Teri Howson-Griffiths
Biographic Data
| ID | 3597816 |
|---|---|
| NAME | Teri Howson-Griffiths |
| GIVEN NAMES | Teri |
| FAMILY NAME | Howson-Griffiths |
| SIGNATURE | HOWSON-GRIFFITHS T |
| AFFILIATIONS | Bangor University |
| ORCID | 0000-0001-5567-7789 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Beyond Spectacle
Since the turn of the Millennium immersive theatres have converged across the cultural milieu, from the operatic to the escape room. Some immersive performances lend themselves to a sense of excess, of grand staging and extreme scenic detail, with the audience finding themselves in a state of total immersion. Nonetheless what about the moments that settle on something as mundane as a cup of tea and a slice of toast?This paper addresses an often-o…
Using art for public engagement
Creative outputs engage the public and can be used to share research. This paper reports on public engagement activities that were part of the research project Dementia and Imagination (D&I). We found that artwork and creative activities effectively engaged a range of audiences and challenged negative ideas about dementia. For the project team, public engagement developed relationships with collaborators and connected the research to different co…
Carrying out research across the arts and humanities and social sciences
This paper analyses how the methodological approach for a major Arts and Humanities Research Council and Economic and Social Research Council-funded project entitled Dementia and Imagination Footnote1 was formulated. This multidisciplinary project brings together the arts and humanities with the social sciences with their different epistemological philosophies and subsequent understandings of research methods. The main objective was to determine …
Zombies, time machines and brains
Critical thought on immersive theatres is gathering in pace with many arguments centred on explorations of audience/performer interaction and the unique relationship these theatres create. Within this paper I look beyond these debates in order to consider the implications of immersive theatres within contemporary culture, with the aim of furthering the ways in which immersive theatres are presently being framed and discussed. Theatre and science …
Carrying out research across the arts and humanities and social sciences
This paper analyses how the methodological approach for a major Arts and Humanities Research Council and Economic and Social Research Council-funded project entitled Dementia and Imagination Footnote1 was formulated. This multidisciplinary project brings together the arts and humanities with the social sciences with their different epistemological philosophies and subsequent understandings of research methods. The main objective was to determine …
Zombies, time machines and brains
Critical thought on immersive theatres is gathering in pace with many arguments centred on explorations of audience/performer interaction and the unique relationship these theatres create. Within this paper I look beyond these debates in order to consider the implications of immersive theatres within contemporary culture, with the aim of furthering the ways in which immersive theatres are presently being framed and discussed. Theatre and science …
Zombies, time machines and brains
Critical thought on immersive theatres is gathering in pace with many arguments centred on explorations of audience/performer interaction and the unique relationship these theatres create. Within this paper I look beyond these debates in order to consider the implications of immersive theatres within contemporary culture, with the aim of furthering the ways in which immersive theatres are presently being framed and discussed. Theatre and science …
Carrying out research across the arts and humanities and social sciences
This paper analyses how the methodological approach for a major Arts and Humanities Research Council and Economic and Social Research Council-funded project entitled Dementia and Imagination Footnote1 was formulated. This multidisciplinary project brings together the arts and humanities with the social sciences with their different epistemological philosophies and subsequent understandings of research methods. The main objective was to determine …
Using art for public engagement
Creative outputs engage the public and can be used to share research. This paper reports on public engagement activities that were part of the research project Dementia and Imagination (D&I). We found that artwork and creative activities effectively engaged a range of audiences and challenged negative ideas about dementia. For the project team, public engagement developed relationships with collaborators and connected the research to different co…
Beyond Spectacle
Since the turn of the Millennium immersive theatres have converged across the cultural milieu, from the operatic to the escape room. Some immersive performances lend themselves to a sense of excess, of grand staging and extreme scenic detail, with the audience finding themselves in a state of total immersion. Nonetheless what about the moments that settle on something as mundane as a cup of tea and a slice of toast?This paper addresses an often-o…
Art (3 works) · Political science (3 works) · Sociology (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Participatory Visual Research Methods (2 works) · Public relations (2 works) · Theatre and Performance Studies (2 works) · Value (mathematics (2 works) · Art Education and Development (1 works)