Frank Collins
Biographic Data
| ID | 3609737 |
|---|---|
| NAME | Frank Collins |
| GIVEN NAMES | Frank |
| FAMILY NAME | Collins |
| SIGNATURE | COLLINS F |
| ORCID | 0000-0001-6331-5390 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 25 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1989 |
| LATEST PUBLICATION YEAR | 1991 |
| H-INDEX | 4 |
A Doxological History of Literature
Paris School Semiotics I
The Piece of String
T WAS MARKET DAY, and on all the country roads around Goderville the peasants and their wives were making their way toward the town. The men walked slowly, throwing their whole bodies forward at every step of their long crooked legs. They were deformed from pushing the plow, which makes their left shoulders higher and bends their figures sideways; from reaping the grain, when they have to spread their legs so as to keep on their feet; from all th…
The Veridiction Contract
Traduction de « Le contrat de veridiction » paru dans « Man and World », 1980, 13, pp. 345-355. 1. Plausibilite et veracite. 2. Le contrat social. 3. La verification et sa crise. 4. La manipulation discursive. 5. Verite et certitude. PP. 661-677, D. MADDOX : « Veridiction, Verification, Verifactions : Reflections on Methodology »
Greimas's Narrative Grammar
WHAT IS INTERESTING about Greimas's narrative grammar is the way it constructs, degree by degree, the necessary conditions for narrativity, starting from a logical model which is the least complex possible and which, initially, includes no chronological import at all. The question is whether, in the attempt to arrive at the structure of those stories which are in fact produced by oral and written traditions, the author, in the successive addition…
Figurative Semiotics and the Semiotics of the Plastic Arts
enough. It amounts to the postface for a collective work edited by Jean-Marie Floch and entitled De l'abstrait au figuratif, which for technical reasons beyond our control was never published. Thus it would be advisable to read it both as an anticipation of Floch's Petites mythologies de l'oeil et de l'esprit and a wellintentioned interpretation of Felix Thfirlemann's Paul Klee.1 The present text, which goes back some time and is perhaps a bit ou…
Description and Narrativity
EFORE UNDERTAKING the analysis of textual units we can identify as descriptive we must first of all attempt to situate them within the entire narrative and also distinguish them from other discursive units by using the most objective identification criteria possible. It is indeed desirable that formal segmentation procedures progressively replace our intuitive comprehension of the text and its articulations. To do this it would seem appropriate t…
On Meaning
On Narrativity
Figurative Semiotics and the Semiotics of the Plastic Arts
enough. It amounts to the postface for a collective work edited by Jean-Marie Floch and entitled De l'abstrait au figuratif, which for technical reasons beyond our control was never published. Thus it would be advisable to read it both as an anticipation of Floch's Petites mythologies de l'oeil et de l'esprit and a wellintentioned interpretation of Felix Thfirlemann's Paul Klee.1 The present text, which goes back some time and is perhaps a bit ou…
On Meaning
The Veridiction Contract
Traduction de « Le contrat de veridiction » paru dans « Man and World », 1980, 13, pp. 345-355. 1. Plausibilite et veracite. 2. Le contrat social. 3. La verification et sa crise. 4. La manipulation discursive. 5. Verite et certitude. PP. 661-677, D. MADDOX : « Veridiction, Verification, Verifactions : Reflections on Methodology »
On Narrativity
Greimas's Narrative Grammar
WHAT IS INTERESTING about Greimas's narrative grammar is the way it constructs, degree by degree, the necessary conditions for narrativity, starting from a logical model which is the least complex possible and which, initially, includes no chronological import at all. The question is whether, in the attempt to arrive at the structure of those stories which are in fact produced by oral and written traditions, the author, in the successive addition…
Description and Narrativity
EFORE UNDERTAKING the analysis of textual units we can identify as descriptive we must first of all attempt to situate them within the entire narrative and also distinguish them from other discursive units by using the most objective identification criteria possible. It is indeed desirable that formal segmentation procedures progressively replace our intuitive comprehension of the text and its articulations. To do this it would seem appropriate t…
The Piece of String
T WAS MARKET DAY, and on all the country roads around Goderville the peasants and their wives were making their way toward the town. The men walked slowly, throwing their whole bodies forward at every step of their long crooked legs. They were deformed from pushing the plow, which makes their left shoulders higher and bends their figures sideways; from reaping the grain, when they have to spread their legs so as to keep on their feet; from all th…
The Veridiction Contract
Traduction de « Le contrat de veridiction » paru dans « Man and World », 1980, 13, pp. 345-355. 1. Plausibilite et veracite. 2. Le contrat social. 3. La verification et sa crise. 4. La manipulation discursive. 5. Verite et certitude. PP. 661-677, D. MADDOX : « Veridiction, Verification, Verifactions : Reflections on Methodology »
Greimas's Narrative Grammar
WHAT IS INTERESTING about Greimas's narrative grammar is the way it constructs, degree by degree, the necessary conditions for narrativity, starting from a logical model which is the least complex possible and which, initially, includes no chronological import at all. The question is whether, in the attempt to arrive at the structure of those stories which are in fact produced by oral and written traditions, the author, in the successive addition…
Figurative Semiotics and the Semiotics of the Plastic Arts
enough. It amounts to the postface for a collective work edited by Jean-Marie Floch and entitled De l'abstrait au figuratif, which for technical reasons beyond our control was never published. Thus it would be advisable to read it both as an anticipation of Floch's Petites mythologies de l'oeil et de l'esprit and a wellintentioned interpretation of Felix Thfirlemann's Paul Klee.1 The present text, which goes back some time and is perhaps a bit ou…
Description and Narrativity
EFORE UNDERTAKING the analysis of textual units we can identify as descriptive we must first of all attempt to situate them within the entire narrative and also distinguish them from other discursive units by using the most objective identification criteria possible. It is indeed desirable that formal segmentation procedures progressively replace our intuitive comprehension of the text and its articulations. To do this it would seem appropriate t…
On Meaning
On Narrativity
Paris School Semiotics I
A Doxological History of Literature
Philosophy (7 works) · Art (5 works) · Linguistics (5 works) · Narrative (3 works) · Narrativity (3 works) · Aesthetics (2 works) · Epistemology (2 works) · Semiotics (2 works) · Semiotics and Representation Studies (2 works) · Social semiotics (2 works)