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Katy Ryan

Biographic Data

ID3612718
NAMEKaty Ryan
GIVEN NAMESKaty
FAMILY NAMERyan
SIGNATURERYAN K
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2011
H-INDEX1
  • State Killing, the Stage of Innocence, and The Exonerated

    Katy Ryan•ARTICLE•American Literature•2011

    Ryan's essay analyzes the coordination of the innocence argument and sentimentality in Jessica Blank and Erik Jensen's TheExonerated (2003), a documentary play based on interviews with people sentenced to die for crimes they did not commit. The play's composition, performance, and reception reveal the challenges of creating art that is aimed at social reform and confirm the difficulty in assessing the political function or, in Fredric Jameson's s…

  • Warfare in the American Homeland

    Katy Ryan•ARTICLE•African American Review•2009

    Reviewed by: Warfare in the American Homeland: Policing and Prison in a Penal Democracy Katy Ryan Joy James , ed. Warfare in the American Homeland: Policing and Prison in a Penal Democracy. Durham: Duke UP, 2007. 376 pp. $24.95. Activists and scholars struggle to come up with the comparison, the statistic, the map that will convey the enormity of the penal crisis in the United States: over two million people are locked in cages, and another five …

  • The Aesthetics of Toni Morrison

    Katy Ryan, Marc C Conner•ARTICLE•African American Review•2002

  • Revolutionary Suicide in Toni Morrison's Fiction

    Katy Ryan•ARTICLE•African American Review•2000•Cited by: 1

    [On slaveships, some Igbos] wished to die on idea that they should then get back to their own country. The captain in order to obviate this idea, thought of an expedient viz. to cut off heads of those who died intimating to them that if determined to go, they must return without heads. The slaves were accordingly brought up to witness operation. One of them by violent exertion got loose and to where nettings had been unloosed in order to empty tu…

  • Revolutionary Suicide in Toni Morrison's Fiction

    Katy Ryan•ARTICLE•African American Review•2000•Cited by: 1

    [On slaveships, some Igbos] wished to die on idea that they should then get back to their own country. The captain in order to obviate this idea, thought of an expedient viz. to cut off heads of those who died intimating to them that if determined to go, they must return without heads. The slaves were accordingly brought up to witness operation. One of them by violent exertion got loose and to where nettings had been unloosed in order to empty tu…

  • Revolutionary Suicide in Toni Morrison's Fiction

    Katy Ryan•ARTICLE•African American Review•2000•Cited by: 1

    [On slaveships, some Igbos] wished to die on idea that they should then get back to their own country. The captain in order to obviate this idea, thought of an expedient viz. to cut off heads of those who died intimating to them that if determined to go, they must return without heads. The slaves were accordingly brought up to witness operation. One of them by violent exertion got loose and to where nettings had been unloosed in order to empty tu…

  • The Aesthetics of Toni Morrison

    Katy Ryan, Marc C Conner•ARTICLE•African American Review•2002

  • Warfare in the American Homeland

    Katy Ryan•ARTICLE•African American Review•2009

    Reviewed by: Warfare in the American Homeland: Policing and Prison in a Penal Democracy Katy Ryan Joy James , ed. Warfare in the American Homeland: Policing and Prison in a Penal Democracy. Durham: Duke UP, 2007. 376 pp. $24.95. Activists and scholars struggle to come up with the comparison, the statistic, the map that will convey the enormity of the penal crisis in the United States: over two million people are locked in cages, and another five …

  • State Killing, the Stage of Innocence, and The Exonerated

    Katy Ryan•ARTICLE•American Literature•2011

    Ryan's essay analyzes the coordination of the innocence argument and sentimentality in Jessica Blank and Erik Jensen's TheExonerated (2003), a documentary play based on interviews with people sentenced to die for crimes they did not commit. The play's composition, performance, and reception reveal the challenges of creating art that is aimed at social reform and confirm the difficulty in assessing the political function or, in Fredric Jameson's s…

Art (3 works) · Law (3 works) · Political science (3 works) · Aesthetics (2 works) · Criminal Justice and Corrections Analysis (2 works) · Criminology (2 works) · Literature (2 works) · Politics (2 works) · Psychology (2 works) · Race, History, and American Society (2 works)

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