso la figura de la prostituta se corresponde con la idea hegemónica y moral que el gran público tiene sobre la prostitución en M…

  • Migrations in Moroccan cinema (1958-2015)

    Lidia Peralta García•ARTICLE•The Journal of North African…•2020•Citada por: 1•Referências: 42

    Morocco is a country with one of the highest migration rates in the world. With 29% of Moroccan films dealing with migration as the main topic, the objectives of this paper are to establish the most recurrent migratory thematic lines and to determine how migratory topics have evolved from 1958 - the year in which the first postcolonial film was produced- to 2015. A sample of 96 migratory films included in the Moroccan Cinematographic Center ́s ca…

  • Risky and Unauthorized Migrations

    Lidia Peralta García•ARTICLE•Journal of Intercultural Studies•2020•Citada por: 1•Referências: 15

    This study explores certain features of cinema on Moroccan migration, focusing on the case study of risky and unauthorized migrations. The main objective is to determine the most recurrent narrative, aesthetic, contextual and cultural parameters when dealing with this sociological phenomenon in a sample of 17 films about migration included in the Moroccan Cinematographic Centre’s catalogue. The methodology, including both quantitative and qualita…

  • Indicadores de Transición Ecosocial desde una perspectiva ecofeminista. Castilla-La Mancha como estudio de caso

    Open Access•Lidia Peralta García, Manuel Chaparro Escudero et al.•ARTICLE•Investigaciones Feministas•2021

    Introducción. Las transiciones ecosociales, es decir aquellas que plantean modelos relacionales y de consumo circulares, solidarios, ecológicos, equitativos, feministas y en armonía con la naturaleza, entre otros atributos, son un sector en auge. Objetivos. Este estudio propone, desde la perspectiva del ecofeminismo, medir el funcionamiento interno de 55 proyectos de transición eco-social en la provincia de Castilla-La Mancha. Metodología. Para e…

  • Towards a responsible communication strategy in the eco-social transition sector

    Open Access•Lidia Peralta García, Manuel Chaparro Escudero et al.•ARTICLE•Communication & Society•2021•Referências: 7

    The current transitions towards fair and sustainable models of social and economic relations represents a vital process for the maintenance of the ecosystems and the ways of inhabiting them. This paper is an empirical and epistemological study whose aim is to consider how to develop a responsible communication strategy with the eco-transitions sector. We take a specific region of Spain, Castilla-La Mancha, as a field of experimentation and case s…

  • Reality on the Ground

    Tania Ouariachi, Lidia Peralta García•ARTICLE•Journalism Practice•2021•Citada por: 1•Referências: 24

    While most research on the Syrian revolution has been focussing on content analysis about how Western mainstream media cover and frame the conflict, this paper aims at exploring journalistic practices by Syrian journalists. We look at three concrete aspects: the socio-labor profile of the practitioners and their circumstances, the dynamics of journalistic practices when covering the war and the perception of “objectivity” when doing so. A mixed m…

  • Syrian journalists covering the war

    Open Access•Lidia Peralta García, Tania Ouariachi•ARTICLE•Media War & Conflict•2021•Citada por: 5•Referências: 15

    This article analyses the dangers and threats faced by Syrian journalists covering the conflict since the pro-democracy protests erupted in March 2011. While most Western research on the Syrian Revolution has focused on the working difficulties faced by correspondents, parachutists or foreign freelancers, this article scrutinizes the working conditions for Syrian content providers. Syrian journalists’ testimonials of fear and their perception of …

  • Latent and manifest filmic narration

    Lidia Peralta García•ARTICLE•Rethinking History•2021•Citada por: 1•Referências: 2

    Since the early 2000s, Moroccan cinema has reflected on the period of intense political repression during the rule of King Hassan II, known as the Years of Lead. Running from the 1960s through the 1980s, this period of contemporary Moroccan history was characterised by huge violations of human rights against democracy activists. One of the key features of Hassan II’s repressive policy was a network of secret prisons. In this article, I explore ho…

  • Las Emisoras Municipales de Castilla-La Mancha

    Open Access•Lidia Peralta García, Clara Sanz-Hernando et al.•ARTICLE•Revista ICONO14•2022

    Este artículo pone su foco de atención en las Emisoras Municipales (EMs), y en concreto en el estudio de caso de Castilla-La Mancha. El objetivo es evaluar el impacto que las herramientas digitales han generado en su entorno comunicativo. Concebidas para ofrecer un servicio público de proximidad, se exploran los obstáculos que se encuentran para usar los medios disponibles. Se aplica una metodología mixta, cuantitativa —explotación de base de dat…

  • Estado crítico de las emisoras municipales en Castilla-La Mancha

    Open Access•Lidia Peralta García, Clara Sanz-Hernando et al.•ARTICLE•Estudios sobre el Mensaje…•2022•Citada por: 4

    Este trabajo aplica el Indicador de Rentabilidad Social en Comunicación (IRSCOM) a las emisoras municipales de Castilla-La Mancha, con el fin de medir el estado de salud de su funcionamiento interno. Se estudian 33 variables relacionadas con la gestión, el capital social, la articulación territorial, la programación, el entorno comunicativo y las infraestructuras. El indicador se aplica a las 40 emisoras operativas de la comunidad autónoma a trav…

