Candace Jones
Biographic Data
| ID | 3610540 |
|---|---|
| NAME | Candace Jones |
| GIVEN NAMES | Candace |
| FAMILY NAME | Jones |
| SIGNATURE | JONES C |
| AFFILIATIONS | Boston College |
| ORCID | 0009-0004-0668-3145 |
| VERIFIED | Yes |
| TOTAL WORKS | 32 |
| TOTAL CITATIONS | 179 |
| AUTHOR COUNT | 28 |
| EDITOR COUNT | 4 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 7 |
Introduction
The steam-driven transport revolution of the late nineteenth and early twentieth centuries dramatically altered the geography of globalization, fuelling rapid urbanization at an unprecedented scale in port cities across the globe. Whereas global historians have primarily studied port cities because of their function in globe-spanning networks, this special issue explores the intersection of global and urban history from a socio-environmental pers…
Factors impacting resident outcomes from Covid-19 outbreaks in Residential Aged Care Facilities in Sydney Local Health District
The results of this study suggest the utility of the IPC scoring system for identifying facilities at greater risk of adverse outcomes from COVID-19 outbreaks. While further validation and replication of accuracy is required, the IPC scoring system could be used and adapted to improve planning, policy, and resource allocation for future outbreaks
You Feel Like You Did Something So Wrong”
This article examines the experiences of female partners and relatives of child sexual abuse material offenders and the (il)legibility of their experiences within prevailing theoretical frameworks and policy responses to violence against women. Drawing on survey and interview data with clients of a specialist support agency, we situate the lack of understanding and support available to these women within the systematic depoliticization of child s…
Brokering arts to build cross-cultural relations
Despite the shift to relational perspective in cultural diplomacy, there is little comparative analysis of relational practices and their effectiveness on enhancing cultural relations, whether understanding, collaborations or market exchanges. To address this gap, we incorporate network literature into cultural relations to examine 10 years of Momentum, a cultural diplomacy programme hosted by Festivals Edinburgh, the British Council and Creative…
The Final Word on sports podcasts
Sports podcasting has spread rapidly over the past decade and reflects how sports media have been quick to embrace new technologies. Despite being a relatively recent medium, podcasts have expanded the sports field with their format and content. The rise in podcast shows and episodes has been noticeable, but less is known, particularly in an academic context, about the audience's desire for sports news and information. Utilising the audience of T…
“That Was the Biggest Help”
This study reveals the informal instrumental and socio-emotional support that non-traditional (e.g., Latinx, Black, Indigenous, and first-generation), low-income community college students pursuing STEM majors receive from family members that combat experiences of marginalization and contribute toward their self-efficacy. Family support can be particularly important for underrepresented undergraduate Science, Technology, Engineering, and Math (ST…
Concepts and Categories
Frontiers of Creative Industries
Frontiers of Creative Industries
Introduction
Towards an Articulation of the Material and Visual Turn in Organization Studies
Contemporary organizations increasingly rely on images, logos, videos, building materials, graphic and product design, and a range of other material and visual artifacts to compete, communicate, form identity and organize their activities. This Special Issue focuses on materiality and visuality in the course of objectifying and reacting to novel ideas, and, more broadly, contributes to organizational theory by articulating the emergent contours o…
The Material and Visual Basis of Institutions
Qualitatively capturing institutional logics
There is an ever-increasing volume of studies investigating institutional logics, and yet qualitative methods for studying this phenomenon are not clear. In this essay, we examine how qualitative scholars convince their readers that they are actually studying institutional logics. We identify three different, but non-exclusive techniques that have been employed: pattern deducing, pattern matching, and pattern inducing. For each of these approache…
Misfits, Mavericks and Mainstreams
Creative industries are among the fastest-growing and most important sectors of European and North American economies. Their growth depends on continuous innovation, which is important in many industries and also challenging to manage because of inherent tensions. Creative industries, similar to many industries, depend not only on novelty to attract consumers, but also on familiarity to aid comprehension and stabilize demand for cultural products…
The Oxford Handbook of Creative Industries
User innovation is a potent economic and social force; the process, however, can be challenging, complex, and involve multiple actors with diverse and possibly conflicting motivations. It is prevalent in the music software industry, a sector characterized by low-cost shareware and customers equipped with high levels of technical skills. Here we explore how one firm in this sector—Sibelius—extracts value from their users by offering partially open…
Creative Industries
Creative Industries and the Wider Economy
Researchers have argued that the creative industries have significant effects on the wider economy, with early agendas focused on urban regeneration, job creation, and economic value-added. Later work extended to new firm creation, the growth of new markets, and regional clustering and development. This chapter reviews the evolution of thinking on classifying the creative industries as a ‘sector’, or group of sectors, and outlines contributions o…
How the DPSIR framework can be used for structuring problems and facilitating empirical research in coastal systems
Serious games for learning
In spite of research demonstrating conceptual weakness in many child sexual abuse (CSA) prevention programmes and outdated modes of delivery, students continue to participate in a diversity of initiatives. Referring to the development of a games-based approach to CSA prevention in Australia, this paper examines empirically based attributes of effective CSA prevention programmes for schools including contemporary pedagogies for learning. The paper…
Organizing Events for Configuring and Maintaining Creative Fields
The Oxford Handbook of Creative Industries is a reference work, bringing together many of the world's leading scholars in the application of creativity in economics, business and management, law, policy studies, organization studies and psychology.
