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Cássia Navas

Biographic Data

ID3608885
NAMECássia Navas
GIVEN NAMESCássia
FAMILY NAMENavas
SIGNATURENAVAS C
AFFILIATIONSUNESCO
ORCID0000-0002-4794-3925
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Josephine Baker e Mercedes Baptista

    Open Access•Julia Baker, Cássia Navas•ARTICLE•Revista Brasileira de Estudos da…•2022

    A partir da análise da trajetória de duas bailarinas, Josephine Baker e Mercedes Baptista, o artigo propõe uma reflexão acerca do conceito de estereótipos de Stuart Hall. Por serem mulheres negras, categorias eram aplicadas às suas movimentações sem maior profundidade: para Josephine, identificação com danças primitivas; para Mercedes, a falta de reconhecimento de um corpo negro em destaque na dança clássica. As formas como elas lideram com ester…

  • Josephine Baker and Mercedes Baptista

    Open Access•Julia Baker, Cássia Navas•ARTICLE•Revista Brasileira de Estudos da…•2022

    Based on the analysis of the trajectory of two dancers, Josephine Baker and Mercedes Baptista, this article proposes a reflection on the concept of stereotypes as per Stuart Hall. Being Black women, categories were applied to their movements without further depth: for Josephine, there was the identification with primitive dances; for Mercedes, the lack of recognition of a Black body in a leading role in classical dance. The ways in which they dea…

  • Dança, Arte do Corpo e Outros Corpos das Artes, Dossiê + Artigos

    Open Access•Cássia Navas, Beatriz Cerbino•ARTICLE•ARJ – Art Research Journal /…•2016

    Nota editorial

  • Aula Magna, Dança + Artes Visuais - Entrevista com Márcia Milhazes e Beatriz Milhazes

    Open Access•Cássia Navas, Beatriz Cerbino•ARTICLE•ARJ – Art Research Journal /…•2016

    An interview with Beatriz Milhazes and Márcia Milhazes (July 3, 2016 at the Ateliê Beatriz Milhazes in Rio de Janeiro). In a "laboratory-dialogue," both talk about their career paths, pointing to similarities, differences, and inflection points. It is like an Aula Magna that dialogically runs between two great artists of contemporary art. And, as a backdrop, an interweaving of their careers and the history of contemporary art flows through the na…

No prominent works on this page.

  • Dança, Arte do Corpo e Outros Corpos das Artes, Dossiê + Artigos

    Open Access•Cássia Navas, Beatriz Cerbino•ARTICLE•ARJ – Art Research Journal /…•2016

    Nota editorial

  • Aula Magna, Dança + Artes Visuais - Entrevista com Márcia Milhazes e Beatriz Milhazes

    Open Access•Cássia Navas, Beatriz Cerbino•ARTICLE•ARJ – Art Research Journal /…•2016

    An interview with Beatriz Milhazes and Márcia Milhazes (July 3, 2016 at the Ateliê Beatriz Milhazes in Rio de Janeiro). In a "laboratory-dialogue," both talk about their career paths, pointing to similarities, differences, and inflection points. It is like an Aula Magna that dialogically runs between two great artists of contemporary art. And, as a backdrop, an interweaving of their careers and the history of contemporary art flows through the na…

  • Josephine Baker e Mercedes Baptista

    Open Access•Julia Baker, Cássia Navas•ARTICLE•Revista Brasileira de Estudos da…•2022

    A partir da análise da trajetória de duas bailarinas, Josephine Baker e Mercedes Baptista, o artigo propõe uma reflexão acerca do conceito de estereótipos de Stuart Hall. Por serem mulheres negras, categorias eram aplicadas às suas movimentações sem maior profundidade: para Josephine, identificação com danças primitivas; para Mercedes, a falta de reconhecimento de um corpo negro em destaque na dança clássica. As formas como elas lideram com ester…

  • Josephine Baker and Mercedes Baptista

    Open Access•Julia Baker, Cássia Navas•ARTICLE•Revista Brasileira de Estudos da…•2022

    Based on the analysis of the trajectory of two dancers, Josephine Baker and Mercedes Baptista, this article proposes a reflection on the concept of stereotypes as per Stuart Hall. Being Black women, categories were applied to their movements without further depth: for Josephine, there was the identification with primitive dances; for Mercedes, the lack of recognition of a Black body in a leading role in classical dance. The ways in which they dea…

Art (4 works) · Arts and Performance Studies (3 works) · Humanities (3 works) · Diversity and Impact of Dance (2 works) · Black women (1 works) · Brazilian cultural history and politics (1 works) · Computer Science (1 works) · Cuban History and Society (1 works) · Dance (1 works) · Gender Studies (1 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae