Joan Dejean
Biographic Data
| ID | 3604688 |
|---|---|
| NAME | Joan Dejean |
| GIVEN NAMES | Joan |
| FAMILY NAME | Dejean |
| SIGNATURE | DEJEAN J |
| AFFILIATIONS | University of Pennsylvania |
| VERIFIED | No |
| TOTAL WORKS | 28 |
| TOTAL CITATIONS | 12 |
| AUTHOR COUNT | 28 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1976 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 2 |
Literary Fortifications: Rousseau, Laclos, Sade
Le travail de l'oubli: Commerce, sexualité et censure dans Le Festin de Pierre de Molière
In 17th century France, the real and state-sponsored rise in conspicuous consumption and trade, exemplified by the permission granted nobles to engage in the colonial trade, did not, contrary to other countries, show up in shifts in self-representation. But this was due to conscious state censorship promoting an image of France as a civilising culture, as the story of the censorship of Moliere’s Festin de Pierre shows ; a work of forgetting Frenc…
Violent Women and Violence against Women: Representing the “Strong” Woman in Early Modern France
The Work of Forgetting: Commerce, Sexuality, Censorship, and Molière'sLe Festin de Pierre
Classical Reeducation: Decanonizing the Feminine
Rooms of their own: Literary salons in seventeenth-century France
The literary salon is among the few truly original institutions in the history of French culture. The literary assemblies first noted in sixteenth-century France were naturally not without precedent – notably in sixteenth-century Italy. However, no other country ever produced a tradition of such gatherings. For, whereas most European nations at one time or another knew some degree of salon activity – salons were particularly prevalent throughout …
Ancients against Moderns: Culture Wars and the Making of a Fin de Siecle
As the end of the 20th century approaches, many predict that it will mirror the 19th-century decline into decadence. The author of this text finds a closer analogy with the culture wars of France in the 1690s - the time of a battle of the books known as the Quarrel between the Ancients and Moderns. The book reassesses current culture wars from the perspective of that earlier fin de siecle, and re-reads the 17th century Quarrel from the vantage of…
Did the Seventeenth Century Invent Our Fin de Siècle? Or, the Creation of the Enlightenment That We May at Last Be Leaving behind
Tender Geographies: Women and the Origins of the Novel in France
Displacements: Women, Tradition, Literature in French
Revising Memory, Women's Fiction and Memoirs in Seventeenth-Century France
Fictions of Sappho: 1546-1937
Paula Saffire's Review of Joan De Jean's Fictions of Sappho
Sappho, c'est moi, selon Racine: Coming of Age in Neo-Classical Theater
Sex and Philology: Sappho and the Rise of German Nationalism
Research Article| July 01 1989 Sex and Philology: Sappho and the Rise of German Nationalism Joan DeJean Joan DeJean Search for other works by this author on: This Site PubMed Google Scholar Representations (1989) 27: 148–171. https://doi.org/10.2307/2928488 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite S…
Editors' Preface
Classical Reeducation: Decanonizing the Feminine
No Man's Land: The Novel's First Geography
Literary Fortifications: Rousseau, Laclos, Sade
Fictions of Sappho
Literary Fortifications: Rousseau, Laclos, Sade
This highly original interpretation of the novel of the French Classical age explores military strategy as a central metaphor in Rousseau's Julie and Emile, Laclos' Les Liaisons dangereuses, and Sade's Les 120 Journees de Sodome.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. The…
The law(s) of the pedagogical jungle: La Fontaine read by Rousseau
Fictions of Feminine Desire: Disclosures of Heloise
The Heroine's Text: Readings in the French and English Novel, 1722-1782
Libertine Strategies: Freedom and the Novel in Seventeenth-Century France
this study in a context of wider critical interest.I originally de cided against writing such a conclusion because I felt the liber tines should stand on their own.I was concerned that their works might be overshadowed by those of their more illustrious eighteenth-century "heirs."N o w I also kno w that I did not write this conclusion because I sensed that a chapter would not be suffi cient to trace the parallels I wished to explore.I a m current…
Fictive Performances: Oriental Music in Alexandre Dumas' the Count of Monte Cristo
This article proposes to take small step to extend the territory gained for ethnomusicological consideration by Frank Harrison's Time, Place and Music. Harrison characterizes his anEthology of reports based on first-hand observation of performances as a symptom of new tendency in being selective contribution to documentation of some two and half centuries of observation by Europeans of music practices in continents other than Europe (1973:1). Man…
Fictions of Sappho
Sex and Philology: Sappho and the Rise of German Nationalism
Research Article| July 01 1989 Sex and Philology: Sappho and the Rise of German Nationalism Joan DeJean Joan DeJean Search for other works by this author on: This Site PubMed Google Scholar Representations (1989) 27: 148–171. https://doi.org/10.2307/2928488 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite S…
The Work of Forgetting: Commerce, Sexuality, Censorship, and Molière'sLe Festin de Pierre
Did the Seventeenth Century Invent Our Fin de Siècle? Or, the Creation of the Enlightenment That We May at Last Be Leaving behind
Libertine Strategies: Freedom and the Novel in Seventeenth-Century France
this study in a context of wider critical interest.I originally de cided against writing such a conclusion because I felt the liber tines should stand on their own.I was concerned that their works might be overshadowed by those of their more illustrious eighteenth-century "heirs."N o w I also kno w that I did not write this conclusion because I sensed that a chapter would not be suffi cient to trace the parallels I wished to explore.I a m current…
