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Susan Langdon

Datos Biográficos

ID3599744
NOMBRESusan Langdon
NOMBRESSusan
APELLIDOLangdon
FIRMALANGDON S
AFILIACIONESMediterranean University
VERIFICADONo
TOTAL DE OBRAS11
TOTAL DE CITAS43
TOTAL COMO AUTOR11
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1989
AÑO MÁS RECIENTE DE PUBLICACIÓN2019
ÍNDICE H4
  • Archaic Votive Figurines from the Sanctuary of Demeter at Corinth

    Open Access•Susan Langdon•ARTICLE•Les Carnets de l ACoSt•2019

    This work-in-progress focuses on the archaic figurines from the Corinthian sanctuary of Demeter and Kore on Acrocorinth. These include “Daedalic” plaques, handmade figurines with mold-made heads, fully handmade, and fully mold-made figures. The broadly varied assemblage documents the introduction of figurines into Corinthian votive practice and the development of cult iconography

  • Corinth

    Susan Langdon, C K Williams et al.•CHAPTER•2003

  • Kition

    Susan Langdon•CHAPTER•2003

  • Thermon

    Susan Langdon•CHAPTER•2003

  • Beyond the Grave

    Susan Langdon•ARTICLE•American Journal of Archaeology•2001•Citada por: 17•Referencias: 27

    Object biography is an analytical technique that traces the changing social meanings an object accumulates during its lifetime. This study of two Late Geometric pots from Argos and Thebes employs biographical methods to address the role played by material goods in contemporary social rituals. The decoration and burial context of both vessels attest discrete stages in the construction of the social identity of the deceased. A giant pyxis from Argo…

  • From Rulers' Dwellings to Temples

    Susan Langdon•ARTICLE•American Journal of Archaeology•1998•Citada por: 11

  • Significant Others

    Susan Langdon•ARTICLE•American Journal of Archaeology•1998•Citada por: 4

    After a century of scholarship, Greek Geometric figural art continues to pose fundamental problems of identification and interpretation. The intractable nature of basic iconographic questions is in part the result of the historiographic circumstances that formed the present canon of major and minor Geometric works. This study focuses on the specific iconographic theme of the male-female couple and traces its disappearance from histories of Geomet…

  • A Greek Countryside

    Cyprian Broodbank, Michael H Jameson et al.•ARTICLE•Journal of Field Archaeology•1997

  • From Pasture to Polis

    Cynthia King, Susan Langdon•ARTICLE•The Classical World•1996

  • From Monkey to Man

    Susan Langdon•ARTICLE•American Journal of Archaeology•1990•Citada por: 3•Referencias: 2

    Among the bronze votive offerings known from Greek sanctuaries of the eighth century occurs a type of figurine represented as sitting or squatting with elbows on knees and hands to mouth. Despite the formal consistency of a dozen such figures, their identity and meaning have remained unclear. The present study examines the known figurines together with a popular class of related pendants from northern Greece. This evidence demonstrates the adapta…

  • The Return of the Horse-Leader

    Susan Langdon•ARTICLE•American Journal of Archaeology•1989•Citada por: 8•Referencias: 1

    The most characteristic motif of Argive Geometric vase painting, the so-called "horse-leader" figure, has evoked various interpretations in attempts to elucidate the nature of Geometric iconography. Recent scholarship has dispensed with earlier readings of the figure as a deity in favor of a secular reference to the Argive citizen, while relegating the accompanying horse and fish to the status of symbols of the Argolid's natural environment. The …

  • Beyond the Grave

    Susan Langdon•ARTICLE•American Journal of Archaeology•2001•Citada por: 17•Referencias: 27

    Object biography is an analytical technique that traces the changing social meanings an object accumulates during its lifetime. This study of two Late Geometric pots from Argos and Thebes employs biographical methods to address the role played by material goods in contemporary social rituals. The decoration and burial context of both vessels attest discrete stages in the construction of the social identity of the deceased. A giant pyxis from Argo…

  • From Rulers' Dwellings to Temples

    Susan Langdon•ARTICLE•American Journal of Archaeology•1998•Citada por: 11

  • The Return of the Horse-Leader

    Susan Langdon•ARTICLE•American Journal of Archaeology•1989•Citada por: 8•Referencias: 1

    The most characteristic motif of Argive Geometric vase painting, the so-called "horse-leader" figure, has evoked various interpretations in attempts to elucidate the nature of Geometric iconography. Recent scholarship has dispensed with earlier readings of the figure as a deity in favor of a secular reference to the Argive citizen, while relegating the accompanying horse and fish to the status of symbols of the Argolid's natural environment. The …

