Richard Halpern
Biographic Data
| ID | 3597731 |
|---|---|
| NAME | Richard Halpern |
| GIVEN NAMES | Richard |
| FAMILY NAME | Halpern |
| SIGNATURE | HALPERN R |
| AFFILIATIONS | New York University |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 22 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
Leibnizing: A Philosopher in Motion
William Shakespeare's King Lear by William Shakespeare
Reviewed by: William Shakespeare’s King Lear by William Shakespeare Patrick Maley and Richard Halpern WILLIAM SHAKESPEARE’S KING LEAR. By William Shakespeare. Directed by Sam Gold. The Cort Theatre, New York City. May 11, 2019. The term “gender-blind casting” is always something of a misnomer, and never more so than in Sam Gold’s King Lear. There was nothing “blind” about it; Glenda Jackson’s gender was precisely the point-a banked-on novelty if …
Collateral Damage and Tragic Form
The Classical Inheritance
The question of Shakespeare’s relation to the Greek and Roman playwrights has, historically, possessed a kind of amplitude that his relation to other kinds of tradition has not. While recent scholarship challenges the old claim that Shakespeare had no direct access to Greek drama, Seneca’s status as his chief classical influence remains unchallenged. Moreover, Seneca’s plays self-consciously broadcast their embeddedness in tradition in a way that…
Theater and Democratic Thought: Arendt to Rancière
The King's Two Buckets: Kantorowicz, Richard II, and Fiscal Trauerspiel
The King's Two Bodies critiques Carl Schmitt's version of political theology by way of form as well as content. Shakespeare's Richard II provides a formal model (Trauerspiel) that allows Kantorowicz to carry out this project
Shakespeare in the Tropics: From High Modernism to New Historicism
Research Article| January 01 1994 Shakespeare in the Tropics: From High Modernism to New Historicism Richard Halpern Richard Halpern Search for other works by this author on: This Site PubMed Google Scholar Representations (1994) 45: 1–25. https://doi.org/10.2307/2928600 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Se…
The Poetics of Primitive Accumulation: English Renaissance Culture and the Genealogy of Capital
The Poetics of Primitive Accumulation: English Renaissance Culture and the Genealogy of Capital
Theater and Democratic Thought: Arendt to Rancière
Collateral Damage and Tragic Form
The King's Two Buckets: Kantorowicz, Richard II, and Fiscal Trauerspiel
The King's Two Bodies critiques Carl Schmitt's version of political theology by way of form as well as content. Shakespeare's Richard II provides a formal model (Trauerspiel) that allows Kantorowicz to carry out this project
The Poetics of Primitive Accumulation: English Renaissance Culture and the Genealogy of Capital
Shakespeare in the Tropics: From High Modernism to New Historicism
Research Article| January 01 1994 Shakespeare in the Tropics: From High Modernism to New Historicism Richard Halpern Richard Halpern Search for other works by this author on: This Site PubMed Google Scholar Representations (1994) 45: 1–25. https://doi.org/10.2307/2928600 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Se…
The King's Two Buckets: Kantorowicz, Richard II, and Fiscal Trauerspiel
The King's Two Bodies critiques Carl Schmitt's version of political theology by way of form as well as content. Shakespeare's Richard II provides a formal model (Trauerspiel) that allows Kantorowicz to carry out this project
Theater and Democratic Thought: Arendt to Rancière
The Classical Inheritance
The question of Shakespeare’s relation to the Greek and Roman playwrights has, historically, possessed a kind of amplitude that his relation to other kinds of tradition has not. While recent scholarship challenges the old claim that Shakespeare had no direct access to Greek drama, Seneca’s status as his chief classical influence remains unchallenged. Moreover, Seneca’s plays self-consciously broadcast their embeddedness in tradition in a way that…
Collateral Damage and Tragic Form
William Shakespeare's King Lear by William Shakespeare
Reviewed by: William Shakespeare’s King Lear by William Shakespeare Patrick Maley and Richard Halpern WILLIAM SHAKESPEARE’S KING LEAR. By William Shakespeare. Directed by Sam Gold. The Cort Theatre, New York City. May 11, 2019. The term “gender-blind casting” is always something of a misnomer, and never more so than in Sam Gold’s King Lear. There was nothing “blind” about it; Glenda Jackson’s gender was precisely the point-a banked-on novelty if …
Leibnizing: A Philosopher in Motion
Art (5 works) · History (5 works) · Literature (5 works) · Art history (3 works) · Computer Science (3 works) · Hannah Arendt's Political Philosophy (3 works) · Law (3 works) · Philosophy (3 works) · Political science (3 works) · Political Theology and Sovereignty (3 works)