Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Frank Collins

Biographic Data

ID3609737
NAMEFrank Collins
GIVEN NAMESFrank
FAMILY NAMECollins
SIGNATURECOLLINS F
ORCID0000-0001-6331-5390
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS25
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR1991
H-INDEX4
  • A Doxological History of Literature

    Joseph Melancon, Paul Perron et al.•ARTICLE•Poetics Today•1991

  • Paris School Semiotics I

    Paul Perron, Frank Collins et al.•ARTICLE•Poetics Today•1990

  • The Piece of String

    Guy De Maupassant, Paul Perron et al.•ARTICLE•New Literary History•1989

    T WAS MARKET DAY, and on all the country roads around Goderville the peasants and their wives were making their way toward the town. The men walked slowly, throwing their whole bodies forward at every step of their long crooked legs. They were deformed from pushing the plow, which makes their left shoulders higher and bends their figures sideways; from reaping the grain, when they have to spread their legs so as to keep on their feet; from all th…

  • The Veridiction Contract

    Algirdas Julien Greimas, Frank Collins et al.•ARTICLE•New Literary History•1989•Cited by: 4

    Traduction de « Le contrat de veridiction » paru dans « Man and World », 1980, 13, pp. 345-355. 1. Plausibilite et veracite. 2. Le contrat social. 3. La verification et sa crise. 4. La manipulation discursive. 5. Verite et certitude. PP. 661-677, D. MADDOX : « Veridiction, Verification, Verifactions : Reflections on Methodology »

  • Greimas's Narrative Grammar

    Paul Ricoeur, Frank Collins et al.•ARTICLE•New Literary History•1989•Cited by: 1

    WHAT IS INTERESTING about Greimas's narrative grammar is the way it constructs, degree by degree, the necessary conditions for narrativity, starting from a logical model which is the least complex possible and which, initially, includes no chronological import at all. The question is whether, in the attempt to arrive at the structure of those stories which are in fact produced by oral and written traditions, the author, in the successive addition…

  • Figurative Semiotics and the Semiotics of the Plastic Arts

    Algirdas Julien Greimas, Frank Collins et al.•ARTICLE•New Literary History•1989•Cited by: 10

    enough. It amounts to the postface for a collective work edited by Jean-Marie Floch and entitled De l'abstrait au figuratif, which for technical reasons beyond our control was never published. Thus it would be advisable to read it both as an anticipation of Floch's Petites mythologies de l'oeil et de l'esprit and a wellintentioned interpretation of Felix Thfirlemann's Paul Klee.1 The present text, which goes back some time and is perhaps a bit ou…

  • Description and Narrativity

    Algirdas Julien Greimas, Paul Perron et al.•ARTICLE•New Literary History•1989•Cited by: 1

    EFORE UNDERTAKING the analysis of textual units we can identify as descriptive we must first of all attempt to situate them within the entire narrative and also distinguish them from other discursive units by using the most objective identification criteria possible. It is indeed desirable that formal segmentation procedures progressively replace our intuitive comprehension of the text and its articulations. To do this it would seem appropriate t…

  • On Meaning

    Algirdas Julien Greimas, Paul Perron et al.•ARTICLE•New Literary History•1989•Cited by: 5

  • On Narrativity

    Algirdas Julien Greimas, Paul Ricoeur et al.•ARTICLE•New Literary History•1989•Cited by: 4

  • Figurative Semiotics and the Semiotics of the Plastic Arts

    Algirdas Julien Greimas, Frank Collins et al.•ARTICLE•New Literary History•1989•Cited by: 10

    enough. It amounts to the postface for a collective work edited by Jean-Marie Floch and entitled De l'abstrait au figuratif, which for technical reasons beyond our control was never published. Thus it would be advisable to read it both as an anticipation of Floch's Petites mythologies de l'oeil et de l'esprit and a wellintentioned interpretation of Felix Thfirlemann's Paul Klee.1 The present text, which goes back some time and is perhaps a bit ou…

  • On Meaning

    Algirdas Julien Greimas, Paul Perron et al.•ARTICLE•New Literary History•1989•Cited by: 5

  • The Veridiction Contract

    Algirdas Julien Greimas, Frank Collins et al.•ARTICLE•New Literary History•1989•Cited by: 4

    Traduction de « Le contrat de veridiction » paru dans « Man and World », 1980, 13, pp. 345-355. 1. Plausibilite et veracite. 2. Le contrat social. 3. La verification et sa crise. 4. La manipulation discursive. 5. Verite et certitude. PP. 661-677, D. MADDOX : « Veridiction, Verification, Verifactions : Reflections on Methodology »

