Jay Ruby
Datos Biográficos
| ID | 3605841 |
|---|---|
| NOMBRE | Jay Ruby |
| NOMBRES | Jay |
| APELLIDO | Ruby |
| FIRMA | RUBY J |
| AFILIACIONES | Temple University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 76 |
| TOTAL DE CITAS | 308 |
| TOTAL COMO AUTOR | 75 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 1964 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2014 |
| ÍNDICE H | 8 |
Studying Sideways in Malibu
Additional informationNotes on contributorsJay RubyJay Ruby is an emeritus professor of anthropology at Temple University in Philadelphia. He is author of 12 books and more than 70 articles. A pioneer in the development of an anthropology of visual communication, recently he has conducted ethnographic studies of pictorial communication in Juniata County, Pennsylvania, Oak Park, Illinois, and Bohemian Malibu
Where Is the Theory in Visual Anthropology
Is there a real theoretical underpinning for visual anthropology? Or are we just borrowing theoretical concepts, as needed, from other disciplines? Here eight visual anthropologists offer their thoughts on this fundamental question succinctly
In the Kitchen by Dona Schwartz
Film as text
Digital Oak Park
This essay describes an attempt to convey anthropological knowledge by an innovative means. Combining text, photographs, and video clips in a nonlinear fashion, these four ethnographic portraits explore aspects of Oak Park, Illinois, an upper-middle-class suburb of Chicago renowned for its success in creating and maintaining ethnic diversity. The portraits explore the impact of this diversity among Euro-American, African American and lesbian fami…
The last 20 years of visual anthropology – a critical review
This article is a critical review of the last 20 years of the development of visual anthropology in the United States and United Kingdom. It is argued that there are three approaches to the field – visual anthropology as ethnographic film, as the cultural study of pictorial media and as an inclusive anthropology of visual communication. The development and expansion of scholarly journals, training programmes and increasing general acceptance of t…
Anthropology as a Subversive Art
This is a review of the film Through These Eyes , by Charles Laird. The film explores the historical moment during the Cold War in which the National Science Foundation funded educational curricula and programs to advance education in the sciences. Through These Eyes focuses on the history of one course of study as a part of these programs, a year‐long course called “Man, a Course of Study” that presented fifth‐grade students with materials desig…
Jean Rouch
Picturing Culture
The Professionalization of Visual Anthropology in the United States
North American Contributions to the History of Visual Anthropology ‐ Introduction
Picturing Culture
Beauty Before Age
Beauty Before Age: Growing Older in Gay Culture. Credits. Producer/Director/Camera Johnny Symonds. second camera. Gail Huddleson and David Mailmal. Sound. Aaron Lubarski. and Editor. Elaine Trotten. Distributed by New Day Films, 22‐D Hollywood Avenue, Hohokus, NJ 07423. Tel. 888‐367‐9154. Fax. 201‐652‐1973. Email. [email protected]. http://newday.com.Running time. 22 minutes. Color
Commentary
Navajo and Photography
HISTORICALLY, PHOTOGRAPHS have said less about the Navajo than about the photographers of Navajos. In Navajo and Photography James Faris calls attention to the inability of these photographs to communicate either the lived experiences of native people or their history. Beginning with the earliest photographs of Navajos in captivity at Bosque Redondo and including recent glossy picture books and calendars, Faris's survey points up assumptions that…
Vision, Race and Modernity
Vision, Race and Modernity:. Visual Economy of the Andean Image World. Deborah Poole. Princeton: Princeton University Press, 1997. 263 pages, 75 halftones
Secure the Shadow
Secure the Shadow
Objectivity Revisited
The Moral Burden of Authorship In Ethnographic Film
Out of Sync
Pictures at an Execution
Pictures at an Execution: An Inquiry Into the Subject of Murder. Wendy Lesser. 1993.Cambridge: Harvard University Press. 270 pages, illustrations. $24.95. ISBN 0‐674‐66735‐2
Film as Ethnography/Innovation in Ethnographic Film
Film as Ethnography, Peter Ian Crawford and David Turton. editors. Manchester: Manchester University press in association with the Granada Centre for Visual anthropology. 1992.322 pages With illustrations isbn 0‐7190‐3683. 6. Softbound No price. Innovation In Ethnographic Film: From Innocence to Self‐Consciousness. Peter Loizos .Chicago: University of Chicago Press. 1993. 224 pages with Illustrations. Hardbound $42.50. Paper $15.95. The Cinema of…
Film Reviews
Book reviewed in this article: Chang , 1927, 70 minutes, black and white, a film by Merian C. Cooper and Ernest B. Schoedsack . Grass , 1925, 70 minutes, black and white, a film by Merian C. Cooper, Ernest B. Schoedsack , and Marguerite Harrison . In the Land of the War Canoes , 1914, 47 minutes, black and white, a film by Edward C. Curtis . The Silent Enemy , 1930, 84 minutes, black and white with original color tints, a film by H. P. Carver . S…
The Cinema of John Marshall
Part 1 Filming and learning: introduction - death by myth going to Nyae Nyae learning to film water, history and what to shoot change and slots learning from film, Carolyn Anderson and Thomas W. Benson put down the camera and pick up the shovel - an interview with John Marshall, compiled by Sue Marshall Cabezas photographic essay of the early expeditions (1951-1958) to study the Ju/'hoansi of Nyae Nyae, Nancie L. Gonzalez an argument about film, …
Picturing Culture
Speaking For, Speaking About, Speaking With, or Speaking Alongside — An Anthropological and Documentary Dilemma
Is an Ethnographic Film a Filmic Ethnography
A Crack in the Mirror
Film as Ethnography
Part 1 Authority, representation and anthropological knowledge: anthropological visions - some notes on visual and textual authority, Kirsten Hastrup the lexical spaces of eye-spy, Chrisopher Pinney admissible evidence? film in anthropology, Peter Loizos film as discourse - the invention of anthropological realities, Peter Ian Crawford. Part 2 Image, audience and aesthetics: complicities of style, David MacDougall the aesthetics of ambiguity, Dai…
Exposing yourself
Where Is the Theory in Visual Anthropology
Is there a real theoretical underpinning for visual anthropology? Or are we just borrowing theoretical concepts, as needed, from other disciplines? Here eight visual anthropologists offer their thoughts on this fundamental question succinctly
Navajo and Photography
HISTORICALLY, PHOTOGRAPHS have said less about the Navajo than about the photographers of Navajos. In Navajo and Photography James Faris calls attention to the inability of these photographs to communicate either the lived experiences of native people or their history. Beginning with the earliest photographs of Navajos in captivity at Bosque Redondo and including recent glossy picture books and calendars, Faris's survey points up assumptions that…
The Emperor and His Clothes
Out of Sync
The Moral Burden of Authorship In Ethnographic Film
The Professionalization of Visual Anthropology in the United States
The Cinema of John Marshall
Part 1 Filming and learning: introduction - death by myth going to Nyae Nyae learning to film water, history and what to shoot change and slots learning from film, Carolyn Anderson and Thomas W. Benson put down the camera and pick up the shovel - an interview with John Marshall, compiled by Sue Marshall Cabezas photographic essay of the early expeditions (1951-1958) to study the Ju/'hoansi of Nyae Nyae, Nancie L. Gonzalez an argument about film, …
Anthropology as a Subversive Art
This is a review of the film Through These Eyes , by Charles Laird. The film explores the historical moment during the Cold War in which the National Science Foundation funded educational curricula and programs to advance education in the sciences. Through These Eyes focuses on the history of one course of study as a part of these programs, a year‐long course called “Man, a Course of Study” that presented fifth‐grade students with materials desig…
North American Contributions to the History of Visual Anthropology ‐ Introduction
The future of anthropological cinema—A modest polemic
Occurrence of Southwestern Pottery in Los Angeles County, California
