Donald Burrows
Biographic Data
| ID | 3600713 |
|---|---|
| NAME | Donald Burrows |
| GIVEN NAMES | Donald |
| FAMILY NAME | Burrows |
| SIGNATURE | BURROWS D |
| AFFILIATIONS | The Open University |
| VERIFIED | No |
| TOTAL WORKS | 24 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 24 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1975 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Correcting the ‘grossest faults’: Charles Jennens and the Composition of Handel’s Messiah
The correspondence between Charles Jennens and Edward Holdsworth includes criticisms by Jennens, sometimes trenchant, of Handel’s setting of the text in Messiah. A fresh detailed examination of the musical sources, building on work previously presented in Music & Letters, has revealed more specific evidence for the substance of Jennens’s criticisms. Handel’s performing score of Messiah has a large number of alterations to the verbal text by Jenne…
Æsthetics and Politics: Italian Opera as Revealed in the Correspondence of James Harris
La correspondance de James Harris, premier comte de Malmesbury, est une source importante de documents sur la période passée par Haendel à Londres et sur la réception en cet endroit de l’opéra italien au cours du dix-huitième siècle. L’opéra italien est avec le théâtre français le genre de divertissement le plus prisé en Europe. En Angleterre, ce genre en vogue est le théâtre d’affrontements les plus rudes entre compagnies concurrentes. En 1736, …
Messiah: The Composition and Afterlife of Handel's Masterpiece by Jonathan Keates
Reviewed by: Messiah: The Composition and Afterlife of Handel's Masterpiece by Jonathan Keates Donald Burrows Messiah: The Composition and Afterlife of Handel's Masterpiece. By Jonathan Keates. London: Head of Zeus, 2016. [191 p. ISBN 978-0-784-97400-8. £16.99 (hdk) / £7.99 (e-book)] Of the making many books about Messiah there is no end. (I admit my own participation.) According to the promotional material, this is 'the story of the composition,…
Handel, Walsh, and the Publication of ‘Messiah’
The chapter on ‘Printed Editions’ in Watkins Shaw’s A Textual and Historical Companion to Handel’s ‘Messiah’ (1965) gives a summary of the publication of music from Messiah (by John Walsh the younger) during Handel’s lifetime. Shaw concluded that this area of sources did not provide much useful material for his edition, but the history of the early publication (and non-publication) of Messiah remains intriguing. A reassessment of Walsh’s publicat…
Mr Harris’s Score’: A New Look at the ‘Mathews’ Manuscript of Handel’s ‘Messiah’
The manuscript score of Handel's Messiah copied by John Mathews, now in the collection of Archbishop Marsh's Library, Dublin, incorporates musical material derived from early sets of performing partbooks, but also includes references to a score (now lost) that was owned by James Harris of Salisbury, an amateur musician who was an acquaintance of the composer's. From these references it is possible to reconstruct many features of the musical conte…
Beyond the Baroque
Savage, William
Whose Companion
Handel's ‘Messiah’: Supplementary Notes on Sources
DONALD BURROWS, WATKINS SHAW; HANDEL'S ‘MESSIAH’: SUPPLEMENTARY NOTES ON SOURCES, Music and Letters, Volume 76, Issue 3, 1 August 1995, Pages 356–368, http
Which Messiah
Monument
Handel’s ‘Messiah’: Yet Further Thoughts
Journal Article HANDEL’S ‘MESSIAH’: YET FURTHER THOUGHTS Get access DONALD BURROWS DONALD BURROWS Arts Faculty, The Open UniversityMilton Keynes MK7 6AA. Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 67, Issue 3, July 1986, Page 344, https://doi.org/10.1093/ml/67.3.344 Published: 01 July 1986
Handel
The Autographs and Early Copies of ‘Messiah’: Some Further Thoughts
Journal Article THE AUTOGRAPHS AND EARLY COPIES OF ‘MESSIAH’: SOME FURTHER THOUGHTS Get access DONALD BURROWS DONALD BURROWS Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 66, Issue 3, July 1985, Pages 201–218, https://doi.org/10.1093/ml/66.3.201 Published: 01 July 1985
To the Editors of ‘Music & Letters’: The Sources of ‘Alexander's Feast’
Journal Article To the Editors of ‘Music & Letters’: THE SOURCES OF ‘ALEXANDER'S FEAST’ Get access DONALD BURROWS DONALD BURROWS The Open UniversityMilton Keynes MK7 6AA Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 66, Issue 1, January 1985, Pages 87–88, https://doi.org/10.1093/ml/66.1.87 Published: 01 January 1985
The Composition and First Performance of Handel's 'Alexander's Feast
Journal Article THE COMPOSITION AND FIRST PERFORMANCE OF HANDEL'S 'ALEXANDER'S FEAST' Get access DONALD BURROWS DONALD BURROWS Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 64, Issue 3-4, July 1983, Pages 206–211, https://doi.org/10.1093/ml/64.3-4.206 Published: 01 July 1983
Laudate pueri; Nisi dominus; Salve regina
Messiah
Sources for Oxford Handel Performances in the First Half of the Eighteenth Century
Journal Article SOURCES FOR OXFORD HANDEL PERFORMANCES IN THE FIRST HALF OF THE EIGHTEENTH CENTURY Get access DONALD BURROWS DONALD BURROWS Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 61, Issue 2, April 1980, Pages 177–185, https://doi.org/10.1093/ml/61.2.177 Published: 01 April 1980
Organ and Choral Recitals
The St John Passion and the Performer
Handle and the Foundling Hospital
Journal Article HANDLE AND THE FOUNDLING HOSPITAL Get access DONALD BURROWS DONALD BURROWS Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 58, Issue 3, July 1977, Pages 269–284, https://doi.org/10.1093/ml/58.3.269 Published: 01 July 1977
Handel's Performances of ‘Messiah’
HANDEL'S PERFORMANCES OF ‘MESSIAH’ Get access DONALD BURROWS DONALD BURROWS 24 Rookery Close, Shippon, Abingdon, Oxon Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 58, Issue 1, January 1977, Pages 121-a–121, https://doi.org/10.1093/ml/58.1.121-a Published: 01 January 1977
Handel's Performances of ‘Messiah’: The Evidence of the Conducting Score
HANDEL'S PERFORMANCES OF ‘MESSIAH’: THE EVIDENCE OF THE CONDUCTING SCORE Get access DONALD BURROWS DONALD BURROWS Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume LVI, Issue 3-4, July 1975, Pages 319–334, https://doi.org/10.1093/ml/LVI.3-4.319 Published: 01 July 1975
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Handel's Performances of ‘Messiah’: The Evidence of the Conducting Score
HANDEL'S PERFORMANCES OF ‘MESSIAH’: THE EVIDENCE OF THE CONDUCTING SCORE Get access DONALD BURROWS DONALD BURROWS Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume LVI, Issue 3-4, July 1975, Pages 319–334, https://doi.org/10.1093/ml/LVI.3-4.319 Published: 01 July 1975
The St John Passion and the Performer
Handle and the Foundling Hospital
Journal Article HANDLE AND THE FOUNDLING HOSPITAL Get access DONALD BURROWS DONALD BURROWS Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 58, Issue 3, July 1977, Pages 269–284, https://doi.org/10.1093/ml/58.3.269 Published: 01 July 1977
Handel's Performances of ‘Messiah’
HANDEL'S PERFORMANCES OF ‘MESSIAH’ Get access DONALD BURROWS DONALD BURROWS 24 Rookery Close, Shippon, Abingdon, Oxon Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 58, Issue 1, January 1977, Pages 121-a–121, https://doi.org/10.1093/ml/58.1.121-a Published: 01 January 1977
Organ and Choral Recitals
Messiah
Sources for Oxford Handel Performances in the First Half of the Eighteenth Century
Journal Article SOURCES FOR OXFORD HANDEL PERFORMANCES IN THE FIRST HALF OF THE EIGHTEENTH CENTURY Get access DONALD BURROWS DONALD BURROWS Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 61, Issue 2, April 1980, Pages 177–185, https://doi.org/10.1093/ml/61.2.177 Published: 01 April 1980
Laudate pueri; Nisi dominus; Salve regina
The Composition and First Performance of Handel's 'Alexander's Feast
Journal Article THE COMPOSITION AND FIRST PERFORMANCE OF HANDEL'S 'ALEXANDER'S FEAST' Get access DONALD BURROWS DONALD BURROWS Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 64, Issue 3-4, July 1983, Pages 206–211, https://doi.org/10.1093/ml/64.3-4.206 Published: 01 July 1983
Handel
The Autographs and Early Copies of ‘Messiah’: Some Further Thoughts
