Jimena Perry
Biographic Data
| ID | 3606147 |
|---|---|
| NAME | Jimena Perry |
| GIVEN NAMES | Jimena |
| FAMILY NAME | Perry |
| SIGNATURE | PERRY J |
| AFFILIATIONS | Iona College |
| ORCID | 0000-0001-5102-1651 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1958 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Public Historians’ Duty
This article examines the intersections between memory activism, academia, and public history through the case of the Traveling Museum of Memory and Identity of Montes de María, known as El Mochuelo , in the Colombian Caribbean. The museum, a peripatetic and community-driven initiative, travels across 15 municipalities affected by decades of armed conflict, using interactive and largely non-material displays rooted in oral traditions and cultural…
Conservative Public History
“Savages” and “Brutes”
This article reflects on the historical development and enduring nature of anti-indigenous stigmatization in Colombia from the nineteenth century to contemporary times. It explores how official discourse, legislative measures, and cultural entities – such as the National Museum during the early republican era – upheld dichotomous representations that celebrate pre-Hispanic civilizations while depicting present-day indigenous populations as primit…
Cómics e historia pública o la batalla de Junín y otros relatos históricos desde la narrativa gráfica en el Perú - Entrevista con Carla Sagástegui
Art and Spirituality
The historically underrepresented Pacific Colombian Coast is known for its social injustice and poverty. However, in this adverse environment, a group of artists called School and Workshop Watercolorists of San Cipriano, created in the decade of 1990s, decided to use art as the means to express both their individual and collective concerns. The artists are watercolorists, photographers, painters, and sculptors who tell their stories through their…
Introduction
An Angel for the Dead
In 1997, Sonia Bermúdez created the cemetery and foundation People Like Us to fulfill what she believes is God’s command: to help others. Sonia is a professional thanatologist who lives in the Colombian Department of La Guajira, in the desertic northeast region, bordering Venezuela, on the Caribbean Coast. At her graveyard, she buries the No Name, N.N., the victims of the country’s multifaceted violence, the homeless people, and those who live in…
Quedan indios en Colombia? El movimiento indigenista de 1940 a 1950
Un grupo de intelectuales colombianos, influenciados por las ideas de Manuel Gamio sobre la integración y asimilación a la sociedad de los pueblos amerindios y las discusiones del Primer Congreso Interamericano en Pátzcuaro, México, 1940, decidieron seguir los pasos del Instituto Indigenista Interamericano y crear el Instituto Indigenista de Colombia en 1942. Aunque eran diferentes los contextos de México y Colombia durante este tiempo, los intel…
Are there any indians left in Colombia? The indigenista movement from 1940 to 1950
This paper examines the creation of the Colombian Indigenista Institute, CII (1942), its institutional history, and its closure (1949). The CII, influenced by the Mexican indigenista movement, fought for indigenous peoples' visibility for eight years. In the end, however, the CII failed due to a combination of internal factors such as ideological disagreements, and internal ones, including violence, scarce resources, and lack of awareness on the …
Les Relations Federales‐provinciales
No prominent works on this page.
Les Relations Federales‐provinciales
Quedan indios en Colombia? El movimiento indigenista de 1940 a 1950
Un grupo de intelectuales colombianos, influenciados por las ideas de Manuel Gamio sobre la integración y asimilación a la sociedad de los pueblos amerindios y las discusiones del Primer Congreso Interamericano en Pátzcuaro, México, 1940, decidieron seguir los pasos del Instituto Indigenista Interamericano y crear el Instituto Indigenista de Colombia en 1942. Aunque eran diferentes los contextos de México y Colombia durante este tiempo, los intel…
Are there any indians left in Colombia? The indigenista movement from 1940 to 1950
This paper examines the creation of the Colombian Indigenista Institute, CII (1942), its institutional history, and its closure (1949). The CII, influenced by the Mexican indigenista movement, fought for indigenous peoples' visibility for eight years. In the end, however, the CII failed due to a combination of internal factors such as ideological disagreements, and internal ones, including violence, scarce resources, and lack of awareness on the …
Art and Spirituality
The historically underrepresented Pacific Colombian Coast is known for its social injustice and poverty. However, in this adverse environment, a group of artists called School and Workshop Watercolorists of San Cipriano, created in the decade of 1990s, decided to use art as the means to express both their individual and collective concerns. The artists are watercolorists, photographers, painters, and sculptors who tell their stories through their…
Introduction
An Angel for the Dead
In 1997, Sonia Bermúdez created the cemetery and foundation People Like Us to fulfill what she believes is God’s command: to help others. Sonia is a professional thanatologist who lives in the Colombian Department of La Guajira, in the desertic northeast region, bordering Venezuela, on the Caribbean Coast. At her graveyard, she buries the No Name, N.N., the victims of the country’s multifaceted violence, the homeless people, and those who live in…
Conservative Public History
“Savages” and “Brutes”
This article reflects on the historical development and enduring nature of anti-indigenous stigmatization in Colombia from the nineteenth century to contemporary times. It explores how official discourse, legislative measures, and cultural entities – such as the National Museum during the early republican era – upheld dichotomous representations that celebrate pre-Hispanic civilizations while depicting present-day indigenous populations as primit…
Cómics e historia pública o la batalla de Junín y otros relatos históricos desde la narrativa gráfica en el Perú - Entrevista con Carla Sagástegui
Public Historians’ Duty
This article examines the intersections between memory activism, academia, and public history through the case of the Traveling Museum of Memory and Identity of Montes de María, known as El Mochuelo , in the Colombian Caribbean. The museum, a peripatetic and community-driven initiative, travels across 15 municipalities affected by decades of armed conflict, using interactive and largely non-material displays rooted in oral traditions and cultural…
Political science (4 works) · Afro-Latin American Studies (3 works) · History (3 works) · Law (3 works) · Politics (3 works) · Sociology (3 works) · Art (2 works) · Faith (2 works) · Geography (2 works) · Grassroots (2 works)