Stephen M Butte
Biographic Data
| ID | 3601601 |
|---|---|
| NAME | Stephen M Butte |
| GIVEN NAMES | Stephen M |
| FAMILY NAME | Butte |
| SIGNATURE | BUTTE S M |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
From Paper to Celluloid and Back Again
This essay argues that our current understanding of the cinematic work by the pioneering Chilean film director Jorge Délano obscures a sophisticated interaction between politics, art and economics, one that reveals unexamined aspects of how the film industry developed in Chile. Most notably, it argues that Délano's illustrated political satire magazine Topaze was central to the development of early sound cinema in the country. Following Rielle Na…
Huaso Romance as Neoliberal Reform in Sebastián Silva'sLa nana
Building on the work of recent critics, this essay asserts that the narrative of illness and recovery at the center of Sebastián Silva's film La nana (2009) can be understood as allegorically working through the contradictions between economy and culture in contemporary Chile. Diverging from these critics, however, the essay argues that the film operates its critique by mobilizing the narrative structures that characterized Chilean criollista nov…
Huaso Romance as Neoliberal Reform in Sebastián Silva'sLa nana
Building on the work of recent critics, this essay asserts that the narrative of illness and recovery at the center of Sebastián Silva's film La nana (2009) can be understood as allegorically working through the contradictions between economy and culture in contemporary Chile. Diverging from these critics, however, the essay argues that the film operates its critique by mobilizing the narrative structures that characterized Chilean criollista nov…
Huaso Romance as Neoliberal Reform in Sebastián Silva'sLa nana
Building on the work of recent critics, this essay asserts that the narrative of illness and recovery at the center of Sebastián Silva's film La nana (2009) can be understood as allegorically working through the contradictions between economy and culture in contemporary Chile. Diverging from these critics, however, the essay argues that the film operates its critique by mobilizing the narrative structures that characterized Chilean criollista nov…
From Paper to Celluloid and Back Again
This essay argues that our current understanding of the cinematic work by the pioneering Chilean film director Jorge Délano obscures a sophisticated interaction between politics, art and economics, one that reveals unexamined aspects of how the film industry developed in Chile. Most notably, it argues that Délano's illustrated political satire magazine Topaze was central to the development of early sound cinema in the country. Following Rielle Na…
Art (2 works) · Latin American Literature Studies (2 works) · Law (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Argument (complex analysis (1 work) · Art history (1 work) · Capital (architecture (1 work)