Olivia Horsfall Turner
Biographic Data
| ID | 3597669 |
|---|---|
| NAME | Olivia Horsfall Turner |
| GIVEN NAMES | Olivia Horsfall |
| FAMILY NAME | Turner |
| SIGNATURE | TURNER O H |
| AFFILIATIONS | Newcastle University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Creative reflections on embodied filmmaking
This artist's reflection further explores the imagined and sensorial encounters of the body in medicine through a creative practice-led feminist, embodied, and intersubjective approach to filmmaking. It uses "corporeal parenthesis" as form and content to destabilize conventional readings associated with medicalization. The sensations we feel on the inside of the body shape our imagined anatomical understanding. This extension of proprioception is…
Mapping Space, Mapping Time
This paper provides a new interpretation of the date, form, meanings and theological sources of the former painted cycle on the vaults of Salisbury Cathedral. As the cycle is now known predominantly from antiquarian evidence, we begin with a discussion of the nature and significance of that evidence, namely the series of sketches, drawings and notes produced by Jacob Schnebbelie in the late eighteenth century before the whitewashing of the mediev…
No prominent works on this page.
Mapping Space, Mapping Time
This paper provides a new interpretation of the date, form, meanings and theological sources of the former painted cycle on the vaults of Salisbury Cathedral. As the cycle is now known predominantly from antiquarian evidence, we begin with a discussion of the nature and significance of that evidence, namely the series of sketches, drawings and notes produced by Jacob Schnebbelie in the late eighteenth century before the whitewashing of the mediev…
Creative reflections on embodied filmmaking
This artist's reflection further explores the imagined and sensorial encounters of the body in medicine through a creative practice-led feminist, embodied, and intersubjective approach to filmmaking. It uses "corporeal parenthesis" as form and content to destabilize conventional readings associated with medicalization. The sensations we feel on the inside of the body shape our imagined anatomical understanding. This extension of proprioception is…
Aesthetics (2 works) · Art (2 works) · Visual arts (2 works) · Allegory (1 works) · Art history (1 works) · Cinema and Media Studies (1 works) · Communication (1 works) · Communication (1 works) · Digital Games and Media (1 works) · Embodied cognition (1 works)