Dale Kinney
Biographic Data
| ID | 3599358 |
|---|---|
| NAME | Dale Kinney |
| GIVEN NAMES | Dale |
| FAMILY NAME | Kinney |
| SIGNATURE | KINNEY D |
| AFFILIATIONS | Bryn Mawr College |
| VERIFIED | No |
| TOTAL WORKS | 21 |
| TOTAL CITATIONS | 19 |
| AUTHOR COUNT | 21 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Inventing Late Antique Reliquaries
Petition, Prostration, and Tears
This article examines the evidence for performative prayer in early Roman catacomb painting from the perspective of an art historian. Praying (orant) figures are a dominant theme of third-century painting. Although the orant pose is generally regarded as symbolic, strong evidence connects at least one of the figures with the intercessory prayers offered by the order of widows. Following the "Constantinian turn" in the fourth century, a different …
Urban Developments in Late Antique and Medieval Rome
A narrative of decline punctuated by periods of renewal has long structured perceptions of Rome's late antique and medieval history. In their probing contributions to this volume, a multi-disciplinary group of scholars provides alternative approaches to understanding the period. Addressing developments in governance, ceremony, literature, art, music, clerical education and the city's very sense of its own identity, the essays examine how a variet…
Liturgy, Space, and Community in the Basilica Julii (Santa Maria in Trastevere)
The Basilica Julii (also known as titulus Callisti and later as Santa Maria in Trastevere) provides a case study of the physical and social conditions in which early Christian liturgies 'rewired' their participants. This paper demonstrates that liturgical transformation was a two-way process, in which liturgy was the object as well as the agent of change. Three essential factors - the liturgy of the Eucharist, the space of the early Christian bas…
Communication in a visual mode
Apse mosaics are a form of visual communication employed by popes throughout the Middle Ages, from the sixth through to the thirteenth centuries. This essay examines the nature of this visual mode and the means by which viewers could understand it. A theory of viewing widely attributed to Pope Gregory I (590–604) is shown to be especially pertinent to early medieval apse mosaics and to the twelfth-century mosaic in the apse of S. Maria in Trastev…
Hans-Peter L’Orange on Portraits and the Arch of Constantine
Hans-Peter L’Orange on Portraits and the Arch of Constantine: A Lasting Legacy
Sic hostes Ianua frangit
Basilica of San Lorenzo (Milan)
Santa Tecla (Milan)
The Church Basilica
The debate over whether the early church basilica was “imperial” is bound up with many other questions, including the origins of the building type, and whether building types have fixed or only contingent associations. Krautheimer, for example, maintained that the imperial quality of the early Christian basilica was generally transmitted, as the church basilica was a descendant of the public basilica which it formally resembles, and which itself …
Relics, Prayer, and Politics in Medieval Venetia
A Legend and Its Image
Il Palatino nel medioevo
Spolia. Damnatio" and "Renovatio Memoriae
A Late Antique Ivory Plaque and Modern Response
A recently published challenge to the authenticity of the ivory plaque of the Symmachi, now in the Victoria and Albert Museum, is refuted, and its late fourth-century origin is confirmed by comparison with other plaques whose fourth- or fifth-century date is secure. The charge of forgery is related to patterns in recent art historiography, and these are traced to an anachronistic critical vocabulary that entails inappropriate norms of illusionist…
The Frescoes of the Dura Synagogue and Christian Art . Kurt Weitzmann and Herbert L. Kessler
The Medieval Church and Canonry of S. Clemente in Rome. Joan Barclay Lloyd
L'immagine dell'Imperatore Ottone III. Gerhart B. Ladner , Charles Pietri
back upon itself with this suggestion of a remedy.He doubly denies all his forms now and indeed makes a form, a poem, of "dreit nien."Foudatz with its associated sounds, patterns, and openings conveys repression rather than freedom.It is the language of feminization and impotence.For example, the supposedly hypersexual Farai un vers, pos mi sonelh develops through the poet-persona's linguistic and physical castration to his wounded/diseased closu…
The Marvels of Rome . Gregorius, John Osborne
Anastasis