  • La transición ecosocial en las cadenas generalistas de televisión en España

    Open Access•Lara Espinar Medina, Sara López-Gómez et al.•ARTICLE•Revista Mediterranea de…•2023

    La transición ecosocial es la transformación de las sociedades hacia modos de vida armónicos con la naturaleza, especialmente en el contexto actual de crisis ecosistémica. Resultan fundamentales en este proceso las dinámicas y rutinas mediáticas relacionadas con la configuración de la agenda setting, avaladas por las teorías del framing y el priming, pudiendo los medios convertirse en un referente inspirador para la sociedad, o por el contrario a…

  • Buenas prácticas en la radio comunitaria. Estudio de caso a través de la aplicación del indicador IRSCOM en Colombia

    Open Access•Lara Espinar Medina, Lara Espinar et al.•ARTICLE•Revista de Comunicacion•2023

    Este trabajo presenta un compendio de buenas prácticas detectadas a partir de la aplicación del Indicador de Rentabilidad Social en Comunicación IRSCOM[1] a una muestra de 12 emisoras comunitarias y de interés público indígena en Colombia durante el año 2022. El IRSCOM-RADCC (Radio Comunitaria Colombia) es una metodología testada que se concreta en 33 indicadores y está diseñada para recoger información cuantitativa y cualitativa sobre el funcion…

  • Rural film festivals

    Open Access•Lidia Peralta García, Raquel Gómez-Rosado et al.•ARTICLE•Communication & Society•2023•Referências: 6

    This investigation is centred on film festivals within Spain that take the rural world as their reference. A panoramic approach to an emerging trend is presented in the study. The concept of the “social function” is of central importance to the analytical perspective that is adopted, to understand what added value these sorts of festivals specializing in rural topics can contribute, especially in relation to the current challenges of rural depopu…

  • Adaptation of the Irscom social profitability indicator to the context of community radio in Colombia

    Open Access•Lidia Peralta García, Lara Espinar Medina et al.•ARTICLE•El Profesional de la Informacion•2023•Referências: 6

    The main objective of this research action is to highlight the process of adaptation, validation, and administration of the Indicator of social profitability in communication (Irscom, Indicador de rentabilidad social en comunicación) for the community and indigenous radio sector of Colombia, a country with over 700 community radio stations nationwide, and the first in Latin America/Abya Yala to legalize them. The Irscom, a registered trademark, w…

  • Films in transition

    Lidia Peralta García•ARTICLE•The Journal of North African…•2023•Referências: 19

    This article focusses on Moroccan films that thematize the socially repressive period of authoritarian regime known as the ‘Years of Lead’. The general objective is to determine their rhetorical embodiment as it pertains to the apparatus of state violence and to identify activist possibilities that resonate with the artistic form of cinema. The 18 surveyed films have been chosen from a total census of 367 recorded in the official Moroccan Cinemat…

  • The Role of Film Festivals in Promoting Social Justice

    Open Access•Lidia Peralta García, Lhoussain Simour•ARTICLE•Revista Lusófona de Estudos…•2024

    This paper revolves around Migration Film Festivals as a rich and interdisciplinary fertile subject of inquiry and analysis at an international scale. Its primary aim is to conduct an in-depth analysis of CineMigrante, Festival de Cine y Formación en Derechos Humanos (CineMigrante, Film Festival and Training in Human Rights), held in Buenos Aires (Argentina) since 2010. It serves as an invaluable case study for the understanding of the significan…

  • Towards the consolidation of the migration film festivals’ social functions

    Lidia Peralta García, Lhoussain Simour•ARTICLE•Crossings Journal of Migration…•2024•Referências: 3

    This article revolves around fourteen main migration film festivals (MFFs) worldwide, exploring them as an interdisciplinary fertile subject of inquiry and analysis, with a particular emphasis on their social functions. The specific objectives aim at understanding the principles, values, circumstances and dynamics that permeate these cultural events. We assume that MFFs can serve as genuine catalysts of critical reflection and social transformati…

  • Moroccan cinema uncut

    Lidia Peralta García•Citada por: 1

    Moroccan cinema uncut: decentred voices, transnational perspectives." The Journal of North African Studies, 26(6), pp. 1256–1257

  • La radio en España ante la Transición Ecosocial

    Open Access•Lidia Peralta García, Clara Sanz-Hernando•ARTICLE•Estudios sobre el Mensaje…•2025•Referências: 4

    Esta investigación propone un mapeo y categorización de la programación radiofónica española vinculada a la Transición Ecosocial (T.E.), entendida como un proceso que da cabida a iniciativas y proyectos de transición hacia sociedades más ecológicas, solidarias, justas, equitativas, inclusivas, diversas y feministas. El marco teórico propone una aproximación a los conceptos de Información-Diagnóstico (I.D.) e Información-Antídoto (I.A.). Esta últi…

Political science (17 obras) · Sociology (13 obras) · Art (12 obras) · Media studies (8 obras) · Humanities (7 obras) · Law (6 obras) · Law (6 obras) · Narrative (6 obras) · Public relations (6 obras) · Geography (5 obras)

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