Roselyn Costantino
Biographic Data
| ID | 360362 |
|---|---|
| NAME | Roselyn Costantino |
| GIVEN NAMES | Roselyn |
| FAMILY NAME | Costantino |
| SIGNATURE | COSTANTINO R |
| AFFILIATIONS | Pennsylvania State University |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 1 |
Violence Against Women and Asylum Seeking
This paper, based on broader discussions surrounding gender violence and immigration in the U.S., provides critical information on the historical context of extreme violence against women and femicide plaguing Central American societies today. Drawing on experiences of precedent setting cases of Guatemalan women, the authors offer suggestions for culturally specific treatment of and support for women who seek asylum in the U.S. out of justified f…
Latin American Performance Studies
Latin American Performance Studies:Random Acts or Critical Moves? Roselyn Costantino Body. Presence. Present. Act. Interact. Advocate. Provoke. Power. Critical. Urgent. These terms encapsulate key components and driving forces of the embodied practices of performance. Their use in narrative about what Richard Martel terms performance's "incursions into the tissue of languages and habits" stands in opposition to the notion that performance can be …
Holy Terrors
Unimagined Communities
Embodied Memory in Las Horas de Belen. A Book of Hours
Over the last few decades scholars, artists, and activists have expanded the breadth and depth of the feminist practice of recuperating women's lives, voices, and worldview. They do so by filling the gaps in the story of humankind as they uncover the myriad ways that the structures of knowledge, memory, value, representation, and power inextricably intertwine. In this tradition, in Las Horas de Belén. A Book of Hours, a team of U.S. and Mexican w…
Politics and culture in a Diva's diversion
Holy terrors
Holy Terrors presents exemplary original work by fourteen of Latin America’s foremost contemporary women theatre and performance artists. Many of the pieces—including one-act plays, manifestos, and lyrics—appear in English for the first time. From Griselda Gambaro, Argentina's most widely recognized playwright, to such renowned performers as Brazil's Denise Stoklos and Mexico’s Jesusa Rodriguez, these women are involved in some of Latin America's…
Jesusa Rodriguez
Lo Erotico, Lo Exotico y el Taco
University Theatre and Cultural Politics in Contemporary Mexican Society
Historically, and spectacle in Latin America have played an active role in the construction of nation-states and national identities-and in the resistance to consequent hegemonic domination. Recent moves toward democracy in Mexico, challenging the monopoly of the state-party system, coincide with a call for the democratization of Mexican culture and for an articulation of the cultural diversity that characterizes that society. As political, econo…
Violence Against Women and Asylum Seeking
This paper, based on broader discussions surrounding gender violence and immigration in the U.S., provides critical information on the historical context of extreme violence against women and femicide plaguing Central American societies today. Drawing on experiences of precedent setting cases of Guatemalan women, the authors offer suggestions for culturally specific treatment of and support for women who seek asylum in the U.S. out of justified f…
Embodied Memory in Las Horas de Belen. A Book of Hours
Over the last few decades scholars, artists, and activists have expanded the breadth and depth of the feminist practice of recuperating women's lives, voices, and worldview. They do so by filling the gaps in the story of humankind as they uncover the myriad ways that the structures of knowledge, memory, value, representation, and power inextricably intertwine. In this tradition, in Las Horas de Belén. A Book of Hours, a team of U.S. and Mexican w…
University Theatre and Cultural Politics in Contemporary Mexican Society
Historically, and spectacle in Latin America have played an active role in the construction of nation-states and national identities-and in the resistance to consequent hegemonic domination. Recent moves toward democracy in Mexico, challenging the monopoly of the state-party system, coincide with a call for the democratization of Mexican culture and for an articulation of the cultural diversity that characterizes that society. As political, econo…
Lo Erotico, Lo Exotico y el Taco
Politics and culture in a Diva's diversion
Holy terrors
Holy Terrors presents exemplary original work by fourteen of Latin America’s foremost contemporary women theatre and performance artists. Many of the pieces—including one-act plays, manifestos, and lyrics—appear in English for the first time. From Griselda Gambaro, Argentina's most widely recognized playwright, to such renowned performers as Brazil's Denise Stoklos and Mexico’s Jesusa Rodriguez, these women are involved in some of Latin America's…
Jesusa Rodriguez
Embodied Memory in Las Horas de Belen. A Book of Hours
Over the last few decades scholars, artists, and activists have expanded the breadth and depth of the feminist practice of recuperating women's lives, voices, and worldview. They do so by filling the gaps in the story of humankind as they uncover the myriad ways that the structures of knowledge, memory, value, representation, and power inextricably intertwine. In this tradition, in Las Horas de Belén. A Book of Hours, a team of U.S. and Mexican w…
Holy Terrors
Unimagined Communities
Latin American Performance Studies
Latin American Performance Studies:Random Acts or Critical Moves? Roselyn Costantino Body. Presence. Present. Act. Interact. Advocate. Provoke. Power. Critical. Urgent. These terms encapsulate key components and driving forces of the embodied practices of performance. Their use in narrative about what Richard Martel terms performance's "incursions into the tissue of languages and habits" stands in opposition to the notion that performance can be …
Violence Against Women and Asylum Seeking
This paper, based on broader discussions surrounding gender violence and immigration in the U.S., provides critical information on the historical context of extreme violence against women and femicide plaguing Central American societies today. Drawing on experiences of precedent setting cases of Guatemalan women, the authors offer suggestions for culturally specific treatment of and support for women who seek asylum in the U.S. out of justified f…
Sociology (6 works) · Art (5 works) · Law (5 works) · Political science (5 works) · Politics (4 works) · Aesthetics (3 works) · Gender Studies (3 works) · Theatre and Performance Studies (3 works) · Anthropology (2 works) · Computer Science (2 works)