  • Significant Others

    Susan Langdon•ARTICLE•American Journal of Archaeology•1998•Citada por: 4

    After a century of scholarship, Greek Geometric figural art continues to pose fundamental problems of identification and interpretation. The intractable nature of basic iconographic questions is in part the result of the historiographic circumstances that formed the present canon of major and minor Geometric works. This study focuses on the specific iconographic theme of the male-female couple and traces its disappearance from histories of Geomet…

  • From Monkey to Man

    Susan Langdon•ARTICLE•American Journal of Archaeology•1990•Citada por: 3•Referencias: 2

    Among the bronze votive offerings known from Greek sanctuaries of the eighth century occurs a type of figurine represented as sitting or squatting with elbows on knees and hands to mouth. Despite the formal consistency of a dozen such figures, their identity and meaning have remained unclear. The present study examines the known figurines together with a popular class of related pendants from northern Greece. This evidence demonstrates the adapta…

  • The Return of the Horse-Leader

    Susan Langdon•ARTICLE•American Journal of Archaeology•1989•Citada por: 8•Referencias: 1

    The most characteristic motif of Argive Geometric vase painting, the so-called "horse-leader" figure, has evoked various interpretations in attempts to elucidate the nature of Geometric iconography. Recent scholarship has dispensed with earlier readings of the figure as a deity in favor of a secular reference to the Argive citizen, while relegating the accompanying horse and fish to the status of symbols of the Argolid's natural environment. The …

  • From Monkey to Man

    Susan Langdon•ARTICLE•American Journal of Archaeology•1990•Citada por: 3•Referencias: 2

    Among the bronze votive offerings known from Greek sanctuaries of the eighth century occurs a type of figurine represented as sitting or squatting with elbows on knees and hands to mouth. Despite the formal consistency of a dozen such figures, their identity and meaning have remained unclear. The present study examines the known figurines together with a popular class of related pendants from northern Greece. This evidence demonstrates the adapta…

  • From Pasture to Polis

    Cynthia King, Susan Langdon•ARTICLE•The Classical World•1996

  • A Greek Countryside

    Cyprian Broodbank, Michael H Jameson et al.•ARTICLE•Journal of Field Archaeology•1997

  • From Rulers' Dwellings to Temples

    Susan Langdon•ARTICLE•American Journal of Archaeology•1998•Citada por: 11

  • Significant Others

    Susan Langdon•ARTICLE•American Journal of Archaeology•1998•Citada por: 4

    After a century of scholarship, Greek Geometric figural art continues to pose fundamental problems of identification and interpretation. The intractable nature of basic iconographic questions is in part the result of the historiographic circumstances that formed the present canon of major and minor Geometric works. This study focuses on the specific iconographic theme of the male-female couple and traces its disappearance from histories of Geomet…

  • Beyond the Grave

    Susan Langdon•ARTICLE•American Journal of Archaeology•2001•Citada por: 17•Referencias: 27

    Object biography is an analytical technique that traces the changing social meanings an object accumulates during its lifetime. This study of two Late Geometric pots from Argos and Thebes employs biographical methods to address the role played by material goods in contemporary social rituals. The decoration and burial context of both vessels attest discrete stages in the construction of the social identity of the deceased. A giant pyxis from Argo…

  • Corinth

    Susan Langdon, C K Williams et al.•CHAPTER•2003

  • Kition

    Susan Langdon•CHAPTER•2003

  • Thermon

    Susan Langdon•CHAPTER•2003

  • Archaic Votive Figurines from the Sanctuary of Demeter at Corinth

    Open Access•Susan Langdon•ARTICLE•Les Carnets de l ACoSt•2019

    This work-in-progress focuses on the archaic figurines from the Corinthian sanctuary of Demeter and Kore on Acrocorinth. These include “Daedalic” plaques, handmade figurines with mold-made heads, fully handmade, and fully mold-made figures. The broadly varied assemblage documents the introduction of figurines into Corinthian votive practice and the development of cult iconography

History (8 obras) · Ancient Mediterranean Archaeology and History (7 obras) · Ancient history (6 obras) · Art (6 obras) · Classical Antiquity Studies (6 obras) · Geography (5 obras) · History (5 obras) · Aesthetics (4 obras) · Archaeology (4 obras) · Historical, Religious, and Philosophical Studies (4 obras)

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