Journal Article THE AUTOGRAPHS AND EARLY COPIES OF ‘MESSIAH’: SOME FURTHER THOUGHTS Get access DONALD BURROWS DONALD BURROWS Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 66, Issue 3, July 1985, Pages 201–218, https://doi.org/10.1093/ml/66.3.201 Published: 01 July 1985
To the Editors of ‘Music & Letters’: The Sources of ‘Alexander's Feast’
Journal Article To the Editors of ‘Music & Letters’: THE SOURCES OF ‘ALEXANDER'S FEAST’ Get access DONALD BURROWS DONALD BURROWS The Open UniversityMilton Keynes MK7 6AA Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 66, Issue 1, January 1985, Pages 87–88, https://doi.org/10.1093/ml/66.1.87 Published: 01 January 1985
Monument
Handel’s ‘Messiah’: Yet Further Thoughts
Journal Article HANDEL’S ‘MESSIAH’: YET FURTHER THOUGHTS Get access DONALD BURROWS DONALD BURROWS Arts Faculty, The Open UniversityMilton Keynes MK7 6AA. Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 67, Issue 3, July 1986, Page 344, https://doi.org/10.1093/ml/67.3.344 Published: 01 July 1986
Which Messiah
Handel's ‘Messiah’: Supplementary Notes on Sources
DONALD BURROWS, WATKINS SHAW; HANDEL'S ‘MESSIAH’: SUPPLEMENTARY NOTES ON SOURCES, Music and Letters, Volume 76, Issue 3, 1 August 1995, Pages 356–368, http
Whose Companion
Savage, William
Mr Harris’s Score’: A New Look at the ‘Mathews’ Manuscript of Handel’s ‘Messiah’
The manuscript score of Handel's Messiah copied by John Mathews, now in the collection of Archbishop Marsh's Library, Dublin, incorporates musical material derived from early sets of performing partbooks, but also includes references to a score (now lost) that was owned by James Harris of Salisbury, an amateur musician who was an acquaintance of the composer's. From these references it is possible to reconstruct many features of the musical conte…
Beyond the Baroque
Handel, Walsh, and the Publication of ‘Messiah’
The chapter on ‘Printed Editions’ in Watkins Shaw’s A Textual and Historical Companion to Handel’s ‘Messiah’ (1965) gives a summary of the publication of music from Messiah (by John Walsh the younger) during Handel’s lifetime. Shaw concluded that this area of sources did not provide much useful material for his edition, but the history of the early publication (and non-publication) of Messiah remains intriguing. A reassessment of Walsh’s publicat…
Messiah: The Composition and Afterlife of Handel's Masterpiece by Jonathan Keates
Reviewed by: Messiah: The Composition and Afterlife of Handel's Masterpiece by Jonathan Keates Donald Burrows Messiah: The Composition and Afterlife of Handel's Masterpiece. By Jonathan Keates. London: Head of Zeus, 2016. [191 p. ISBN 978-0-784-97400-8. £16.99 (hdk) / £7.99 (e-book)] Of the making many books about Messiah there is no end. (I admit my own participation.) According to the promotional material, this is 'the story of the composition,…
Æsthetics and Politics: Italian Opera as Revealed in the Correspondence of James Harris
La correspondance de James Harris, premier comte de Malmesbury, est une source importante de documents sur la période passée par Haendel à Londres et sur la réception en cet endroit de l’opéra italien au cours du dix-huitième siècle. L’opéra italien est avec le théâtre français le genre de divertissement le plus prisé en Europe. En Angleterre, ce genre en vogue est le théâtre d’affrontements les plus rudes entre compagnies concurrentes. En 1736, …
Correcting the ‘grossest faults’: Charles Jennens and the Composition of Handel’s Messiah
The correspondence between Charles Jennens and Edward Holdsworth includes criticisms by Jennens, sometimes trenchant, of Handel’s setting of the text in Messiah. A fresh detailed examination of the musical sources, building on work previously presented in Music & Letters, has revealed more specific evidence for the substance of Jennens’s criticisms. Handel’s performing score of Messiah has a large number of alterations to the verbal text by Jenne…
Art (20 works) · Art history (12 works) · Musicology and Musical Analysis (12 works) · History (11 works) · Messiah (11 works) · Philosophy (8 works) · Computer Science (7 works) · Theology (7 works) · Classics (6 works) · Library science (5 works)