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Roddy Hawkins

Biographic Data

ID3597683
NAMERoddy Hawkins
GIVEN NAMESRoddy
FAMILY NAMEHawkins
SIGNATUREHAWKINS R
AFFILIATIONSUniversity of Manchester
ORCID0000-0003-3021-1880
VERIFIEDYes
TOTAL WORKS2
TOTAL CITATIONS0
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2020
H-INDEX0
  • Brian Ferneyhough’s ‘Transit’, The London Sinfonietta, and the Emergence of Complexity in 1977

    Open Access•Roddy Hawkins•ARTICLE•Music and Letters•2020

    In November 1977 the London Sinfonietta began its tenth-anniversary season with a performance in London of Transit by Brian Ferneyhough. The concert marks a significant moment in the formation of Ferneyhough’s public persona, just as the tenth-anniversary season marked a turning point for the London Sinfonietta. In this article I undertake a microhistory of this performance in order to ascertain how Ferneyhough’s reputation for complexity was for…

  • Music, complexity, and embodiment in performance: A conversation with accordionist Andreas Borregaard

    Andreas Borregaard, Jonna K Vuoskoski et al.•ARTICLE•The Senses and Society•2018•References: 6

    As part of the Copenhagen workshop of the Evaluating Methods of Aesthetic Inquiry Network, which took place from the 6th to 8th of April 2017, the organisers invited accordionist Andreas Borregaard to give a performance of two contemporary pieces for the accordion: De Profundis by Sofia Gubaidulina, and Sequenza XIII (chanson) by Luciano Berio. The performance was followed by a discussion on musical complexity and embodiment, chaired by Jonna Vuo…

No prominent works on this page.

  • Music, complexity, and embodiment in performance: A conversation with accordionist Andreas Borregaard

    Andreas Borregaard, Jonna K Vuoskoski et al.•ARTICLE•The Senses and Society•2018•References: 6

    As part of the Copenhagen workshop of the Evaluating Methods of Aesthetic Inquiry Network, which took place from the 6th to 8th of April 2017, the organisers invited accordionist Andreas Borregaard to give a performance of two contemporary pieces for the accordion: De Profundis by Sofia Gubaidulina, and Sequenza XIII (chanson) by Luciano Berio. The performance was followed by a discussion on musical complexity and embodiment, chaired by Jonna Vuo…

  • Brian Ferneyhough’s ‘Transit’, The London Sinfonietta, and the Emergence of Complexity in 1977

    Open Access•Roddy Hawkins•ARTICLE•Music and Letters•2020

    In November 1977 the London Sinfonietta began its tenth-anniversary season with a performance in London of Transit by Brian Ferneyhough. The concert marks a significant moment in the formation of Ferneyhough’s public persona, just as the tenth-anniversary season marked a turning point for the London Sinfonietta. In this article I undertake a microhistory of this performance in order to ascertain how Ferneyhough’s reputation for complexity was for…

Art (2 works) · Sociology (2 works) · Accordion (1 works) · Aesthetics (1 works) · Archaeology (1 works) · Art history (1 works) · Communication (1 works) · Communication (1 works) · Computer Science (1 works) · Conversation (1 works)

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