Gatekeeper search and selection strategies
Organizational identification
Although organizational identification is founded on social identity and symbolic interactionist theories, current theories emphasize a social identity whereby organizational members categorize themselves and others based on roles and membership in an organization or work unit. In contrast symbolic interactionism, which resides in interpersonal relationships, is rarely theorized or empirically assessed in studies of organizational identification.…
Finding a place in history
Boundaryless careers are pervasive, and yet we have little understanding of the boundaries imposed by categorization processes upon those engaged in boundaryless careers such as in creative industries and cultural fields. Categorization processes underlie symbolic and social boundaries and this study examines whether transgressing symbolic and social boundaries enhances the likelihood of soaring to eminence or sliding into relative obscurity. Thi…
Designing a frame
We examine the rhetorical strategy of architects in widely available architectural texts, to identify what words are available for use in the cultural register. Our results show that these cultural register texts use distinct but related rhetorics; vocabularies of competency that are revealed through clusters of keywords and which capture institutional logics of business, profession and state. We then examine how architect firms use these keyword…
Introduction to paradoxes of creativity
This special issue explores the paradoxes caused by the challenge of managing and organizing creativity in the cultural economy. Conventional views of the individual creative artist are replaced by a view of creativity as a social process embedded within organizational and institutional contexts. The cultural economy is broadly defined in terms of breadth of industries included and depth elements of the cultural production chain. The paper next e…
Institutional Logics and Institutional Change in Organizations
We contribute to the literature on institutional and organizational change by integrating two related areas of study: the theory and methods of analysis informed by the research on institutional logics and historical-event sequencing. Institutional logics provide the theory to understand how the content of culture influences organizational change; historical-event sequencing reveals the underlying patterns of cultural transformation. We apply thi…
Towards an Articulation of the Material and Visual Turn in Organization Studies
Contemporary organizations increasingly rely on images, logos, videos, building materials, graphic and product design, and a range of other material and visual artifacts to compete, communicate, form identity and organize their activities. This Special Issue focuses on materiality and visuality in the course of objectifying and reacting to novel ideas, and, more broadly, contributes to organizational theory by articulating the emergent contours o…
Introduction to paradoxes of creativity
This special issue explores the paradoxes caused by the challenge of managing and organizing creativity in the cultural economy. Conventional views of the individual creative artist are replaced by a view of creativity as a social process embedded within organizational and institutional contexts. The cultural economy is broadly defined in terms of breadth of industries included and depth elements of the cultural production chain. The paper next e…
Organizational identification
Although organizational identification is founded on social identity and symbolic interactionist theories, current theories emphasize a social identity whereby organizational members categorize themselves and others based on roles and membership in an organization or work unit. In contrast symbolic interactionism, which resides in interpersonal relationships, is rarely theorized or empirically assessed in studies of organizational identification.…
Gatekeeper search and selection strategies
Designing a frame
We examine the rhetorical strategy of architects in widely available architectural texts, to identify what words are available for use in the cultural register. Our results show that these cultural register texts use distinct but related rhetorics; vocabularies of competency that are revealed through clusters of keywords and which capture institutional logics of business, profession and state. We then examine how architect firms use these keyword…
Misfits, Mavericks and Mainstreams
Creative industries are among the fastest-growing and most important sectors of European and North American economies. Their growth depends on continuous innovation, which is important in many industries and also challenging to manage because of inherent tensions. Creative industries, similar to many industries, depend not only on novelty to attract consumers, but also on familiarity to aid comprehension and stabilize demand for cultural products…
Finding a place in history
Boundaryless careers are pervasive, and yet we have little understanding of the boundaries imposed by categorization processes upon those engaged in boundaryless careers such as in creative industries and cultural fields. Categorization processes underlie symbolic and social boundaries and this study examines whether transgressing symbolic and social boundaries enhances the likelihood of soaring to eminence or sliding into relative obscurity. Thi…
How the DPSIR framework can be used for structuring problems and facilitating empirical research in coastal systems
You Feel Like You Did Something So Wrong”
This article examines the experiences of female partners and relatives of child sexual abuse material offenders and the (il)legibility of their experiences within prevailing theoretical frameworks and policy responses to violence against women. Drawing on survey and interview data with clients of a specialist support agency, we situate the lack of understanding and support available to these women within the systematic depoliticization of child s…
The Final Word on sports podcasts
Sports podcasting has spread rapidly over the past decade and reflects how sports media have been quick to embrace new technologies. Despite being a relatively recent medium, podcasts have expanded the sports field with their format and content. The rise in podcast shows and episodes has been noticeable, but less is known, particularly in an academic context, about the audience's desire for sports news and information. Utilising the audience of T…
Serious games for learning
In spite of research demonstrating conceptual weakness in many child sexual abuse (CSA) prevention programmes and outdated modes of delivery, students continue to participate in a diversity of initiatives. Referring to the development of a games-based approach to CSA prevention in Australia, this paper examines empirically based attributes of effective CSA prevention programmes for schools including contemporary pedagogies for learning. The paper…
Back to the future in film
Career patterns are changing. As fewer people attach their long-term fortunes to the fates of a single organization, more and more people follow a free agent route. The free agent scrambles, bee-like, from opportunity to opportunity without regard to boundaries. While this career scramble is new to most industries, it has been common to the American film industry for a quarter century. In this article, we look back at successful careers in the fi…
Careers in Project Networks
Faced with the demise of traditional careers, individuals are increasingly engaged in jobs comprised of short-term projects, rather than in permanent employment arrangements (Bridges, 1994; Huey, 1994; O’Reilly, 1994; Richman, 1994a, 19946). This radical shift in responsibility and action in work life is transforming our notion of careers and work organization. Understanding what these changes mean and how they are being played out is a critical …
A General Theory of Network Governance
Candace Jones, William S. Hesterly, Stephen P. Borgatti, A General Theory of Network Governance: Exchange Conditions and Social Mechanisms, The Academy of Management Review, Vol. 22, No. 4 (Oct., 1997), pp. 911-945
Co-Evolution of Entrepreneurial Careers, Institutional Rules and Competitive Dynamics in American Film, 1895-1920
An historical case analysis of the American film industry is undertaken to gain a better understanding of the co-evolutionary processes of entrepreneurial careers, institutional rules and competitive dynamics in emerging industries. The study compares technology and content-focused periods, which were driven by entrepreneurs with different career histories and characterized by distinct institutional rules and competitive dynamics. Archival data a…
Time for Action
Institutional Logics and Institutional Change in Organizations
We contribute to the literature on institutional and organizational change by integrating two related areas of study: the theory and methods of analysis informed by the research on institutional logics and historical-event sequencing. Institutional logics provide the theory to understand how the content of culture influences organizational change; historical-event sequencing reveals the underlying patterns of cultural transformation. We apply thi…
Transformation in Cultural Industries
The cultural industries consist of those organizations that design, produce, and distribute products that appeal to aesthetic or expressive tastes more than to the utilitarian aspects of customer needs such as films, books, building designs, fashion, and music (Peterson & Berger, 1975, 1996; Hirsch, 1972, 2000; Lampel, Lant, & Shamsie, 2000). Less widely acknowledged, but as critical, cultural industries also create products that serve important …
Transformation in Cultural Industries
The cultural industries have been considered unique and out of the mainstream, not a subject for developing general theory, and therefore relatively understudied by organizational scholars. We argue it is no longer the case that cultural industries are so uniquerepresenting small markets and industries of little matter to research in the sociology of organizations. Cultural industries are now one of the fastest growing and most vital sectors in t…
Introduction to paradoxes of creativity
This special issue explores the paradoxes caused by the challenge of managing and organizing creativity in the cultural economy. Conventional views of the individual creative artist are replaced by a view of creativity as a social process embedded within organizational and institutional contexts. The cultural economy is broadly defined in terms of breadth of industries included and depth elements of the cultural production chain. The paper next e…