The occurrence of sherds of Southwestern pottery in several localities is noted. These sherds are briefly described and are discussed in terms of probable trade routes between the Southwest and southern California
Studying Sideways in Malibu
Additional informationNotes on contributorsJay RubyJay Ruby is an emeritus professor of anthropology at Temple University in Philadelphia. He is author of 12 books and more than 70 articles. A pioneer in the development of an anthropology of visual communication, recently he has conducted ethnographic studies of pictorial communication in Juniata County, Pennsylvania, Oak Park, Illinois, and Bohemian Malibu
Jean Rouch
Secure the Shadow
Pictures at an Execution
Pictures at an Execution: An Inquiry Into the Subject of Murder. Wendy Lesser. 1993.Cambridge: Harvard University Press. 270 pages, illustrations. $24.95. ISBN 0‐674‐66735‐2
The Architectural Uncanny/ The Surreptitious Speech/ The Cinematic Grtot / Ethnographic Film Aesthetics & Narrative Traditions / Deer Camp / Magic Eyes / Partial Recall / Waucoma Twilight
The Architectural Uncanny. 1992. By Anthony Vidler. Cambridge: Mit Press The Surreptitious Speech: Presence Africaine and The Politics of Otherness, 1947—1987. Ed. V. Y. Mudimbe. Chicago and London: The university of Chicago Press, 1992. The Cinematic Griot: the Ethnography of Jean Rouch. 1992. By Paul Stoller. xvii. 247 pp. Chicago: Chicago University Press. Emilie De Brigard Anthropological film research institute Ethnographic Film Aesthetics a…
Photographs, Memory, and Grief
Eric Michaels
I got into media studies, as an anthropologist, because I believed the media were the belly of the beast, and because I thought television was central to the creation of the extraordinary contradictions that plagued the contemporary world. [Michaels 1983] It would seem that Malinowski's stricture that the function of the ethnographer was to see the native's culture from the native's own point of view could at last be achieved—literally, and not m…
Eric Michaels
Occurrence of Southwestern Pottery in Los Angeles County, California
The occurrence of sherds of Southwestern pottery in several localities is noted. These sherds are briefly described and are discussed in terms of probable trade routes between the Southwest and southern California
Southwestern Pottery in Los Angeles County, California
Digging Up the Past. Filmed and produced in 1964 by Northern Films, Inc. Authenticated by KOB‐ERT E. GREENGO, University of Washington, and Richard D. Daugherty, Washington State University. Study gui…
Now that the Buffalo's Gone. Written, directed, and produced by Burton Gershfield
Butte-1
Audiovisuals Reviews
Book reviewed in this article: Family . A film by HUBERT SMITH Changing . A film by HUBERT SMITH
Is an Ethnographic Film a Filmic Ethnography
In a Pic’s Eye
Photo Essay| March 01 1976 In a Pic's Eye: Interpretive strategies for deriving significance and meaning from photographs Jay Ruby Jay Ruby Jay Ruby is professor of anthropology at Temple University, Philadelphia. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1976) 3 (9): 5–7. https://doi.org/10.1525/aft.1976.3.9.5 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review…
Anthropology Newsletter
Worlds in a Small Room
Ola Belle Reed, Memories
General and Theoretical
Exposing yourself
Introduction
Seeing Through Pictures
Photographs of the Piegan by Roland Reed1(Photo Essay)
A Crack in the Mirror
This collection focuses on the concept of reflexivity and how it warps the portrayal of anthropological truth. The essays show how an understanding of reflexivity leads to cultural and methodological self-awareness.
The United States View Company of Richfield, Pennsylvania (Photo Essay)
A Crack in the Mirror
Post-Mortem portraiture in America
Photography has figured in social rituals surrounding death, funerals, and mourning since the inception of the new technology. Photography's appeal lies in its ability to provide us with a mirror image, one that is thought to be unimpeachable and permanent, and it seems quite natural that death, as a rite of passage, should also be commemorated photographically
The Other Worlds of Joe Steinmetz
Giddy girls
Harald Lechenperg, Photojournalsit
II. An Interview with Bernd Lohse
Francis L. Cooper, Spruce Hill Photographer
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