Age of Spirituality
Age of Spirituality
The Marvels of Rome . Gregorius, John Osborne
Anastasis
L'immagine dell'Imperatore Ottone III. Gerhart B. Ladner , Charles Pietri
back upon itself with this suggestion of a remedy.He doubly denies all his forms now and indeed makes a form, a poem, of "dreit nien."Foudatz with its associated sounds, patterns, and openings conveys repression rather than freedom.It is the language of feminization and impotence.For example, the supposedly hypersexual Farai un vers, pos mi sonelh develops through the poet-persona's linguistic and physical castration to his wounded/diseased closu…
The Frescoes of the Dura Synagogue and Christian Art . Kurt Weitzmann and Herbert L. Kessler
The Medieval Church and Canonry of S. Clemente in Rome. Joan Barclay Lloyd
A Late Antique Ivory Plaque and Modern Response
A recently published challenge to the authenticity of the ivory plaque of the Symmachi, now in the Victoria and Albert Museum, is refuted, and its late fourth-century origin is confirmed by comparison with other plaques whose fourth- or fifth-century date is secure. The charge of forgery is related to patterns in recent art historiography, and these are traced to an anachronistic critical vocabulary that entails inappropriate norms of illusionist…
Spolia. Damnatio" and "Renovatio Memoriae
Il Palatino nel medioevo
A Legend and Its Image
Relics, Prayer, and Politics in Medieval Venetia
The Church Basilica
The debate over whether the early church basilica was “imperial” is bound up with many other questions, including the origins of the building type, and whether building types have fixed or only contingent associations. Krautheimer, for example, maintained that the imperial quality of the early Christian basilica was generally transmitted, as the church basilica was a descendant of the public basilica which it formally resembles, and which itself …
Basilica of San Lorenzo (Milan)
Santa Tecla (Milan)
Sic hostes Ianua frangit
Hans-Peter L’Orange on Portraits and the Arch of Constantine
Hans-Peter L’Orange on Portraits and the Arch of Constantine: A Lasting Legacy
Communication in a visual mode
Apse mosaics are a form of visual communication employed by popes throughout the Middle Ages, from the sixth through to the thirteenth centuries. This essay examines the nature of this visual mode and the means by which viewers could understand it. A theory of viewing widely attributed to Pope Gregory I (590–604) is shown to be especially pertinent to early medieval apse mosaics and to the twelfth-century mosaic in the apse of S. Maria in Trastev…
Liturgy, Space, and Community in the Basilica Julii (Santa Maria in Trastevere)
The Basilica Julii (also known as titulus Callisti and later as Santa Maria in Trastevere) provides a case study of the physical and social conditions in which early Christian liturgies 'rewired' their participants. This paper demonstrates that liturgical transformation was a two-way process, in which liturgy was the object as well as the agent of change. Three essential factors - the liturgy of the Eucharist, the space of the early Christian bas…
Urban Developments in Late Antique and Medieval Rome
A narrative of decline punctuated by periods of renewal has long structured perceptions of Rome's late antique and medieval history. In their probing contributions to this volume, a multi-disciplinary group of scholars provides alternative approaches to understanding the period. Addressing developments in governance, ceremony, literature, art, music, clerical education and the city's very sense of its own identity, the essays examine how a variet…
Inventing Late Antique Reliquaries
Petition, Prostration, and Tears
This article examines the evidence for performative prayer in early Roman catacomb painting from the perspective of an art historian. Praying (orant) figures are a dominant theme of third-century painting. Although the orant pose is generally regarded as symbolic, strong evidence connects at least one of the figures with the intercessory prayers offered by the order of widows. Following the "Constantinian turn" in the fourth century, a different …
Art (18 works) · History (14 works) · Historical and Religious Studies of Rome (13 works) · Art history (10 works) · Byzantine Studies and History (9 works) · Classics (9 works) · History (9 works) · Archaeology (7 works) · Classics (6 works) · Ancient Mediterranean Archaeology and History (5 works)