Eurie Dahn
Biographic Data
| ID | 3612693 |
|---|---|
| NAME | Eurie Dahn |
| GIVEN NAMES | Eurie |
| FAMILY NAME | Dahn |
| SIGNATURE | DAHN E |
| AFFILIATIONS | College of Saint Rose |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Jim Crow Networks: African American Periodical Cultures
Lex Talionis: "A Story," by Robert W. Bagnall
Robert W. Bagnall’s “Lex Talionis,” with its depiction of a scientific process that transforms a white man black, is an early Afrofuturist text that shares a striking resemblance with the central conceit of George Schuyler’s better known Black No More (1931). Published in 1922 in the Crisis, the short story’s content and form work in concert with the magazine’s aims to argue for the importance of the black press during the Jim Crow era
Unashamedly Black: Jim Crow Aesthetics and the Visual Logic of Shame
Journal Article “Unashamedly Black”: Jim Crow Aesthetics and the Visual Logic of Shame Get access Eurie Dahn Eurie Dahn College of Saint Rose Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 39, Issue 2, Summer 2014, Pages 93–114, https://doi.org/10.1093/melus/mlu010 Published: 02 April 2014
No prominent works on this page.
Unashamedly Black: Jim Crow Aesthetics and the Visual Logic of Shame
Journal Article “Unashamedly Black”: Jim Crow Aesthetics and the Visual Logic of Shame Get access Eurie Dahn Eurie Dahn College of Saint Rose Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 39, Issue 2, Summer 2014, Pages 93–114, https://doi.org/10.1093/melus/mlu010 Published: 02 April 2014
Lex Talionis: "A Story," by Robert W. Bagnall
Robert W. Bagnall’s “Lex Talionis,” with its depiction of a scientific process that transforms a white man black, is an early Afrofuturist text that shares a striking resemblance with the central conceit of George Schuyler’s better known Black No More (1931). Published in 1922 in the Crisis, the short story’s content and form work in concert with the magazine’s aims to argue for the importance of the black press during the Jim Crow era
Jim Crow Networks: African American Periodical Cultures
History (3 works) · Art (2 works) · Art history (2 works) · Aesthetics (1 works) · African American authors (1 works) · African American newspapers (1 works) · African American periodicals (1 works) · African americans (1 works) · African Americans and mass media (1 works) · American literature (1 works)