Designing a frame
We examine the rhetorical strategy of architects in widely available architectural texts, to identify what words are available for use in the cultural register. Our results show that these cultural register texts use distinct but related rhetorics; vocabularies of competency that are revealed through clusters of keywords and which capture institutional logics of business, profession and state. We then examine how architect firms use these keyword…
Organizational identification
Although organizational identification is founded on social identity and symbolic interactionist theories, current theories emphasize a social identity whereby organizational members categorize themselves and others based on roles and membership in an organization or work unit. In contrast symbolic interactionism, which resides in interpersonal relationships, is rarely theorized or empirically assessed in studies of organizational identification.…
Finding a place in history
Boundaryless careers are pervasive, and yet we have little understanding of the boundaries imposed by categorization processes upon those engaged in boundaryless careers such as in creative industries and cultural fields. Categorization processes underlie symbolic and social boundaries and this study examines whether transgressing symbolic and social boundaries enhances the likelihood of soaring to eminence or sliding into relative obscurity. Thi…
Gatekeeper search and selection strategies
Organizing Events for Configuring and Maintaining Creative Fields
The Oxford Handbook of Creative Industries is a reference work, bringing together many of the world's leading scholars in the application of creativity in economics, business and management, law, policy studies, organization studies and psychology.
Serious games for learning
In spite of research demonstrating conceptual weakness in many child sexual abuse (CSA) prevention programmes and outdated modes of delivery, students continue to participate in a diversity of initiatives. Referring to the development of a games-based approach to CSA prevention in Australia, this paper examines empirically based attributes of effective CSA prevention programmes for schools including contemporary pedagogies for learning. The paper…
The Oxford Handbook of Creative Industries
User innovation is a potent economic and social force; the process, however, can be challenging, complex, and involve multiple actors with diverse and possibly conflicting motivations. It is prevalent in the music software industry, a sector characterized by low-cost shareware and customers equipped with high levels of technical skills. Here we explore how one firm in this sector—Sibelius—extracts value from their users by offering partially open…
Creative Industries
Creative Industries and the Wider Economy
Researchers have argued that the creative industries have significant effects on the wider economy, with early agendas focused on urban regeneration, job creation, and economic value-added. Later work extended to new firm creation, the growth of new markets, and regional clustering and development. This chapter reviews the evolution of thinking on classifying the creative industries as a ‘sector’, or group of sectors, and outlines contributions o…
How the DPSIR framework can be used for structuring problems and facilitating empirical research in coastal systems
Qualitatively capturing institutional logics
There is an ever-increasing volume of studies investigating institutional logics, and yet qualitative methods for studying this phenomenon are not clear. In this essay, we examine how qualitative scholars convince their readers that they are actually studying institutional logics. We identify three different, but non-exclusive techniques that have been employed: pattern deducing, pattern matching, and pattern inducing. For each of these approache…
Misfits, Mavericks and Mainstreams
Creative industries are among the fastest-growing and most important sectors of European and North American economies. Their growth depends on continuous innovation, which is important in many industries and also challenging to manage because of inherent tensions. Creative industries, similar to many industries, depend not only on novelty to attract consumers, but also on familiarity to aid comprehension and stabilize demand for cultural products…
The Material and Visual Basis of Institutions
Frontiers of Creative Industries
Frontiers of Creative Industries
Introduction
Towards an Articulation of the Material and Visual Turn in Organization Studies
Contemporary organizations increasingly rely on images, logos, videos, building materials, graphic and product design, and a range of other material and visual artifacts to compete, communicate, form identity and organize their activities. This Special Issue focuses on materiality and visuality in the course of objectifying and reacting to novel ideas, and, more broadly, contributes to organizational theory by articulating the emergent contours o…
Sociology (20 works) · Cultural Industries and Urban Development (17 works) · Political science (15 works) · Business (13 works) · Management and Organizational Studies (12 works) · Computer Science (11 works) · Economics (10 works) · Psychology (10 works) · Social science (10 works) · Public relations (9 works)