Simon P Keefe
Biographic Data
| ID | 3600769 |
|---|---|
| NAME | Simon P Keefe |
| GIVEN NAMES | Simon P |
| FAMILY NAME | Keefe |
| SIGNATURE | KEEFE S P |
| AFFILIATIONS | University of Sheffield |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 2 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Mozart’s Operas and National Politics
Mozart’s Requiem in Pamplona (1844)
The Requiem was one of Mozart’s most popular works in the nineteenth century, performed at funerals and memorial services for the likes of Haydn, Dussek, Beethoven, Schubert, Chopin, and Rossini, for the literary giants Schiller and Goethe, and for a wide array of European royalty, political leaders, and military figures (most famously Napoleon in 1840 at Les Invalides in Paris). The publication under review comprises an edition from one such com…
Mozart in Context
Mozart in Vienna
Mozart Studies 2
Mozart's Requiem
The Cambridge history of eighteenth-century music
We hardly knew what we should pay attention to first’
Late eighteenth-century writings bear witness to Mozart's extraordinary skills as a performer-composer. But this dual status has yet to exert a serious influence on our understanding of Mozart's piano concertos. An examination of changes to the autograph scores of his Viennese works catches him in the act of negotiating performance needs as soloist and compositional needs as author. His acute attention to detail and his intense personal involveme…
Concerted Effort
An entirely special manner
Journal Article ‘AN ENTIRELY SPECIAL MANNER’: MOZART'S PIANO CONCERTO NO. 14 IN E FLAT, K. 449, AND THE STYLISTIC IMPLICATIONS OF CONFRONTATION Get access SIMON P. KEEFE SIMON P. KEEFE Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 82, Issue 4, November 2001, Pages 559–581, https://doi.org/10.1093/ml/82.4.559 Published: 01 November 2001
Antoine Reicha's "Dialogue"
Le theoricien tcheque Antoine Reicha (1770-1836) fut le premier a formaliser de facon coherente le concept de dialogue comme metaphore de l'interaction instrumentale dans la musique classique. L'A. montre que son interpretation du concept de dialogue s'inscrivait dans les references du 18 eme siecle sur le dialogue instrumental et sur le duo dialogue d'opera, et qu'il sut utiliser de facon originale, precise et imaginative les ecrits non-musicaux…
Sartre's Wagner
An entirely special manner
Journal Article ‘AN ENTIRELY SPECIAL MANNER’: MOZART'S PIANO CONCERTO NO. 14 IN E FLAT, K. 449, AND THE STYLISTIC IMPLICATIONS OF CONFRONTATION Get access SIMON P. KEEFE SIMON P. KEEFE Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 82, Issue 4, November 2001, Pages 559–581, https://doi.org/10.1093/ml/82.4.559 Published: 01 November 2001
Sartre's Wagner
Antoine Reicha's "Dialogue"
Le theoricien tcheque Antoine Reicha (1770-1836) fut le premier a formaliser de facon coherente le concept de dialogue comme metaphore de l'interaction instrumentale dans la musique classique. L'A. montre que son interpretation du concept de dialogue s'inscrivait dans les references du 18 eme siecle sur le dialogue instrumental et sur le duo dialogue d'opera, et qu'il sut utiliser de facon originale, precise et imaginative les ecrits non-musicaux…
An entirely special manner
Journal Article ‘AN ENTIRELY SPECIAL MANNER’: MOZART'S PIANO CONCERTO NO. 14 IN E FLAT, K. 449, AND THE STYLISTIC IMPLICATIONS OF CONFRONTATION Get access SIMON P. KEEFE SIMON P. KEEFE Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 82, Issue 4, November 2001, Pages 559–581, https://doi.org/10.1093/ml/82.4.559 Published: 01 November 2001
Concerted Effort
The Cambridge history of eighteenth-century music
We hardly knew what we should pay attention to first’
Late eighteenth-century writings bear witness to Mozart's extraordinary skills as a performer-composer. But this dual status has yet to exert a serious influence on our understanding of Mozart's piano concertos. An examination of changes to the autograph scores of his Viennese works catches him in the act of negotiating performance needs as soloist and compositional needs as author. His acute attention to detail and his intense personal involveme…
Mozart's Requiem
Mozart Studies 2
Mozart in Vienna
Mozart in Context
Mozart’s Requiem in Pamplona (1844)
The Requiem was one of Mozart’s most popular works in the nineteenth century, performed at funerals and memorial services for the likes of Haydn, Dussek, Beethoven, Schubert, Chopin, and Rossini, for the literary giants Schiller and Goethe, and for a wide array of European royalty, political leaders, and military figures (most famously Napoleon in 1840 at Les Invalides in Paris). The publication under review comprises an edition from one such com…
Mozart’s Operas and National Politics
Art (11 works) · Musicology and Musical Analysis (10 works) · Literature (8 works) · MOZART (8 works) · Philosophy (6 works) · Art history (5 works) · Diverse Musicological Studies (5 works) · Psychology (5 works) · History (4 works) · Visual arts (4 works)