  • On Narrativity

    Algirdas Julien Greimas, Paul Ricoeur et al.•ARTICLE•New Literary History•1989•Cited by: 4

  • Greimas's Narrative Grammar

    Paul Ricoeur, Frank Collins et al.•ARTICLE•New Literary History•1989•Cited by: 1

    WHAT IS INTERESTING about Greimas's narrative grammar is the way it constructs, degree by degree, the necessary conditions for narrativity, starting from a logical model which is the least complex possible and which, initially, includes no chronological import at all. The question is whether, in the attempt to arrive at the structure of those stories which are in fact produced by oral and written traditions, the author, in the successive addition…

  • Description and Narrativity

    Algirdas Julien Greimas, Paul Perron et al.•ARTICLE•New Literary History•1989•Cited by: 1

    EFORE UNDERTAKING the analysis of textual units we can identify as descriptive we must first of all attempt to situate them within the entire narrative and also distinguish them from other discursive units by using the most objective identification criteria possible. It is indeed desirable that formal segmentation procedures progressively replace our intuitive comprehension of the text and its articulations. To do this it would seem appropriate t…

  • The Piece of String

    Guy De Maupassant, Paul Perron et al.•ARTICLE•New Literary History•1989

    T WAS MARKET DAY, and on all the country roads around Goderville the peasants and their wives were making their way toward the town. The men walked slowly, throwing their whole bodies forward at every step of their long crooked legs. They were deformed from pushing the plow, which makes their left shoulders higher and bends their figures sideways; from reaping the grain, when they have to spread their legs so as to keep on their feet; from all th…

  • The Veridiction Contract

    Algirdas Julien Greimas, Frank Collins et al.•ARTICLE•New Literary History•1989•Cited by: 4

    Traduction de « Le contrat de veridiction » paru dans « Man and World », 1980, 13, pp. 345-355. 1. Plausibilite et veracite. 2. Le contrat social. 3. La verification et sa crise. 4. La manipulation discursive. 5. Verite et certitude. PP. 661-677, D. MADDOX : « Veridiction, Verification, Verifactions : Reflections on Methodology »

  • Greimas's Narrative Grammar

    Paul Ricoeur, Frank Collins et al.•ARTICLE•New Literary History•1989•Cited by: 1

    WHAT IS INTERESTING about Greimas's narrative grammar is the way it constructs, degree by degree, the necessary conditions for narrativity, starting from a logical model which is the least complex possible and which, initially, includes no chronological import at all. The question is whether, in the attempt to arrive at the structure of those stories which are in fact produced by oral and written traditions, the author, in the successive addition…

  • Figurative Semiotics and the Semiotics of the Plastic Arts

    Algirdas Julien Greimas, Frank Collins et al.•ARTICLE•New Literary History•1989•Cited by: 10

    enough. It amounts to the postface for a collective work edited by Jean-Marie Floch and entitled De l'abstrait au figuratif, which for technical reasons beyond our control was never published. Thus it would be advisable to read it both as an anticipation of Floch's Petites mythologies de l'oeil et de l'esprit and a wellintentioned interpretation of Felix Thfirlemann's Paul Klee.1 The present text, which goes back some time and is perhaps a bit ou…

  • Description and Narrativity

    Algirdas Julien Greimas, Paul Perron et al.•ARTICLE•New Literary History•1989•Cited by: 1

    EFORE UNDERTAKING the analysis of textual units we can identify as descriptive we must first of all attempt to situate them within the entire narrative and also distinguish them from other discursive units by using the most objective identification criteria possible. It is indeed desirable that formal segmentation procedures progressively replace our intuitive comprehension of the text and its articulations. To do this it would seem appropriate t…

  • On Meaning

    Algirdas Julien Greimas, Paul Perron et al.•ARTICLE•New Literary History•1989•Cited by: 5

  • On Narrativity

    Algirdas Julien Greimas, Paul Ricoeur et al.•ARTICLE•New Literary History•1989•Cited by: 4

  • Paris School Semiotics I

    Paul Perron, Frank Collins et al.•ARTICLE•Poetics Today•1990

  • A Doxological History of Literature

    Joseph Melancon, Paul Perron et al.•ARTICLE•Poetics Today•1991

Philosophy (7 works) · Art (5 works) · Linguistics (5 works) · Narrative (3 works) · Narrativity (3 works) · Aesthetics (2 works) · Epistemology (2 works) · Semiotics (2 works) · Semiotics and Representation Studies (2 works) · Social semiotics (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae