T H Carpenter
Datos Biográficos
| ID | 3599331 |
|---|---|
| NOMBRE | T H Carpenter |
| NOMBRES | T H |
| APELLIDO | Carpenter |
| FIRMA | CARPENTER T H |
| AFILIACIONES | Museum of the History of Science |
| VERIFICADO | No |
| TOTAL DE OBRAS | 11 |
| TOTAL DE CITAS | 31 |
| TOTAL COMO AUTOR | 11 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 1983 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2015 |
| ÍNDICE H | 3 |
The Greek Epic Cycle and its Ancient Reception
The poems of the Epic Cycle are assumed to be the reworking of myths and narratives which had their roots in an oral tradition predating that of many of the myths and narratives which took their present form in the Iliad and the Odyssey. The remains of these texts allow us to investigate diachronic aspects of epic diction as well as the extent of variation within it on the part of individual authors - two of the most important questions in modern…
The Italic People of Ancient Apulia
The focus of this book is on the Italic people of Apulia during the fourth century BC, when Italic culture seems to have reached its peak of affluence. Scholars have largely ignored these people and the region they inhabited. During the past several decades archaeologists have made significant progress in revealing the cultures of Apulia through excavations of habitation sites and un-plundered tombs, often published in Italian journals. This book…
Italic People of Ancient Apulia
A Case for Greek Tragedy in Italic Settlements in Fourth-Century B.C.E. Apulia
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
The Gods of Ancient Greece
The Greek gods are still very much present in modern consciousness. Although Apollo and Dionysos, Artemis and Aphrodite, Zeus and Hermes are household names, it is much less clear what these divinities meant and stood for in ancient Greece. In fact, they have been very much neglected in modern scholarship. This book brings together a team of international scholars with the aim of remedying this situation and generating new approaches to the natur…
Prolegomenon to the Study of Apulian Red-Figure Pottery
There is a tendency in English-language publications to view Apulian red-figure pottery as simply a continuation of Attic red-figure, and this has often obscured important differences between the two. The unfounded assumption that Apulian red-figure vases were made by Greeks for colonial Greeks has diverted attention from the Italic people of Apulia who, in fact, provided the principal markets. Apulian vases are rarely found outside Apulia and it…
Pots and Plays
Satyr Drama
A. J. Podlecki (University of British Columbia), 'Aiskhylos Satyrikos' Z. Philip Ambrose (University of Vermont), 'Family loyalty and betrayal in Euripides' Cyclops and Alcestis: a recurrent theme in satyr play' Willeon Slenders (Katholieke Universiteit, Nijmegen), 'The lexis erotike in Euripides' Cyclops' Judith Fletcher (Wilfrid Laurier University), 'Perjury and the perversion of language in Euripides' Cyclops' Hanna M. Roisman (Colby College),…
Satyr Drama
Art and Myth in Ancient Greece
The Tyrrhenian Group
Elements of iconography on some black‐figure vases of the Tyrrhenian Group from the middle of the sixth century BC pose problems if all of the vases of the Group are to be seen as purely Attic productions. In addition, non‐Attic letter‐forms appear in nonsense inscriptions on some of the vases. Although some of the painters were certainly trained in Athens, it is possible that the Tyrrhenian workshop was established elsewhere. Similarities betwee…
On the Dating of the Tyrrhenian Group 1
Iconographic and epigraphic evidence suggest that the Attic black‐figure vases of the Tyrrhenian Group should be dated to the period c.560–530 BC rather than to the second quarter of the sixth century BC. Imagery on some vases, particularly those of the later painters, points to a lowering of the date for the end of the group to c. 530 BC. Epigraphic evidence, particularly the absence of crossed theta , closed heta and qoppa from almost all of th…
Art and Myth in Ancient Greece
Prolegomenon to the Study of Apulian Red-Figure Pottery
There is a tendency in English-language publications to view Apulian red-figure pottery as simply a continuation of Attic red-figure, and this has often obscured important differences between the two. The unfounded assumption that Apulian red-figure vases were made by Greeks for colonial Greeks has diverted attention from the Italic people of Apulia who, in fact, provided the principal markets. Apulian vases are rarely found outside Apulia and it…
The Tyrrhenian Group
Elements of iconography on some black‐figure vases of the Tyrrhenian Group from the middle of the sixth century BC pose problems if all of the vases of the Group are to be seen as purely Attic productions. In addition, non‐Attic letter‐forms appear in nonsense inscriptions on some of the vases. Although some of the painters were certainly trained in Athens, it is possible that the Tyrrhenian workshop was established elsewhere. Similarities betwee…
On the Dating of the Tyrrhenian Group 1
Iconographic and epigraphic evidence suggest that the Attic black‐figure vases of the Tyrrhenian Group should be dated to the period c.560–530 BC rather than to the second quarter of the sixth century BC. Imagery on some vases, particularly those of the later painters, points to a lowering of the date for the end of the group to c. 530 BC. Epigraphic evidence, particularly the absence of crossed theta , closed heta and qoppa from almost all of th…
The Tyrrhenian Group
Elements of iconography on some black‐figure vases of the Tyrrhenian Group from the middle of the sixth century BC pose problems if all of the vases of the Group are to be seen as purely Attic productions. In addition, non‐Attic letter‐forms appear in nonsense inscriptions on some of the vases. Although some of the painters were certainly trained in Athens, it is possible that the Tyrrhenian workshop was established elsewhere. Similarities betwee…
Art and Myth in Ancient Greece
Satyr Drama
A. J. Podlecki (University of British Columbia), 'Aiskhylos Satyrikos' Z. Philip Ambrose (University of Vermont), 'Family loyalty and betrayal in Euripides' Cyclops and Alcestis: a recurrent theme in satyr play' Willeon Slenders (Katholieke Universiteit, Nijmegen), 'The lexis erotike in Euripides' Cyclops' Judith Fletcher (Wilfrid Laurier University), 'Perjury and the perversion of language in Euripides' Cyclops' Hanna M. Roisman (Colby College),…
Satyr Drama
Pots and Plays
Prolegomenon to the Study of Apulian Red-Figure Pottery
There is a tendency in English-language publications to view Apulian red-figure pottery as simply a continuation of Attic red-figure, and this has often obscured important differences between the two. The unfounded assumption that Apulian red-figure vases were made by Greeks for colonial Greeks has diverted attention from the Italic people of Apulia who, in fact, provided the principal markets. Apulian vases are rarely found outside Apulia and it…
The Gods of Ancient Greece
The Greek gods are still very much present in modern consciousness. Although Apollo and Dionysos, Artemis and Aphrodite, Zeus and Hermes are household names, it is much less clear what these divinities meant and stood for in ancient Greece. In fact, they have been very much neglected in modern scholarship. This book brings together a team of international scholars with the aim of remedying this situation and generating new approaches to the natur…
The Italic People of Ancient Apulia
The focus of this book is on the Italic people of Apulia during the fourth century BC, when Italic culture seems to have reached its peak of affluence. Scholars have largely ignored these people and the region they inhabited. During the past several decades archaeologists have made significant progress in revealing the cultures of Apulia through excavations of habitation sites and un-plundered tombs, often published in Italian journals. This book…
Italic People of Ancient Apulia
A Case for Greek Tragedy in Italic Settlements in Fourth-Century B.C.E. Apulia
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
The Greek Epic Cycle and its Ancient Reception
The poems of the Epic Cycle are assumed to be the reworking of myths and narratives which had their roots in an oral tradition predating that of many of the myths and narratives which took their present form in the Iliad and the Odyssey. The remains of these texts allow us to investigate diachronic aspects of epic diction as well as the extent of variation within it on the part of individual authors - two of the most important questions in modern…
History (9 obras) · Art (8 obras) · Classical Antiquity Studies (8 obras) · Ancient Mediterranean Archaeology and History (7 obras) · Ancient history (5 obras) · Classics (5 obras) · History (5 obras) · Literature (5 obras) · Archaeology (4 obras) · Art history (3 obras)