Studies in Eighteenth-Century French Literature Presented to Robert Niklaus
W. H. BARBER Voltaire at Cirey DAVID BERRY Diderot's Optics THEODORE BESTERMAN Three Additions to Voltaire Biography MICHAEL CARTWRIGHT Diderot and the Idea of Performance and the Performer JANE MARSH DIECKMANN 'A Zerbina Penseret': A Note on Diderot's Epigraph E. L. DUTHIE L'Orage OTIS FELLOWS George Berkely, His Door and the Philosophes JOHN FOX An Eighteenth-Century Student of Medieval Literature: Bernard de La Monnoye BASIL GUY The Prince de …
Insertions and Interventions in Le Neveu de Rameau
CERTAIN OF DIDEROT'S WORKS of prose fiction present a real problem of classification, and none has been placed in more categories than Le Neveu de Rameau. Herbert Dieckmann feels that Diderot's own choice of satire still gives the most accurate description of the work.' Andre Billy proposes a revival of the term sotie,2 and Ronald Grimsley even includes Le Neveu de Rameau in a discussion of Diderot's novels.3 The very fact that Le Neveu de Rameau…
In Search of the Artistic Text: Recent Works by Lotman and Uspensky
What really distinguishes so-called artistic language from other types of language, and what sets the artistic text apart from other texts? Jurij Lotman and Boris Uspensky attempt to answer these questions in very different ways. Both works start from the premise that poetic language somehow deviates from a norm; that it is a type of expression made strange, according to Viktor Shlovskij's now famous formula (Iskusstvo kak priem, L'Art comme proc…
Fictive Performances: Oriental Music in Alexandre Dumas' the Count of Monte Cristo
This article proposes to take small step to extend the territory gained for ethnomusicological consideration by Frank Harrison's Time, Place and Music. Harrison characterizes his anEthology of reports based on first-hand observation of performances as a symptom of new tendency in being selective contribution to documentation of some two and half centuries of observation by Europeans of music practices in continents other than Europe (1973:1). Man…
The Heroine's Text: Readings in the French and English Novel, 1722-1782
Libertine Strategies: Freedom and the Novel in Seventeenth-Century France
this study in a context of wider critical interest.I originally de cided against writing such a conclusion because I felt the liber tines should stand on their own.I was concerned that their works might be overshadowed by those of their more illustrious eighteenth-century "heirs."N o w I also kno w that I did not write this conclusion because I sensed that a chapter would not be suffi cient to trace the parallels I wished to explore.I a m current…
Fictions of Feminine Desire: Disclosures of Heloise
The law(s) of the pedagogical jungle: La Fontaine read by Rousseau
Literary Fortifications: Rousseau, Laclos, Sade
This highly original interpretation of the novel of the French Classical age explores military strategy as a central metaphor in Rousseau's Julie and Emile, Laclos' Les Liaisons dangereuses, and Sade's Les 120 Journees de Sodome.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. The…
No Man's Land: The Novel's First Geography
Literary Fortifications: Rousseau, Laclos, Sade
Fictions of Sappho
Editors' Preface
Classical Reeducation: Decanonizing the Feminine
Sappho, c'est moi, selon Racine: Coming of Age in Neo-Classical Theater
Sex and Philology: Sappho and the Rise of German Nationalism
Research Article| July 01 1989 Sex and Philology: Sappho and the Rise of German Nationalism Joan DeJean Joan DeJean Search for other works by this author on: This Site PubMed Google Scholar Representations (1989) 27: 148–171. https://doi.org/10.2307/2928488 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite S…
Fictions of Sappho: 1546-1937
Paula Saffire's Review of Joan De Jean's Fictions of Sappho
Revising Memory, Women's Fiction and Memoirs in Seventeenth-Century France
Displacements: Women, Tradition, Literature in French
Tender Geographies: Women and the Origins of the Novel in France
Did the Seventeenth Century Invent Our Fin de Siècle? Or, the Creation of the Enlightenment That We May at Last Be Leaving behind
Ancients against Moderns: Culture Wars and the Making of a Fin de Siecle
As the end of the 20th century approaches, many predict that it will mirror the 19th-century decline into decadence. The author of this text finds a closer analogy with the culture wars of France in the 1690s - the time of a battle of the books known as the Quarrel between the Ancients and Moderns. The book reassesses current culture wars from the perspective of that earlier fin de siecle, and re-reads the 17th century Quarrel from the vantage of…
Rooms of their own: Literary salons in seventeenth-century France
The literary salon is among the few truly original institutions in the history of French culture. The literary assemblies first noted in sixteenth-century France were naturally not without precedent – notably in sixteenth-century Italy. However, no other country ever produced a tradition of such gatherings. For, whereas most European nations at one time or another knew some degree of salon activity – salons were particularly prevalent throughout …
Classical Reeducation: Decanonizing the Feminine
The Work of Forgetting: Commerce, Sexuality, Censorship, and Molière'sLe Festin de Pierre
Art (24 works) · History (14 works) · Historical and Literary Studies (12 works) · Literature (12 works) · Philosophy (10 works) · Historical and Literary Analyses (8 works) · Philosophy (7 works) · Art history (6 works) · History (6 works) · Psychology (6 works)